A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
J.J. Hunsecker, the most powerful newspaper columnist in New York, is determined to prevent his sister from marrying Steve Dallas, a jazz musician. He therefore covertly employs Sidney Falco, a sleazy and unscrupulous press agent, to break up the affair by any means possible. Written by
David Levene <D.S.Levene@durham.ac.uk>
At the Turner Classic Movies 2010 Classic Film Festival, screenwriter and actor Buck Henry revealed that he was an extra in the scene when Tony Curtis gets his hand caught in the door. Unfortunately, said Henry, he ended up on the cutting room floor. See more »
During the theater confrontation scene, Hunsucker is writing on a small note pad, but the pad and pen suddenly vanish from his hands as he and Falco move up onto the stage. See more »
There are three reasons that movie fans should check this film out, if you haven't seen it yet:
1 - Outstanding dialog. I can't recall a film in which I heard so many clever film-noir lines as this one. Almost everyone in the movie has a unique way of expressing their feelings. It makes the movie one that you want to go back and HEAR again. Clifford Odets and Ernest Lehman wrote the screenplay and deserve special recognition as well as the people below.
2 - Fabulous acting, led by the two male leads: Tony Curtis and Burt Lancaster. Curtis is the star of the film with many more lines than anyone else, and many consider this to be his greatest acting achievement. I have no quarrel with that. It's one of the finest acting jobs I've ever witnessed by anyone. It's that good.
Lancaster is memorable and plays to his strengths as a tough guy, not only with his physical presence but his tactless and cutting verbal assaults. He has the best and most brutal lines in the film.
The minor characters in here, from the cop to the comedian to the cigarette girl to the young romantic couple are all top-notch.
3 - The cinematography. A big name in the film business, James Wong Howe, more than lives up to his reputation. This is beautifully photographed and looks absolutely stunning on DVD. I have watched hundreds and hundreds of black-and-white films and this ranks with the best of them. He captured nighttime New York City as well as anybody ever has done.
"Well," you might ask, "if this movie is so great, why haven't I heard more about it?"
Maybe because it never did well at the box office. It wasn't promoted a lot, from what I heard, and the storyline is not a pleasant one. Basically, this is about two immoral people who smear a nice guy so that it will ruin the romance between he and Lancaster's sister.
Lancaster plays an absolutely ruthless newspaper columnist who makes and breaks careers and Curtis plays his slimy press-agent who will do anything to please his powerful boss, including doing the worst of his dirty work.
Furrther details of the film can be read by many of the other fine reviewers here on this website, so no need to go into that.
I am not one who generally likes films that feature mostly nasty people but this was done so well that it fascinates me every time. A final tip of the hat to director Alexander Mackendrick. Why he wasn't given more films to direct is a mystery to me. Highly-recommended.
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