Three men gun down Solly Pitts, 'rebel' against the racket-ridden Longshoremen's Union. Before dying, Pitts tells his wife 'Cockeye' Cook was one of the killers...but won't repeat it to the police, nor will anyone else help them. It seems it's a dockyard tradition to handle private battles without help. Bill Keating, new to the D.A.'s office, is just naive enough to think he can make a case against Cook; but his efforts seem to be leading only to further violence... Written by
Rod Crawford <firstname.lastname@example.org>
Even though the story takes place in December and January in New York City, the sun is always shining, all the principals are dressed in lightweight clothing, and there is no sign of snow or winter conditions anywhere. See more »
Surely no other film noir has had such an illustrious composer responsible for its theme music. I studied "Slaughter On Tenth Avenue," the musical suite, in elementary school! The movie itself is quite good. It is a gritty story about life on the waterfront. The director isn't famous but I notice he also directed one of my favorites, which I haven't seen in many a long year: "Down Three Dark Streets"! And what a cast! Most people watching today will single out Walter Matthau, who is fine in a relatively small role. But Richard Egan is excellent as an ambitious young cop. Jan Sterling, always good in tough roles, is excellent as the wife of the man who falls victim to the title event. Julie Adams is appealing as Egan's wife. And Dan Duryea gives a bravura performance as a smart but not very admirable lawyer.
The rest of the cast includes such noir staples as Charles McGraw, Sam Levene, and Mickey Shaughnessy.
Initially, I have to admit that I found the music a little distracting. But I got used to it. And the movie hits pretty hard.
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