| Photos (See all 29 | slideshow) | Videos (see all 5) |
| Gunnar Björnstrand | ... | Jöns, squire | |
| Bengt Ekerot | ... | Death | |
| Nils Poppe | ... | Jof / Joseph | |
| Max von Sydow | ... | Antonius Block | |
| Bibi Andersson | ... | Mia / Mary - Jof's wife | |
| Inga Gill | ... | Lisa, blacksmith's wife | |
| Maud Hansson | ... | Witch | |
| Inga Landgré | ... | Karin, Block's Wife | |
| Gunnel Lindblom | ... | Girl | |
| Bertil Anderberg | ... | Raval | |
| Anders Ek | ... | The Monk | |
| Åke Fridell | ... | Blacksmith Plog | |
| Gunnar Olsson | ... | Albertus Pictor, Church Painter | |
| Erik Strandmark | ... | Jonas Skat | |
| rest of cast listed alphabetically: | |||
| Siv Aleros | ... | Flagellant (uncredited) | |
| Sten Ardenstam | ... | Knight (uncredited) | |
| Harry Asklund | ... | The landlord (uncredited) | |
| Benkt-Åke Benktsson | ... | Merchant at the inn (uncredited) | |
| Catherine Berg | ... | Young woman kneeling for the flagellants (uncredited) | |
| Lena Bergman | ... | Young woman kneeling for the flagellants (uncredited) | |
| Tor Borong | ... | Farmer at the inn (uncredited) | |
| Gudrun Brost | ... | Woman at inn (uncredited) | |
| Bengt Gillberg | ... | Flagellant (uncredited) | |
| Lars Granberg | ... | Flagellant (uncredited) | |
| Gunlög Hagberg | ... | Flagellant (uncredited) | |
| Gun Hammargren | ... | Flagellant (uncredited) | |
| Tor Isedal | ... | Man (uncredited) | |
| Ulf Johansson | ... | Knight Commander (uncredited) | |
| Tommy Karlsson | ... | Mikael, Jof and Maria's son (uncredited) | |
| Uno Larsson | ... | Flagellant (uncredited) | |
| Lennart Lilja | ... | Flagellant (uncredited) | |
| Lars Lind | ... | The young monk (uncredited) | |
| Monica Lindman | ... | Flagellant (uncredited) | |
| Gordon Löwenadler | ... | Knight (uncredited) | |
| Mona Malm | ... | Young pregnant woman (uncredited) | |
| Josef Norman | ... | Old man at the inn (uncredited) | |
| Gösta Prüzelius | ... | Man (uncredited) | |
| Helge Sjökvist | ... | Flagellant (uncredited) | |
| Georg Skarstedt | ... | Flagellant (uncredited) | |
| Ragnar Sörman | ... | Flagellant (uncredited) | |
| Fritjof Tall | ... | Man (uncredited) | |
| Lennart Tollén | ... | Flagellant (uncredited) | |
| Nils Whiten | ... | Old man addressed by the monk (uncredited) | |
| Caya Wickström | ... | Flagellant (uncredited) | |
| Karl Widh | ... | Man with crutches (uncredited) | |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | play "Trämålning" | |
| Ingmar Bergman | screenplay | |
Produced by | |||
| Allan Ekelund | .... | producer | |
Original Music by | |||
| Erik Nordgren | |||
Cinematography by | |||
| Gunnar Fischer | |||
Film Editing by | |||
| Lennart Wallén | |||
Production Design by | |||
| P.A. Lundgren | |||
Costume Design by | |||
| Manne Lindholm | |||
Makeup Department | |||
| Nils Nittel | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Lennart Olsson | .... | assistant director (as Lennart Ohlsson) | |
Art Department | |||
| Carl-Henry Cagarp | .... | props | |
Sound Department | |||
| Evald Andersson | .... | sound effects | |
| Lennart Wallin | .... | sound | |
| Aaby Wedin | .... | sound | |
Camera and Electrical Department | |||
| Åke Nilsson | .... | assistant camera (as Åke G. Nilsson) | |
Music Department | |||
| Sixten Ehrling | .... | conductor | |
| Erik Nordgren | .... | music arranger | |
Other crew | |||
| Katinka Faragó | .... | script girl (as Katarina Faragó) | |
| Else Fisher | .... | choreographer (as Else Fischer) | |
|
|
|
|
|
| The Name of the Rose | Fellini Satyricon | Religulous | Diary of a Country Priest | The Ruling Class |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb Sweden section |
The mysteries of religion and death have long been a popular focus among artists of all media, including film. And while many films question these mysteries, they seldom provide any real insight into the world of the unknown. In Ingmar Bergman's THE SEVENTH SEAL, these mysteries are not only questioned; they are dissected, splayed, and scrutinized.
THE SEVENTH SEAL could very well serve as sort of a manifesto for existentialism. Its deep acuity and haunting imagery is powerful enough to jar even passive viewers out of their complacency and force them to examine their own reality. The delicately crafted story centers around a 14th century knight named Antonius Block and his ongoing game of chess with a shadowy, hooded figure: Death. Bergman uses this allegory not just to personify death, but to illustrate the lengths man will go to in order to avoid it. In the end, however, Death is a much better player than any of us, and though he may humor some of his opponents by letting them think that they have the advantage, the end result is inevitable: Death always wins. No matter how skillfully we plan our moves or how determined we are to win, we can never beat Death.
In Antonius's search for answers, he encounters a variety of very unique characters, each with their own outlook on life, death, faith, fear and love. Their commentary on such matters is often dryly funny and always brilliant, continuously and effectively challenging our perceptions of the world around us. For me, the dialogue was definitely the high point of the film, as it was extremely thought-provoking and carefully constructed throughout. Almost every line spoken is, in one way or another, daunting and unforgettable. Jöns's description of love as "the blackest of all plagues" is a quote that will forever be engraved in my mind.
THE SEVENTH SEAL truly is a remarkable accomplishment in the world of cinema. It is a deep, mesmerizing, and darkly beautiful work of art. More importantly, THE SEVENTH SEAL is one of those rare movies that doesn't just entertain, but also has the power to change the way one thinks.