A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ...
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In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer. Written by
John Oswalt <email@example.com>
Wim Sonneveld, the Dutch singer and cabaret artist who plays the Russian composer, did not play piano. For the role he was trained to move his hands in a convincing way to make it look like he did. See more »
During Peggy Dayton's song Satin and Silk, a long shot shows her moving away from Peter Ilyitch Boroff who has his hands in his lap, but after a cut to medium he suddenly holds them up to his tie. See more »
Astaire too old! Gimme a break. He danced with a polish that was always present. Charisse should have been grateful for his presence and I suspect that she was.
A characiture of the USSR and America of the Cold War period? Yes indeed, and it was almost as good as "One, Two, Three" in its dialogue and situation. Its sensuality as presented in its dance numbers far exceeded the 1939 version and all comers of the same subject.
I had no problem watching a 56 year old Astaire romancing a 36 year old Charisse. As a matter of fact, I found the pair quite sensuous.
I have often wondered why in the final dance scene Cyd's costume skirt was switched to a cullote in the middle of the scene. The switch was not seamless as it was very noticeable.
But, all in all I give this delightful musical a rating of 8 on a 0 to 10 scale.
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