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Wild Strawberries (1957)
"Smultronstället" (original title)

 -  Drama  -  22 June 1959 (USA)
8.3
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Ratings: 8.3/10 from 48,434 users  
Reviews: 131 user | 99 critic

After living a life marked by coldness, an aging professor is forced to confront the emptiness of his existence.

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Title: Wild Strawberries (1957)

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Top 250 #128 | Nominated for 1 Oscar. Another 12 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Dr. Evald Borg
Jullan Kindahl ...
Agda
Folke Sundquist ...
Anders
Björn Bjelfvenstam ...
Naima Wifstrand ...
Mrs. Borg, Isak's Mother
Gunnel Broström ...
Mrs. Alman
Gertrud Fridh ...
Karin Borg, Isak's wife
Sif Ruud ...
Aunt Olga
Gunnar Sjöberg ...
Sten Alman / The Examiner
...
Henrik Åkerman
Åke Fridell ...
Karin's lover
Yngve Nordwall ...
Uncle Aron
Edit

Storyline

With the exception of his elderly housekeeper Miss Agda who he treats almost like a surrogate platonic wife, widowed seventy-eight year old Dr. Isak Borg, a former medical doctor and professor, has retreated from any human contact, partly his own want but partly the decision of others who do not want to spend time with him because of his cold demeanor. He is traveling from his home in Stockholm to Lund to accept an honorary degree. Instead of flying as was the original plan, he decides to take the day long drive instead. Along for the ride is his daughter-in-law Marianne, who had been staying with him for the month but has now decided to go home. The many stops and encounters along the way make him reminisce about various parts of his life. Those stops which make him reminisce directly are at his childhood summer home, at the home of his equally emotionally cold mother, and at a gas station where the attendants praise him as a man for his work. But the lives of other people they ... Written by Huggo

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

22 June 1959 (USA)  »

Also Known As:

Wild Strawberries  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Ingmar Bergman has described in the interview how he came up with the idea while driving from Stockholm to Dalarna, stopping in Uppsala where he had been born and raised, and driving by outside his grandmother's old house, when he suddenly began to think about how it would be if he could open the door and inside it would be just as it had been during his childhood. "So it struck me - what if you could make a film about this; that you just walk up in a realistic way and open a door, and then you walk into your childhood, and then you open another door and come back to reality, and then you make a turn around a street corner and arrive in some other period of your existence, and everything goes on, lives. That was actually the idea behind Wild Strawberries (1957)" See more »

Goofs

Marianne says she is going to go swimming at the old house, but when she returns her hair does not appear to be wet. See more »

Quotes

Sara: As professor emeritus, you ought to know why it hurts. But you don't know.
Sara: You know so much, and you don't know anything.
See more »

Connections

Referenced in The Walking Stick (1970) See more »

Soundtracks

MARCIA CAROLUS REX
Music by Wilhelm Harteveld
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Stunning Bergman Masterpiece -- Maybe His Best?
20 September 2006 | by (United States) – See all my reviews

"Wild Strawberries" profoundly moved me. The theme -- an old man coming up fast on death and wondering if his life has had any meaning -- is an old one for Bergman, and one which he explored ad nauseum throughout the subsequent decades. But here Bergman approaches the question with an uncharacteristic optimism and sense of hope. For once, he seems to come close to finding some peace with the unknowns of life that obviously preoccupied him as an artist, and the movie he gives us is sad but immensely warm; resigned but calm and reflective.

An unequivocal masterpiece, and only one of a handful of Bergman films ("Persona" and "Cries and Whispers" being two others) that don't drive me over the edge when I watch them now.

Grade: A+


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