In 1942, a cargo ship jammed with British evacuees from Singapore is sunk by a Japanese sub. A small lifeboat carries a beautiful woman, an army officer, a bigoted administrator, and a ... See full summary »
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In 1942, a cargo ship jammed with British evacuees from Singapore is sunk by a Japanese sub. A small lifeboat carries a beautiful woman, an army officer, a bigoted administrator, and a black seaman. Only the seaman knows the woman is a nun. The men reveal their true selves under the hardships of survival. Told in a too-long flashback frame. Written by
Rod Crawford <puffinus@u.washington.edu>
Facile dramatics about four disparate characters--three men and one woman (Joan Collins)--shipwrecked off the coast of Singapore in 1942. One of the men grows very fond of the lady, who is secretly a nun. The nun's curious reluctance to divulge her vocation unnecessarily drags out these proceedings (and makes Sister Collins out to be something of a tease, which is touched upon fleetingly). Film verges on camp but is saved from silliness by an adept, surface-pretty production, also by Richard Burton's fiery emoting (predictably, he's colorful and mercurial as ever). Shallow, but certainly entertaining on a minor scale. **1/2 from ****
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Facile dramatics about four disparate characters--three men and one woman (Joan Collins)--shipwrecked off the coast of Singapore in 1942. One of the men grows very fond of the lady, who is secretly a nun. The nun's curious reluctance to divulge her vocation unnecessarily drags out these proceedings (and makes Sister Collins out to be something of a tease, which is touched upon fleetingly). Film verges on camp but is saved from silliness by an adept, surface-pretty production, also by Richard Burton's fiery emoting (predictably, he's colorful and mercurial as ever). Shallow, but certainly entertaining on a minor scale. **1/2 from ****