A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly ... See full summary »
Max von Sydow
A kind but pampered beautiful young virgin and her family's pregnant and jealous servant set out to deliver candles to church, but only one returns from events that transpire in the woods along the way.
Max von Sydow,
A Knight and his squire are home from the crusades. Black Death is sweeping their country. As they approach home, Death appears to the knight and tells him it is his time. The knight challenges Death to a chess game for his life. The Knight and Death play as the cultural turmoil envelopes the people around them as they try, in different ways, to deal with the upheaval the plague has caused. Written by
John Vogel <firstname.lastname@example.org>
The main character's name, Antonius Block, is only ever spoken twice in the entire movie. See more »
A knight returning from the Crusades faces the Black Plague. The Crusades ended in the 13th century, and the Plague began in the middle of the 14th century. See more »
Hey Jöns, purely confidential, isn't life quite...?
Yes, it is... but don't think about that now.
It's ludicrous, that's what it is.
See more »
One thing that can be certain after watching the Seventh Seal, outside of being thankful for living in this century, is that Bergman knows his film-making- and imagery. He uses subliminal and not so subliminal techniques to convey a dying, frightened world, where making a living is almost impossible and the debate of god's control over life is discussed like un-rhyming yet fascinating poetry.
The result is beautiful cinema, capturing the always foreboding fear and allure of the almighty and for the waiting death, appropriately staged in post-crusades, mid dark age Europe. Max Von Sydow gives an excellent showing as the opponent of Death (in a clever and meticulous chess game), yet the character of Death, played by Bengt Ekerot with chilling conviction, steals the show, if only for the alluring quality of the character.
Even if the story veers it veers in good and interesting territory, focusing on people who convey Bergman's point and or style. I can't reveal what the bottom line point is (many newcomers to Bergman's work won't either, especially if you're not in the mood for soul searching), but one thing is for certain, an allegory on life and death is shown perfectly in the second to last shot of the reaper and his minions following in a dance across the field. This is one of the most pure of cinema's masterpieces and certainly Bergman's best cine. A++
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