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The Story of Esther Costello (1957)

 -  Drama  -  6 November 1957 (USA)
5.8
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Ratings: 5.8/10 from 451 users  
Reviews: 19 user | 5 critic

Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to ... See full summary »

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Title: The Story of Esther Costello (1957)

The Story of Esther Costello (1957) on IMDb 5.8/10

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Nominated for 1 Golden Globe. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Margaret Landi
...
Carlo Landi
Heather Sears ...
Esther Costello
Lee Patterson ...
Harry Grant
Ron Randell ...
Frank Wenzel
Fay Compton ...
Mother Superior
John Loder ...
Paul Marchant
Denis O'Dea ...
Father Devlin
Sidney James ...
Ryan
...
Matron in Art Gallery
Robert Ayres ...
Mr. Wilson
Maureen Delaney ...
Jennie Costello
Harry Hutchinson ...
Irish publican
Tony Quinn ...
Irish pub customer
Janina Faye ...
Esther Costello, as a child
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Storyline

Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to educate and possibly heal Esther. Margaret grows to love Esther as a daughter, but finds Esther's innocence threatened by sleazy promoters and her own sleazy ex-husband. Radiant performance by Heather Sears. Based on a book that nearly had Helen Keller's co-workers suing for libel due to perceived parallels between Carlo Landi and the husband of Annie Sullivan. Written by <mailcall@intersource.com>

Plot Summary | Add Synopsis

Taglines:

Drama without equal that smashes its way into a woman's love-starved heart!

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

6 November 1957 (USA)  »

Also Known As:

The Golden Virgin  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Bonita Granville desperately wanted the part of Esther, but the studio was looking for an unknown, so the part went to Sears. See more »

Goofs

When the cottage explodes in the beginning of the movie, the right wall falls revealing the plywood set construction underneath. The stone walls are just paper covering over wood. See more »

Connections

References Stagecoach to Fury (1956) See more »

Soundtracks

Lead Kindly Light
Words by Newman
Music by Dyke
See more »

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User Reviews

 
Ezcellent and for the Most Part Highly Realistic
23 August 2005 | by (NY, NY) – See all my reviews

Certainly this is one of Joan Crawford's best movies. She beautiful in the dated "Grand Hotel." She really acts in "The Women." She's fine in the high melodrama of "Possessed." She's very good in "Mildred Pierce." And "Sudden Fear" is a fine noir.

Apart from Ms. Crawford, for the moment, we have the plot: A child in Ireland is in a terrible accident, in which her mother dies. She becomes blind and deaf and loses the ability to speak as a result of the trauma. This, by the way, is the title character, not Ms. Crawford. That was also rare in her career and maybe a first here.

As someone very knowledgeable about the blind, I give this a very high rating. This is only a personal feeling but I prefer it to the famous "Miracle Worker," which to me is overwrought and, though based on a true life, not very accurate.

"The Story of Esther Costello" is accurate. The scenes at the school on Long Island to which Crawford takes Esther, well played by Heather Sears, are believable. The Braille is well researched, as are other aspects of her learning.

As Esther grows up, she becomes a very pretty young m=woman. Without giving away the plot, she is abused and raped. This is sadly still true of the lives of blind woman and women with other disabilities. They are taken advantage of by parents and other relatives, by schoolmates, and very often by spouses. The same is true, to a lesser degree, of disabled men.

Make no mistake: This is no arid treatise. It has its campy moments, as well as its legitimately exciting ones. Among the former are Crawford's swank no matter where she is and the irony of her becoming a sort of foster mother here in light of later revelations by her own daughter.

This is a painful movie but a very fine one.


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