Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to ...
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Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
Oxford Professor Richard Myles and new bride Frances are off on a European honeymoon. It isn't your typical honeymoon though, for they are on a spying mission for British intelligence on ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to educate and possibly heal Esther. Margaret grows to love Esther as a daughter, but finds Esther's innocence threatened by sleazy promoters and her own sleazy ex-husband. Radiant performance by Heather Sears. Based on a book that nearly had Helen Keller's co-workers suing for libel due to perceived parallels between Carlo Landi and the husband of Annie Sullivan. Written by
Joan Crawford, then on the Pepsi-Cola board of directors, demanded that product placement shots be included in all her films of this era. Look for it here prominently displayed in signs in an airport lobby. See more »
When the cottage explodes in the beginning of the movie, the right wall falls revealing the plywood set construction underneath. The stone walls are just paper covering over wood. See more »
but the girl's history "blind-deaf and silent" it was taken with such a realism that the movie is really impressive.
Of not having been for the spectacular interpretation of both: Joan Crawford and Rossano Brazzi, it had been impossible to locate this movie in the database. In the Argentina it was exhibited as "La ragazza d'oro" or "The girl of gold" (I don't remember it exactly). I have not been able to see the original version, although the common thing was that many scenes "strong" was suppressed (to the style of what counts Cinema Paradisso), and inclusive he lost temper the translation of the dialogues. I saw this movie being still smaller than age but accompanied by my mother that achieved that they allowed me to enter to the cinematograph a rainy noon of winter. We had gone shopping to the great city and the trade closed at noon. She was fanatic admiring of both actors. The movie was "not capable it stops smaller than 18 years", and the only thing "boisterous" that was seen they were some "shirt twins" of him that Joan found in the girl's bed. But like they said "it was enough to understand the argument." Still to the 18 years one had enough "film culture", and it had fixed them to him to see "Wage of fear", the versions of "dramas" of Tennessee Williams and of Arthur Miller and until "God's litle acre"!, I believe to be able to say with enough foundation that "Story of Esther Costello" she had all the necessary one to be remembered as "a classic." It ignored that it was based on a real case, but the girl's history "blind-deaf and silent" it was taken with such a realism that the movie is really impressive.
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