Even though Peter and Kimani grow up together, Kimani soon finds that different races are treated differently. After the father of Kimani is jailed for following tribal customs, Kimani ...
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A con man (Robert Preston) enlists a drunk writer (Tony Randall) to write a fictitious screen play to be funded by a rich but unethical mobster producer. The plot is the story of Adam and ... See full summary »
Tax collector Lorenzo Charlton comes to the Larkins' farm to ask why Pop Larkins hasn't paid his back taxes. Charlton has to stay for a day to try to estimate the income from the farm, but ... See full summary »
A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
Even though Peter and Kimani grow up together, Kimani soon finds that different races are treated differently. After the father of Kimani is jailed for following tribal customs, Kimani joins a band of rebels that wants all non-Kenyans out of their country. While Kimani believes in the cause, he does not agree with the indiscriminate killing of women, children and those who will not join or agree with them. Peter, even after the deaths of his little sister and brother by the Mau Mau, still believes that there is a chance for peaceful co-existence. He believes that he can stop most of the killing if he can only reason with Kimani. Written by
Tony Fontana <firstname.lastname@example.org>
There is a scene in the film where Dana Wynter drives a Landrover. This was filmed in Kenya and Wynter couldn't drive the Landrover. A British Citizen who beared an uncanny resembleness to Wynter, who was living and working near to the filming location stood in for this driving scene. Her name is Eileen Cussans now 84 and now lives W Sussex, UK See more »
The starting credits start with the words: "When we take away from a man his traditional way of life, his customs, his religion, we had better make certain to replace them with Something of Value!" See more »
Thoughtful people around the world have despaired for Africa, the most abused and exploited continent on our globe. The year that the film version of Robert Ruark's novel Something Of Value came out, the first colony of British Africa, the Gold Coast became the independent Republic of Ghana under Kwame Nkrumah. When we see film like Leonardo DiCpario's Blood Diamond come out fifty years later, you have to wonder whether Africa's many problems will ever be solved in the lifetime of most of us.
Rock Hudson and Sidney Poitier play childhood friends who grew up side by side in Kenya colony. But race and racial politics have driven them apart as Poitier has joined the nascent Mau Mau movement whose mission it was to kill all the white settlers and drive them from their part of the continent. Hudson who believes the races can peaceful exist together in the Kenya colony and soon to be independent country wants to reconcile with Poitier. The film concerns his attempts to do so.
Some very good supporting performances by Dana Wynter, Wendy Hiller, Ivan Dixon, and William Marshall are in Something Of Value. Best scene in the film other than the final confrontation with Hudson and Poitier is Hudson's father played by Robert Beatty successfully breaking down Mau Mau leader Juano Hernandez into giving up his cohorts. Beatty's knowledge of the Kikuyu tribe culture comes into play here.
The white racist attitudes are exemplified by Michael Pate whose Australian accent makes him sound the most authentically African or the closest to it among the white cast members.
Sad to say this most authentic of African stories is still very relevant today as seen by the critical and popular acclaim that Blood Diamond received in 2006. Hudson, Poitier, and the rest of the cast do some of their best work in Something Of Value.
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