A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
J.J. Hunsecker, the most powerful newspaper columnist in New York, is determined to prevent his sister from marrying Steve Dallas, a jazz musician. He therefore covertly employs Sidney Falco, a sleazy and unscrupulous press agent, to break up the affair by any means possible. Written by
David Levene <D.S.Levene@durham.ac.uk>
After writer Ernest Lehman withdrew from the project because of a stomach problem, much to the chagrin of producer/star Lancaster, Hecht-Hill-Lancaster hired Clifford Odets for rewrites. The noteworthy writer reconstructed every scene. As soon as he had finished writing a scene in his hotel room, it was rushed to the location for Mackendrick to shoot. According to Lancaster biographer Gary Fishgall, pages were distributed to the crew after they had been shot. See more »
In first scene in Sidney's office, secretary picks up a stack of magazines and newspapers, that change position and height of stack from shot to shot. See more »
You're an amusing boy, but you haven't got a drop of respect for anything in human life.
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Remember how scary Robert Mitchum was in Night of the Hunter? Or Darth Vader in the first Star Wars movie? Well Burt Lancaster as J.J. Hunsecker is right up there with them. With his clipped words, ice-cold gaze, rigid neck and steel-rimmed glasses, he looks like he's ready to break people in half with just the power of his voice. He drifts through the film like an unstoppable barge, commanding every scene with just the turn of his head. Seldom is there such a powerful screen presence.
Lancaster's performance alone is worth seeing this film, but the writing cracks like a whip. This is some of the best writing I've ever seen in any film, recalling the brilliant writing of All About Eve or Citizen Kane: "Come back Sidney, I want to chastise you some more", "turn around and look: is she still standing there?", "you're a cookie full of arsenic", "I see your brother's words coming out of your mouth like a ventriloquist's dummy", "I would never use an elephant gun to shoot a mosquito". Over and over, the witty dialogue slices through the scenes like a razor. You have to see this film to believe it.
Tony Curtis was never better as a sleazy PR guy as he pimps his secretary, slobbers at J.J.'s heels like an obsequious mutt, and colludes with the crooked cops to frame people. Within this maelstrom of cynicism and anger are two young lovers, driven apart by J.J.'s overbearing presence.
The photography is excellent, you can almost smell the wet NYC streets. Black and white never looked better.
This is an excellent film, and highly recommended. I wish they still made movies like this.
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