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Sweet Smell of Success (1957)

Not Rated  |   |  Drama, Film-Noir  |  27 June 1957 (USA)
8.2
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Ratings: 8.2/10 from 17,807 users   Metascore: 100/100
Reviews: 105 user | 99 critic | 5 from Metacritic.com

Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician.

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(screenplay), (screenplay), 2 more credits »
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Title: Sweet Smell of Success (1957)

Sweet Smell of Success (1957) on IMDb 8.2/10

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Nominated for 1 BAFTA Film Award. Another 3 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Susan Harrison ...
Susan Hunsecker
...
Steve Dallas (as Marty Milner)
Jeff Donnell ...
Sally
Sam Levene ...
Frank D' Angelo
Joe Frisco ...
Herbie Temple
...
Rita
Emile Meyer ...
Lt. Harry Kello
Edith Atwater ...
Mary
The Chico Hamilton Quintet ...
Themselves
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Storyline

J.J. Hunsecker, the most powerful newspaper columnist in New York, is determined to prevent his sister from marrying Steve Dallas, a jazz musician. He therefore covertly employs Sidney Falco, a sleazy and unscrupulous press agent, to break up the affair by any means possible. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Taglines:

This is the story of J.J. - But not the way he wants it told! See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 June 1957 (USA)  »

Also Known As:

Dein Schicksal in meiner Hand  »

Box Office

Budget:

$2,600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Named No. 100 on Entertainment Weekly's list of the 100 Greatest Movies of All Time in 2013. See more »

Goofs

During the theater confrontation scene, Hunsucker is writing on a small note pad, but the pad and pen suddenly vanish from his hands as he and Falco move up onto the stage. See more »

Quotes

Sidney Falco: Sure, the columnists can't do without us, except our good and great friend J.J. forgets to mention that. You see, we furnish him with items.
J.J. Hunsecker: What, some cheap, gruesome gags?
Sidney Falco: You print 'em, don't ya?
J.J. Hunsecker: Yes, with your clients' names attached. That's the only reason the poor slobs pay you - to see their names in my column all over the world. Now, I make it out, you're doing *me* a favor?... The day I can't get along without a press agents' handouts, I'll close up shop and move to Alaska, lock, stock...
See more »

Crazy Credits

introducing Susan Harrison. See more »

Connections

Referenced in Breaking Bad: Cat's in the Bag... (2008) See more »

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User Reviews

 
Classic
3 May 2005 | by (United States) – See all my reviews

This is the kind of film that could coin an expression like "They don't make 'em like that anymore," except that people have been using that line for every piece of crap that was made more than two years ago. Go ahead and say it to yourself, and I'll say that David Mamet's Glengarry, Glen Ross comes close. Both feature snarling, biting dialog. Both have irredeemable characters that will do anything for success. Mamet's characters are mostly down-and-outers who are scrapping at each other to find some sampling of their former successes. In Sweet Smell of Success there are successful characters and losers, both of which need each other to survive. It is a tale of a successful columnist and his need for a low life press agent. It is a bitter, bleak story of power, success and the desire to have more.

Burt Lancaster plays JJ Hunsecker, a powerful, successful columnist who is at the top of his game. He gets what he wants, when he wants it with no questions asked. He can make or break celebrities with a quick blurb in his column. He dines with politicians and gets any girl he wants. Tony Curtis is Sidney Falco, a low rent press agent who needs Lancaster's blurbs for his clients to keep in business. Problem is, Hunsecker has cut Falco out of his columns because Falco hasn't delivered on a deal they made. Though Hunsecker can garner the love and admiration of anyone he chooses, the one woman he cannot win over is his own sister. As he repeatedly says throughout the film, she's all he has. Problem is she is in love with a jazz singer, and they plan to marry. Hunsecker can't bear the thought of losing his sister, so he forces Falco to get rid of the boy by any means necessary.

The film is relentless. From beginning to end it never stops its pounding. There is never a breath of kindness. The two characters with some redeeming characteristics Hunsecker's sister, Susan (Susan Harrison) and her boyfriend, Steve Dallas (Martin Milner), are so overshadowed by the continual foul play by Hunsecker and Falco that they come away with a foul stench.

Tony Curtis pulls a performance that reminded me of his turn as the Boston Strangler. It is not difficult to see his Falco turning to murder if it helped him succeed. Though as the strangler, he seems to have found some remorse for his actions, where Falco is irredeemable to the very end.

There is a seen in the middle of the picture where Falco pulls a trick to convince a mid level performer to make Falco his press agent. At this point Falco needs all the clients he can get. Later the performer comes to Falco, ready to sign him as his agent. Falco, now feeling some signs of success brushes the performer off without a second thought. It is a telling scene of just how heartless and uncaring Falco has become.

Where has Burt Lancaster been all my life? Sadly enough, the only film I can remember watching him in is the 1986 toss-off comedy Tough Guys. His performance here is nothing short of astonishing. He is the king of his castle, never stepping off his high throne, treating everyone as servants. Even his shows of affection for Susan are grotesque and menacing.

This is a story that his hard to watch. It is brutal, and menacing with nary a redeeming aspect. But it is a film that must be watched. The craftsmanship of the filmmakers and the performances of the actors elevate it above so many others. It is nearly a morality tale of the horrors that befall humanities greed.


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