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Silk Stockings (1957)

Approved | | Comedy, Musical, Romance | 18 July 1957 (USA)
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »

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(screenplay), (screenplay) | 4 more credits »
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Nominated for 2 Golden Globes. Another 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
...
Jules Munshin ...
Joseph Buloff ...
Wim Sonneveld ...
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Storyline

A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Sheer Delight! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

18 July 1957 (USA)  »

Also Known As:

Meias de Seda  »

Box Office

Budget:

$1,853,463 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (as Perspecta Sound®) (Westrex Recording System)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Cyd Charisse's vocals were done by Carol Richards, who had also sung for her in Brigadoon (1954) and It's Always Fair Weather (1955). To get a look at her, find the I Love Lucy episode where Carole sings an Indian love song duet with Ricky Ricardo. See more »

Goofs

During Peggy Dayton's song Satin and Silk, a long shot shows her moving away from Peter Ilyitch Boroff who has his hands in his lap, but after a cut to medium he suddenly holds them up to his tie. See more »

Quotes

Vassili Markovitch, Commisar of Art: I want to look somebody up. Does this office have a copy of Who's Still Who?
See more »

Connections

Remake of Ninotchka (1939) See more »

Soundtracks

Red Blues
(uncredited)
Words and Music by Cole Porter
Sung and Danced by Cyd Charisse, Peter Lorre, Joseph Buloff, Jules Munshin and Wim Sonneveld
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User Reviews

Now on DVD - CinemaScope once more!
30 April 2003 | by (Portland, Oregon) – See all my reviews

Like so many films produced in the mid- to late Fifties and early Sixties, when CinemaScope and other widescreen processes enhanced a production, directors and cinematographers were usually unafraid to take full advantage of the wider ratio. They weren't so concerned about how the final product would look on TV's square screens and probably didn't anticipate the visual desecration of "formatting" and "pan-and-scan" reductions. So it's nice to know that this musical, filmed when M-G-M was about to throw in the musical towel and bid an undeserved farewell to the Arthur Freed "unit," can now be enjoyed again close to its original theatrical aspect ratio on DVD.

Astaire and Charisse are a team to be treasured (so wonderful together in "The Band Wagon" a few years earlier, under Minnelli's astute guidance) and all of the others listed in this film's credits are professionals of the highest caliber. Astaire has a fun solo (with a chorus of top-hatted dancers) in the "Ritz Roll 'n' Rock" number; Cyd gets to put those legendary legs to dazzlingly opulent use in the "Red Blues" production show-stopper; and even Janis Paige gets to raunch it up in an amusing example of clever Cole Porter risking something risqué (for its day) in a song about the Empress Josephine, "commonly known as Jo"! And there's that first reel number, "Stere-oh-phonic Sound," that cleverly spoofs the contemporary moviemakers' attempts to lure people from their TV sets with widescreens, sound coming from every corner of the auditorium and eye-glazing color processes. It may not be prime Porter but it's all far-and-away more fun and enjoyable than anything we're likely to get today with the threatened revival of the movie musical with barbarians like Baz Luhrmann given the directorial reins.


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While this is a mediocre film, the dance sequences are miraculous tireless_crank
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