In 1952, as the Korean War rages on, American officers land in Kyoto. Among them are Major Ceve Saville, assigned to a fighter squadron, and Lieutenant Carl Abbott. The latter neglects his ... See full summary »
The Girl in the Red Velvet Swing is the true story of Evelyn Nesbit Shaw, a beautiful showgirl caught in a love triangle with elderly architect Stanford White and eccentric young millionaire Harry K. Thaw.
The minister of the town has died and his son Chad has no tears for him. Sarah, who now calls herself Salome, is pregnant with Chad's baby, but Chad has no future, no job and no money. ... See full summary »
Set on a fictitious island in the Carribean during colonial British rule, it focuses on the life of a young charismatic and handsome black male with political aspirations. He finds himself ... See full summary »
Buzz Rickson is a dare-devil World War II bomber pilot with a death wish. Failing at everything not involving flying, Rickson lives for the most dangerous missions. His crew lives with this... See full summary »
Shirley Anne Field
In the post-world-war-two years, the United States and Japan make efforts to strengthen their friendship and to become allies against the Communist threat exacerbated by the onset of the Cold War. Famous Japanese sculptor Katsura creates a new sculpture symbolizing the growing friendship between Japan and the United States. The memorial features an eternal flame. The U.S. High Commissioner to Japan is given the honor and he agrees to light the monument's eternal flame. The Communist spy network in Japan sees an opportunity to sabotage the ceremony and to attempt to assassinate the U.S. High Commissioner. Communist agent George Underwood is entrusted with this task. At the same time, U.S. Intelligence officer Mark Fannon makes a stopover in Tokyo while on a flight to Korea. Due to the fact that he's lacking the mandatory Letter of Entry in order to enter or transit Japan, Fannon requests and receives the assistance of Tina Llewellyn, an English-speaking assistant travel manager of ... Written by
Previous reviews have accurately pointed out the weaknesses of this film which has been attractively photographed in Japanese locations. Alas, one aspect of the photography only adds to the film's torpor. Too often, dialog is carried out by two characters, one of them on the left side of the CinemaScope screen and the other on the right. The lack of close-ups and a minimum of editing tend to make these scenes stiff and lifeless.
However, there is an extended sequence in a steam-room in which Robert Wagner and Ken Scott are seen with white towels wrapped around their waists. As "beefcake" goes, it's not all that much, but, hey, you take your pleasures wherever you can find 'em.
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