A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
J.J. Hunsecker, the most powerful newspaper columnist in New York, is determined to prevent his sister from marrying Steve Dallas, a jazz musician. He therefore covertly employs Sidney Falco, a sleazy and unscrupulous press agent, to break up the affair by any means possible. Written by
David Levene <D.S.Levene@durham.ac.uk>
They know him - and they shiver - the big names of Broadway, Hollywood and Capitol Hill. They know J.J.- the world-famed columnist whose gossip is gospel to sixty million readers! They know the venom that flickers in those eyes behind the glasses - and they fawn - like Sid Falco, the kid who wanted "in" so much, he'd sell out his own girl to stand up there with J.J., sucking in the sweet smell of success! This is J.J.'s story - but not the way he would have liked it told! See more »
In the first few minutes of the film, Falco grabs a newspaper, and steps into a snack bar. The clerk working behind the counter is played by John Fiedler (uncredited). Fiedler went to several roles in film and on Broadway. See more »
In first scene in Sidney's office, secretary picks up a stack of magazines and newspapers, that change position and height of stack from shot to shot. See more »
I can't think of a good reason why I should print anything you give me. I can't even think of a *bad* reason.
[eyeing a pin-up]
Suppose I introduce you to a... a lovely reason... who's both good *and* bad... and available?
I'm not an unreasonable man.
See more »
There are many unbeatable things about this splendid film, but more than anything else there is the dialogue - dialogue as sharp as the suits and as bleak as the slate grey cinematography. Lancaster and Curtis have never been better and the American fim industry never produced a more enjoyably bitter film.
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