A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer. Written by
John Oswalt <email@example.com>
After this film, Fred Astaire effectively retired from musicals, preferring to concentrate on non-musical roles, though he would produce several musical specials for TV in the next few years. Astaire wouldn't make another musical until 1968. See more »
When the first commissar of art gets sacked, there's a yellow lamp hanging over his desk (he actually walks behind it) and then when Markovitch answers his phone, the lamp magically disappears and is replaced by Vera. See more »
Astaire too old! Gimme a break. He danced with a polish that was always present. Charisse should have been grateful for his presence and I suspect that she was.
A characiture of the USSR and America of the Cold War period? Yes indeed, and it was almost as good as "One, Two, Three" in its dialogue and situation. Its sensuality as presented in its dance numbers far exceeded the 1939 version and all comers of the same subject.
I had no problem watching a 56 year old Astaire romancing a 36 year old Charisse. As a matter of fact, I found the pair quite sensuous.
I have often wondered why in the final dance scene Cyd's costume skirt was switched to a cullote in the middle of the scene. The switch was not seamless as it was very noticeable.
But, all in all I give this delightful musical a rating of 8 on a 0 to 10 scale.
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