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Sweet Smell of Success (1957)

 -  Drama | Film-Noir  -  27 June 1957 (USA)
8.2
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Ratings: 8.2/10 from 16,899 users   Metascore: 100/100
Reviews: 104 user | 88 critic | 5 from Metacritic.com

Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician.

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(screenplay), (screenplay), 2 more credits »
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Title: Sweet Smell of Success (1957)

Sweet Smell of Success (1957) on IMDb 8.2/10

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Nominated for 1 BAFTA Film Award. Another 3 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Susan Harrison ...
Susan Hunsecker
...
Steve Dallas (as Marty Milner)
Jeff Donnell ...
Sally
Sam Levene ...
Frank D' Angelo
Joe Frisco ...
Herbie Temple
...
Rita
Emile Meyer ...
Lt. Harry Kello
Edith Atwater ...
Mary
The Chico Hamilton Quintet ...
Themselves
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Storyline

J.J. Hunsecker, the most powerful newspaper columnist in New York, is determined to prevent his sister from marrying Steve Dallas, a jazz musician. He therefore covertly employs Sidney Falco, a sleazy and unscrupulous press agent, to break up the affair by any means possible. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Taglines:

They know him - and they shiver - the big names of Broadway, Hollywood and Capitol Hill. They know J.J.- the world-famed columnist whose gossip is gospel to sixty million readers! They know the venom that flickers in those eyes behind the glasses - and they fawn - like Sid Falco, the kid who wanted "in" so much, he'd sell out his own girl to stand up there with J.J., sucking in the sweet smell of success! This is J.J.'s story - but not the way he would have liked it told! See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 June 1957 (USA)  »

Also Known As:

Dein Schicksal in meiner Hand  »

Box Office

Budget:

$2,600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

After Ernest Borgnine tried to break his contract with Burt Lancaster's production company, Lancaster tried to force him to appear in this film in a supporting role, but Borgnine refused to do so. See more »

Goofs

In first scene in Sidney's office, secretary picks up a stack of magazines and newspapers, that change position and height of stack from shot to shot. See more »

Quotes

J.J. Hunsecker: You're dead, son. Get yourself buried.
See more »

Crazy Credits

introducing Susan Harrison. See more »

Connections

Featured in Atop the Fourth Wall: Mr. T #2 (2012) See more »

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User Reviews

Oh yes.
11 March 2002 | by (London, England) – See all my reviews

"I love this dirty town". "Match me, Sidney". "Maybe I left my sense of humour in my other suit". Great dialogue. Great script, great cinematography, great acting, great music. Christ, what do you want, blood? From the first moment we see Burt Lancaster as the impossibly sinister J.J., we know we're in for a cracking time. There he is, sitting at the restaurant table, wearing those strangely scary glasses, his face expressionless (perhaps he's smiling, just a little bit), talking to Sidney without even looking at him, firing the dialogue like bullets. When the action seeps into the New York streets, oozing menace, there's J.J. - master of all he surveys, twisting cops round his little finger, snarling and seething like some desperate animal. And there is something animal about this film: its characters writhe and twist in the lights and the shadows - demented, tortured creatures, all of them trying to maintain some semblance of normality, all of them aware, deep down, how corrupt and helpless they are. The symbols of goodness - J.J.'s sister and her boyfriend - are weak, pathetic, hopeless, unable to keep up with the neverending twists and turns of this awful labyrinth of manipulation and cruelty. Curtis and Lancaster were never better, and it's awesome to see them play such grotesque yet believable roles. How do people get like this? Where do they go from here? Perhaps it's best not to think about it, and just wallow in the brilliant nastiness of it all, before maybe going home and getting in the shower for a long, long time.


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