A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ...
See full summary »
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer. Written by
John Oswalt <email@example.com>
Cole Porter's original lyrics were slightly bowdlerized for the movie. For example, Astaire sings a line in "Stereophonic Sound" about how audiences don't want to see a kiss "unless her lips are scarlet/and her mouth is five feet wide." In the original Broadway musical, the lyrics were "unless her lips are scarlet/and her bosom's five feet wide." See more »
It becomes fairly obvious during the "Fated to be Mated" duet between Fred Astaire and Cyd Charisse that Charisse is wearing a skirt one moment and culottes (or flared shorts) the next. The bottom half of her costume changes on each cut of the dance when they are doing deep knee bends, and this is where the culottes show. For the upright spins and lifts, the skirt shows. The dance was obviously performed twice and edited into one sequence. See more »
Like so many films produced in the mid- to late Fifties and early Sixties, when CinemaScope and other widescreen processes enhanced a production, directors and cinematographers were usually unafraid to take full advantage of the wider ratio. They weren't so concerned about how the final product would look on TV's square screens and probably didn't anticipate the visual desecration of "formatting" and "pan-and-scan" reductions. So it's nice to know that this musical, filmed when M-G-M was about to throw in the musical towel and bid an undeserved farewell to the Arthur Freed "unit," can now be enjoyed again close to its original theatrical aspect ratio on DVD.
Astaire and Charisse are a team to be treasured (so wonderful together in "The Band Wagon" a few years earlier, under Minnelli's astute guidance) and all of the others listed in this film's credits are professionals of the highest caliber. Astaire has a fun solo (with a chorus of top-hatted dancers) in the "Ritz Roll 'n' Rock" number; Cyd gets to put those legendary legs to dazzlingly opulent use in the "Red Blues" production show-stopper; and even Janis Paige gets to raunch it up in an amusing example of clever Cole Porter risking something risqué (for its day) in a song about the Empress Josephine, "commonly known as Jo"! And there's that first reel number, "Stere-oh-phonic Sound," that cleverly spoofs the contemporary moviemakers' attempts to lure people from their TV sets with widescreens, sound coming from every corner of the auditorium and eye-glazing color processes. It may not be prime Porter but it's all far-and-away more fun and enjoyable than anything we're likely to get today with the threatened revival of the movie musical with barbarians like Baz Luhrmann given the directorial reins.
22 of 27 people found this review helpful.
Was this review helpful to you?