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Silk Stockings (1957)

 -  Comedy | Musical | Romance  -  18 July 1957 (USA)
7.0
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Ratings: 7.0/10 from 2,291 users  
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A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »

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Title: Silk Stockings (1957)

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Nominated for 2 Golden Globes. Another 2 wins & 1 nomination. See more awards »

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Cast

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Jules Munshin ...
Joseph Buloff ...
Wim Sonneveld ...
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Storyline

A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

BIG BOUNCY BEAUTIFUL! (original print ad - all caps)


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Details

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Release Date:

18 July 1957 (USA)  »

Also Known As:

Silk Stockings  »

Box Office

Budget:

$1,853,463 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

| (Westrex Recording System)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

After this film, Fred Astaire effectively retired from musicals, preferring to concentrate on non-musical roles, though he would produce several musical specials for TV in the next few years. Astaire wouldn't make another musical until 1968. See more »

Goofs

It becomes fairly obvious during the "Fated to be Mated" duet between Fred Astaire and Cyd Charisse that Charisse is wearing a skirt one moment and culottes (or flared shorts) the next. The bottom half of her costume changes on each cut of the dance when they are doing deep knee bends, and this is where the culottes show. For the upright spins and lifts, the skirt shows. The dance was obviously performed twice and edited into one sequence. See more »

Quotes

Brankov, Commisar: Be casual. Don't frighten him. Smile.
Bibinski, Commisar: I haven't smiled in 30 years.
See more »

Connections

Referenced in A Fine Romance: The Restaurant (1981) See more »

Soundtracks

Fated to Be Mated
(uncredited)
Written and Composed by Cole Porter
Sung by Fred Astaire
Danced by Fred Astaire and Cyd Charisse
See more »

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User Reviews

 
By no means a miss, but not exactly a smash hit.
11 September 2006 | by (San Antonio, Texas) – See all my reviews

There are a number of good things about Silk Stockings, but there also is a professional finality about the movie that makes it easier to observe than to be delighted by it. It was one of the last of the big MGM musicals coming from Arthur Freed's production unit. It was the last musical Fred Astaire made as the lead. It was the last film directed by Rouben Mamoulian. It was based on the last Broadway musical Cole Porter wrote. Silk Stockings also was used to make a statement about the excesses some thought were ruining films and music...the advent of rock and roll and the technological changes in films with wide screen and stereo sound. It even takes a crack at the fashion for ballet in many musicals. You've got to be very clever and original to successfully parody things which are already self-parodies. Silk Stockings, even with its many entertaining moments, isn't that clever.

The story is based on Ninotchka, the female Soviet commissar who comes to Paris and finds romance reluctantly...and then enthusiastically. Paris is presented as a place where decadence was never more innocent and persuasive.

One of the things that seems so odd is that, for a Fred Astaire film, Astaire spends a good deal of time doing knee drops, full-length on-the-floor sprawls and athletic dance moves that limit the sophisticated and smooth Astaire style. He was 59 when he made the picture, and this might explain the relative shortness of some of the sequences. Still, while he is assured and immensely watchable (and while he can still do wonders with a cane), three major dance productions he is in just seem choppy.

Most of the songs from the Broadway show were retained and Porter wrote a couple of new ones. It's become routine with Porter to say that whatever his latest show was, the score was never one of his best. In this case, it's true. The romantic songs are great, but the topical specialty numbers just seem tired. Siberia and The Ritz Roll and Rock in particular miss the mark, in my opinion.

Astaire, as always, is first class. Charisse is easy to look at and a fine dancer. George Tobias, as a commissar in Moscow and Ninotchka's boss, gives a sly and dead-pan performance. Some of Porter's songs are very good. Mamoulian brought the film in on time and under budget. And Silk Stockings was a success with ticket buyers.


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