IMDb > The Tarnished Angels (1957)
The Tarnished Angels
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The Tarnished Angels (1957) More at IMDbPro »

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Overview

User Rating:
7.3/10   1,539 votes »
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Down 34% in popularity this week. See why on IMDbPro.
Director:
Writers:
William Faulkner (novel)
George Zuckerman (screenplay)
Contact:
View company contact information for The Tarnished Angels on IMDbPro.
Release Date:
11 January 1958 (USA) See more »
Genre:
Plot:
Story of a friendship between an eccentric journalist and a daredevil barnstorming pilot. Full summary » | Add synopsis »
Plot Keywords:
NewsDesk:
(9 articles)
Blu-ray Review: 'A Time to Love and a Time to Die' (MoC)
 (From CineVue. 24 September 2013, 4:47 PM, PDT)

The Tarnished Angels DVD Review
 (From The Hollywood News. 22 September 2013, 11:17 AM, PDT)

The Tarnished Angels
 (From The Guardian - Film News. 14 September 2013, 4:06 PM, PDT)

User Reviews:
Powerful See more (25 total) »

Cast

  (in credits order) (verified as complete)

Rock Hudson ... Burke Devlin

Robert Stack ... Roger Shumann

Dorothy Malone ... LaVerne Shumann

Jack Carson ... Jiggs
Robert Middleton ... Matt Ord

Alan Reed ... Colonel Fineman
Alexander Lockwood ... Sam Hagood
Christopher Olsen ... Jack Shumann (as Chris Olsen)

Robert J. Wilke ... Hank

Troy Donahue ... Frank Burnham

William Schallert ... Ted Baker
Betty Utey ... Dancing Girl
Phil Harvey ... Telegraph Editor
Steve Drexel ... Young Man
Eugene Borden ... Claude Mollet
Steve Ellis ... Mechanic (as Stephen Ellis)
rest of cast listed alphabetically:
Bill Baldwin ... Pylon Air Race Announcer (voice) (uncredited)
Jack Chefe ... Chef at Roger's Memorial Dinner (uncredited)
Bess Flowers ... Newspaper Office Clerk (uncredited)
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Directed by
Douglas Sirk 
 
Writing credits
William Faulkner (novel "Pylon")

George Zuckerman (screenplay)

Produced by
Albert Zugsmith .... producer
 
Original Music by
Frank Skinner 
 
Cinematography by
Irving Glassberg (director of photography)
 
Film Editing by
Russell F. Schoengarth 
 
Art Direction by
Alexander Golitzen 
Alfred Sweeney 
 
Set Decoration by
Oliver Emert 
Russell A. Gausman 
 
Costume Design by
Bill Thomas 
 
Makeup Department
Bud Westmore .... makeup artist
 
Second Unit Director or Assistant Director
Wilbur Mosier .... second assistant director
David Silver .... assistant director
 
Sound Department
Leslie I. Carey .... sound
Corson Jowett .... sound
Edward L. Sandlin .... sound editor (uncredited)
Joe Sikorsky .... sound editor (uncredited)
 
Camera and Electrical Department
Clifford Stine .... special photography
 
Music Department
Joseph Gershenson .... music supervisor
Henry Mancini .... composer: stock music (uncredited)
Herman Stein .... composer: stock music (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
91 min
Country:
Language:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)

Did You Know?

Trivia:
During the location shooting in San Diego of this film, Robert Stack's wife was about to have their first child. While filming the tense scene where Stack propositions his own wife (played by Dorothy Malone), suddenly a plane flew right by the cameras with letters tailing four feet tall proclaiming IT'S A GIRL! Rock Hudson had arranged to have the hospital call immediately when the news came and hired a stunt pilot to tow the message behind the plane. Stack was deeply moved by Hudson's generosity, saying in his autobiography, "It's a moment I've never forgotten. Anybody who tells me that Rock Hudson isn't a first-class gent had better put up his dukes."See more »
Goofs:
Anachronisms: Despite the fact that the story is taking place in the early 1930s, all of Dorothy Malone's clothing, hairstyles and make-up are strictly 1957, the year the picture was filmed.See more »
Quotes:
Ted Baker:On the level, what'd you do last night?
Burke Devlin:Nothing much:just sat up half the night discussing literature and life with a beautiful, half naked blonde.
Ted Baker:You better change bootleggers.
See more »
Soundtrack:
Old Folks at HomeSee more »

FAQ

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13 out of 15 people found the following review useful.
Powerful, 5 November 2001
Author: zetes from Saint Paul, MN

Let's get this straight right off the bat: I have read William Faulkner's novel Pylon, and Douglas Sirk's cinematic adaptaion of it, Tarnished Angels, lives in the original's shadow. Pylon, which for some reason is the only Faulkner novel currently out of print, is one of that glorious author's best works. Still, the film is an excellent achievement. The story's power may be a bit lessened, but Sirk's direction as well as the performances of Rock Hudson, Dorothy Malone, Robert Stack, and Jack Carson make up for it. And while the plot suffers from reductions, the dialogue, much of which, I'm pretty sure, was not in the novel, is very good. The best scene in the film is Rock Hudson's drunken and passionate speech in the news room near the end of the film. In the novel, the equivalent of that speech is found in a garbage can. The final image of the novel is of the newspaper editor reading Burke Devlin's impassioned, prosaic description of the final pylon race. It's a perfect ending for a novel, but the screenwriter here was right in putting those words, or at least the idea of those words, back into Devlin's mouth.

Tarnished Angels is equal in artistic accomplishment to the other great Sirk film I've seen, Written on the Wind. Both star Rock Hudson, Robert Stack, and Dorothy Malone, but there is a big difference between the two. Written on the Wind is a florid melodrama, the kind that Sirk was famous for. The colors are almost psychedelic, and the level of melodrama makes it feel like the world is about to end. Tarnished Angles is filmed in black and white, and, while it is melodramatic, it never feels like it's going over the edge. Sirk plays it at a level where you can feel the desperation of the characters (the novel, which isn't as prudish (the film, of course, was made under the Hayes Code), depicts a level of loss and desperation that is simply murder; the ending of the film, which I wouldn't exactly call happy, is a hundred times less depressing than that of the novel). But, unlike in Written on the Wind, it never seems like Sirk is laughing at or making fun of the characters in Tarnished Angels. It seems like he meant this film to be an honest adaptation of a great novel. He succeeded quite well. 9/10.

PS: The Criterion Company recently released Written on the Wind and All That Heaven Allows on DVD. I beg them to release this one next. The version on VHS is cropped from its widescreen glory, and you can tell. It feels very cluttered and claustrophobic, and often the panning and scanning seem choppy. The opening credits keep the widescreen, and it looks like it might be an even more visually spectacular film than I noticed. I really wish that they wouldn't get my hopes up by holding the original aspect ratio through the opening credits. What I want to see one day is the word "CINEMASCOPE" cropped to "EMASC" at the beginning of a film in a 1.33:1 aspect ratio.

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