Sayonara (1957)

A US air force major in Kobe confronts his own opposition to marriages between American servicemen and Japanese women when he falls for a beautiful performer.

Director:

Joshua Logan

Writers:

Paul Osborn (screen play), James A. Michener (based on the novel by)

Stars:

Marlon Brando, Ricardo Montalban, Patricia Owens

Won 4 Oscars. Another 4 wins & 18 nominations.

Cast

Complete credited cast:
Marlon Brando	...	Major Gruver
Patricia Owens	...	Eileen Webster
James Garner	...	Captain Bailey
Martha Scott	...	Mrs. Webster
Miiko Taka	...	Hana-Ogi
Miyoshi Umeki	...	Katsumi
Red Buttons	...	Joe Kelly
Kent Smith	...	General Webster
Douglass Watson	...	Colonel Crawford (as Douglas Watson)
Reiko Kuba	...	Fumiko-San
Soo Yong	...	Teruko-San
Shochiku Kagekidan Girls Revue
Ricardo Montalban	...	Nakamura
Rest of cast listed alphabetically:
Jane Chung

Storyline

Major Lloyd Gruver, a Korean War flying ace reassigned to Japan, staunchly supports the military's opposition to marriages between American troops and Japanese women. But that's before Gruver experiences a love that challenges his own deeply set prejudices... and plunges him into conflict with the U.S. Air Force and Japan's own cultural taboos.

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Plot Keywords:

u.s. air force | marriage | american | love | military | 

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Taglines:

"I am not allowed to love. But I will love you if that is your desire..." Marlon Brando and an exquisite new Japanese star. They LIVE James A. Michener's story of defiant desire. It is called "Sayonara"

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Genres:

Drama | Romance

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Certificate:

Unrated

Details

Country:

USA

Language:

English Japanese

Release Date:

20 December 1957 (Japan)

Also Known As:

Сайонара

Filming Locations:

Kobe, Hyogo, Japan

Company Credits

Production Co:

Pennebaker Productions, William Goetz Productions

Technical Specs

Runtime:

147 min

Sound Mix:

4-Track Stereo (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Miyoshi Umeki's Academy Award win for Best Supporting Actress made her the first Asian actor to win an Oscar. Also, as of 2010, she is the only person of East Asian descent to win an Academy Award for acting.

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Goofs

Most of the movie was filmed in Kyoto, not Kobe.

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Quotes

Hana-ogi: The pleasure does not lie in the end itself. It's in the pleasurable steps to that end.

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Connections

Featured in Slaying the Dragon (1988)

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Soundtracks

Narukami
(uncredited)
Words and Music by S. Oka

User Reviews

Now that Brando has left the building...

Brando's position in the pantheon of the greats is secure. Now that

he is gone, (his life expired just yesterday) it will be worthwhile to

review his legacy. Pictures like 'Sayonara', which were grade 'A'

productions, but subject to criticism when they came out ,can now

be viewed in a new light. We can now see the care lavished upon

them. 'Sayonara' is a superb film in every category.

Brando's odd (to say the least) 'southern' accent proves to be a

brilliant choice in defining his character's contrasting presence in

the Japanese scene, an approach he would employ later in his

amazing, bizarre interpretation of Fletcher Christian. Whatever one

thinks of Brando's choices in tackling a role, he was never dull,

and watching him experiment is a viewer's treat. And Miyoshi

Umeki: what a discovery! The portrayal of those in Japan who are

just living their lives is done with sensitivity and humanity.

Just as important as the stars' performance and the story itself, is

Franz Waxman's music. It cannot be praised too highly, and is a

perfect example of a meticulously crafted score: mature, totally

sincere, and without one trace of cynicism or misdirection. Film

music like this is safe from being taken for granted. Waxman's

theme for the Red Buttons/Miyoshi Umeki relationship is among

the most poignant and haunting even written for the screen. Its

variations range from wistful to heartbreaking.

None other than Irving Berlin supplied the title song (he gets as

much screen credit as Waxman!). No pop hit, it nevertheless

integrates well with Waxman's score.

Ellsworth Fredericks' masterful Technirama lensing makes this

picture one of the best of the 50s. Seeing it in widescreen is a

thrilling event. The title sequence, in red lettering, is a fine example

of how every department, even one which deals with the 'job' of

giving credit, made sure that each element of a film like this

worked in concert with each other, to create a cohesive whole.

What a pleasure it is to have a proper introduction to a film, with

visuals and overture tailored to the drama to come. Such was the

style then. Bill Goetz produced. Thanks, Bill!

Josh Logan as a director is often reviled, but why is it then, that his

pictures are especially enjoyable, particularly with repeat

viewings? His huge closeups are terrific! He really went for the

gusto in splashing his stories on the screen, and made the most

of the 'big Hollywood production' thing.

Jack L. Warner's mid to late 50s productions rivaled 20th-Fox's in

lavishness and quality. Fortunately for us, the fans of pictures like

'Sayonara', he and Zanuck always tried to outdo each other.

Tonight, to honor the memory of Marlon Brando, I'm rolling

'Sayonara'.