The Spirit of St. Louis (1957)

Charles 'Slim' Lindbergh struggles to finance and design an airplane that will make his New York to Paris flight the first solo transatlantic crossing.

Director:

Billy Wilder

Writers:

Charles A. Lindbergh (book), Billy Wilder (screenplay),

Stars:

James Stewart, Murray Hamilton, Patricia Smith

Nominated for 1 Oscar. Another 1 win.

Cast

Complete credited cast:
James Stewart	...	Charles Augustus 'Slim' Lindbergh
Murray Hamilton	...	Bud Gurney
Patricia Smith	...	Mirror Girl
Bartlett Robinson	...	Benjamin Frank Mahoney, President Ryan Airlines Co.
Marc Connelly	...	Father Hussman
Arthur Space	...	Donald Hall, Chief Engineer Ryan Airlines
Charles Watts	...	O.W. Schultz, Salesman Atlas Suspender Co.

Storyline

Biography of Charles Lindburgh from his days of precarious mail runs in aviation's infancy to his design of a small transatlantic plane and the vicissitudes of its takeoff and epochal flight from New York to Paris in 1927.

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Plot Keywords:

new york | flight | transatlantic | aviation | period in title | 

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Taglines:

One of the Great Advnetures of Our Time !

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Genres:

Adventure | Biography | Drama | History

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

20 April 1957 (USA)

Also Known As:

L'odyssée de Charles Lindbergh

Filming Locations:

Guyancourt, Yvelines, France

Box Office

Budget:

$6,000,000 (estimated)

Company Credits

Production Co:

Leland Hayward Productions, Warner Bros, Billy Wilder Productions

Technical Specs

Runtime:

135 min

Sound Mix:

Mono (RCA Sound Recording) 4-Track Stereo

Color:

Color (WarnerColor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Average Shot Length = ~10.1 seconds. Median Shot Length = ~9.6 seconds.

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Goofs

When test flying the Spirit for the first time the dialog correctly identifies the location where the test flights were made as Dutch Flats. However Dutch Flats is the spot of land where Lindbergh Field (San Diego International Airport) now sits which is right on San Diego Bay. The test flying sequences were obviously not shot anywhere near San Diego Bay. The location appears to be somewhere in the Desert probably Mojave or Owens Dry Lake where a lot of westerns were shot.

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Quotes

[first lines]
Reporter: [checking his copy] Here at the Garden City Hotel, less than a mile from Roosevelt Field... less than three-quarters of a mile from Roosevelt Field... everyone is waiting, as they have been now for seven days and nights, waiting for the rain to stop...

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Connections

Referenced in Siskel & Ebert: Men in Black/Wild America/Out to Sea (1997)

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Soundtracks

"Baby Face"
(uncredited)
Music by Harry Akst
Played when Lindbergh makes a phone call from Louie's Shack

User Reviews

Quite uplifting, this rather forgotten Wilder

Someone once said to me that there are only four basic movie plots: the first, boy meets girl: the second, man against apparently insuperable odds: the others.....I can't remember. Although I am not by nature agoraphobic, I guess when it comes to cinema I prefer the cosily domestic to wide open spaces. Every so often, however, I find myself responding to man battling it out against the elements, particularly if the point is being made that, without the sheer determination of an individual to grapple with prejudice and ignorance, civilization would not gain a pace or two forward. Billy Wilder's epic of human endeavour, "The Spirit of St. Louis", is just such an instance. It is heaps better than most in this category mainly through the excellent central performance by James Stewart as Charles Lindbergh, the first successful transatlantic flyer. True, Stewart was twice the age of the man he was portraying but he brilliantly manages the demeanour of a much younger person and has the advantage of being one of the very few actors able to convey the determined obsessive fanaticism that Lindbergh must have possessed. One can admire Wilder's skill in sustaining audience interest throughout what is essentially a one character and a one scene film but he achieves it through interspersing the present from the night before the takeoff, with flashbacks that retell the background to the mission, each a little story in itself, some quite tense such as Lindbergh's adventurous flight during a blizzard when he was a flying mail courier and others rather droll such as giving a flying lesson to a priest who is the most incompetent would-be aviator ever. The main journey once it gets going is mainly smooth and something of a leisurely travelogue with nice views over Nova Scotia and Newfoundland on the way. Far more dramatic is the takeoff during foul weather from a rain drenched runway in which Stewart grapples with his tiny aircraft narrowly clearing pylons and a clump of trees. The miracle that so flimsy a machine could make it not only for a few miles but across a vast ocean is reinforced by the hazardous implications of this wonderfully atmospheric sequence in a way that make the journey and the arrival in Paris quite uplifting.