| Photos (See all 23 | slideshow) | Videos |
| Burt Lancaster | ... | J.J. Hunsecker | |
| Tony Curtis | ... | Sidney Falco | |
| Susan Harrison | ... | Susan Hunsecker | |
| Martin Milner | ... | Steve Dallas (as Marty Milner) | |
| Jeff Donnell | ... | Sally | |
| Sam Levene | ... | Frank D' Angelo | |
| Joe Frisco | ... | Herbie Temple | |
| Barbara Nichols | ... | Rita | |
| Emile Meyer | ... | Lt. Harry Kello | |
| Edith Atwater | ... | Mary | |
| The Chico Hamilton Quintet | ... | Themselves | |
| rest of cast listed alphabetically: | |||
| Nick Adams | ... | Customer at hot-dog stand (uncredited) | |
| Jay Adler | ... | Manny Davis (uncredited) | |
| Nicky Blair | ... | Patron at Toots Shor's (uncredited) | |
| Ralph Brooks | ... | Patron at 21 (uncredited) | |
| Robert Carson | ... | Lou - Headwaiter at Toots Shor's (uncredited) | |
| Lewis Charles | ... | Al Evans (uncredited) | |
| Buddy Clark | ... | Bassist in Chico Hamilton Quintet (uncredited) | |
| Joe Di Reda | ... | Patron at Toots Shor's (uncredited) | |
| Lawrence Dobkin | ... | Leo Bartha (uncredited) | |
| John Fiedler | ... | Counterman at Hot Dog Stand (uncredited) | |
| William Forrest | ... | Sen. Harvey Walker (uncredited) | |
| Joseph Forte | ... | Waiter at Toots Shor's (uncredited) | |
| Robert Fuller | ... | Minor Role (uncredited) | |
| Joe Gray | ... | Patron at 21 Club (uncredited) | |
| Chico Hamilton | ... | Himself - Chico Hamilton Quintet (uncredited) | |
| James Hill | ... | Man Outside Theatre (uncredited) | |
| Paul Horn | ... | Himself - Chico Hamilton Quintet (uncredited) | |
| Charles Jordan | ... | Man at Hot Dog Stand (uncredited) | |
| Fred Katz | ... | Himself - Chico Hamilton Quintet (uncredited) | |
| Mike Lally | ... | Patron at Toots Shor's (uncredited) | |
| Joseph Leon | ... | Joe Robard (uncredited) | |
| Thomas Martin | ... | Waiter at 21 (uncredited) | |
| Forbes Murray | ... | Patron at Toots Shor's (uncredited) | |
| William H. O'Brien | ... | Waiter at 21 (uncredited) | |
| Clifford Odets | ... | Man Outside Theatre (uncredited) | |
| Bill Raisch | ... | Patron at Toots Shor's (uncredited) | |
| Jane Ross | ... | Minor Role (uncredited) | |
| Autumn Russell | ... | Linda James (uncredited) | |
| Charles Sherlock | ... | Bartender at Toots Shor's (uncredited) | |
| Carson Smith | ... | Himself (uncredited) | |
| Queenie Smith | ... | Mildred Tam (uncredited) | |
| Bert Stevens | ... | Patron at 21 (uncredited) | |
| Arthur Tovey | ... | Nightclub Patron (uncredited) | |
| Lurene Tuttle | ... | Loretta Bartha (uncredited) | |
| Harry Tyler | ... | Coffee Shop Counter Man (uncredited) | |
| Philip Van Zandt | ... | Radio Program Director (uncredited) | |
| David White | ... | Otis Elwell (uncredited) | |
| H.M. Wynant | ... | Patron at Toots Shor's (uncredited) | |
Directed by | |||
| Alexander Mackendrick | |||
Writing credits | ||
| Clifford Odets | (screenplay) and | |
| Ernest Lehman | (screenplay) | |
| Ernest Lehman | (novella) | |
| Alexander Mackendrick | uncredited | |
Produced by | |||
| James Hill | .... | producer | |
| Tony Curtis | .... | executive producer (uncredited) | |
| Harold Hecht | .... | executive producer (uncredited) | |
| Burt Lancaster | .... | executive producer (uncredited) | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| James Wong Howe | (photographed by) | ||
Art Direction by | |||
| Edward Carrere | |||
Set Decoration by | |||
| Edward G. Boyle | (as Edward Boyle) | ||
Costume Design by | |||
| Mary Grant | |||
Makeup Department | |||
| Robert J. Schiffer | .... | makeup artist (as Robert Schiffer) | |
Production Management | |||
| Richard McWhorter | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard Maybery | .... | assistant director | |
Sound Department | |||
| Robert G. Carlisle | .... | sound effects editor (as Robert Carlisle) | |
| Jack Solomon | .... | sound recordist | |
Editorial Department | |||
| Alan Crosland Jr. | .... | editorial supervisor | |
Music Department | |||
| Elmer Bernstein | .... | conductor | |
| Lloyd Young | .... | music editor | |
| John Pisano | .... | musician: guitar dubbing, Martin Milner (uncredited) | |
Other crew | |||
| Harold Hecht | .... | presenter (as Hecht) | |
| James Hill | .... | presenter (as Hill) | |
| Burt Lancaster | .... | presenter (as Lancaster) | |
| Thom Conroy | .... | dialogue director (uncredited) | |
| Michael Hyatt | .... | film restoration (uncredited) | |
| Ruth McCrough Miller | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Another poster "stole" the one line summary I wanted to use: "Match me, Sidney." Damn. It's one of the best lines in the movie. Oh, well.
"Sweet Smell of Success" is a great, wildly entertaining movie. It reminds me of "Dangerous Liasons" in both it's subject ("bad" people making life worse for more decent folk) and how swiftly and imaginatively directed it is. It's juicy from beginning to end. Burt Lancaster is once again terrific as J.J. Hunsecker, Walter Winchell-esque writer of a "society" column which is more of a tool of destruction for those who cross his path.
But it's Tony Curtis who holds the movie together. Always scheming and plotting and never letting a decent human emotion take precedence over his drive to succeed at any cost. He's Marvelous and was never again to achieve what he did here.
But there's a third star to this production and it's New York City itself. The on location photography is stunning. What is amazing is that at the time the movie was made (1957) on location filming was just becoming "in vogue". For a film like this, it HAD to filmed on location or else it's power would be substantially diluted. I work in Manhattan near where a lot of this film was made (J.J. lives in the Brill Building which is on Broadway between 49th and 50th Streets, right around the corner from me). To see what the neighborhood looked like over 40 years ago is amazing. Surprisingly, it's the astonishing on site photography that prevents the film from really feeling dated. Also, the themes in the film are timeless as well.
"Sweet Smell of Success" is a classic from top to bottom.