A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest... See full summary »
In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with,... See full summary »
A Knight and his squire are home from the crusades. Black Death is sweeping their country. As they approach home, Death appears to the knight and tells him it is his time. The knight challenges Death to a chess game for his life. The Knight and Death play as the cultural turmoil envelopes the people around them as they try, in different ways, to deal with the upheaval the plague has caused. Written by
John Vogel <email@example.com>
Ingmar Bergman based the entire iconography of the movie on murals in a church where his clergyman father used to go and preach. See more »
The chess players focus on capturing the Queen. The Queen was not a super-powerful piece until centuries later when a recent chess-variant initially called "chess of the mad queen" became more popular than the classic game. See more »
Love is the blackest of all plagues... if one could die of it, there would be some pleasure in love, but you don't die of it.
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This classic is filled with a lot of memorable images - from the opening scenes on the seashore to the effective concluding shots, creative thoughts are combined with some fine camera work. There are several significant or interesting questions raised by the characters - from the imagery of the "Seventh Seal" in Revelation, to their simple but important concerns about eternity - but it is the way that the visuals play off of the ideas that make the movie so worthwhile.
The recreation of the medieval world is convincing and effective, with a lot of detail to set off a varied assortment of characters with different personalities and perspectives. The characters are not necessarily very deep, but most are interesting, and are worth caring about. The ways that they deal with their discouraging situation make you wonder what it would have been like to live in their world. It's also a movie that in some respects is even better to watch over again, after you already know what has happened and can then pick up even more of the detail and imagery.
No doubt the somber tone and slow pace will always keep it from being widely popular, and it's not perfect, but it's satisfying in a different way, and deserves its reputation as a classic.
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