| Photos (see all 8 | slideshow) |
| Richard Widmark | ... | The Dauphin, Charles VII | |
| Richard Todd | ... | Dunois, Bastard of Orleans | |
| Anton Walbrook | ... | Cauchon - Bishop of Beauvais | |
| John Gielgud | ... | Earl of Warwick | |
| Felix Aylmer | ... | Inquisitor | |
| Archie Duncan | ... | Robert de Baudricourt | |
| Harry Andrews | ... | John de Stogumber | |
| Margot Grahame | ... | Duchesse de la Tremouille | |
| Barry Jones | ... | De Courcelles | |
| Francis De Wolff | ... | La Tremouille | |
| Finlay Currie | ... | Archbishop of Rheims | |
| Victor Maddern | ... | English Soldier | |
| Bernard Miles | ... | Master Executioner | |
| David Oxley | ... | 'Bluebeard',- Gilles de Rais | |
| Patrick Barr | ... | Captain La Hire | |
| Sydney Bromley | ... | Baudricourt's Steward | |
| Kenneth Haigh | ... | Brother Martin Ladvenu | |
| David Langton | ... | Captain of Warwick's Guard | |
| Jean Seberg | ... | St.Joan of Arc | |
| rest of cast listed alphabetically: | |||
| Thomas Gallagher | ... | Foul mouthed Frank (uncredited) | |
| David Hemmings | ... | Bit Part (uncredited) | |
| Michael Lewin | ... | Bit Part (uncredited) | |
| Mark Milleham | ... | French child (uncredited) | |
| Spoli Mills | ... | (uncredited) | |
| Richard Palmer | ... | Page (uncredited) | |
| Susan Raie | ... | Dark-haired girl (uncredited) | |
| Norman Rossington | ... | 2nd Soldier at burning (uncredited) | |
Directed by | |||
| Otto Preminger | |||
Writing credits(in alphabetical order) | ||
| Graham Greene | writer | |
| George Bernard Shaw | play | |
Produced by | |||
| Douglas Peirce | .... | associate producer | |
| Otto Preminger | .... | producer | |
Original Music by | |||
| Mischa Spoliansky | |||
Cinematography by | |||
| Georges Périnal | |||
Film Editing by | |||
| Helga Cranston | |||
Casting by | |||
| Lionel Larner | |||
Production Design by | |||
| Roger K. Furse | |||
Art Direction by | |||
| Ray Simm | |||
Costume Design by | |||
| John McCorry | |||
Makeup Department | |||
| Gordon Bond | .... | hair stylist | |
| Tony Sforzini | .... | makeup artist | |
Production Management | |||
| Laurie Laurence | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Bolton | .... | assistant director | |
| Otto Plaschkes | .... | second assistant director (uncredited) | |
Sound Department | |||
| Peter Handford | .... | sound | |
| Red Law | .... | sound | |
Camera and Electrical Department | |||
| Denys N. Coop | .... | camera operator | |
| John Jay | .... | still photographer (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
| Paul Wilson | .... | first assistant camera (uncredited) | |
Music Department | |||
| Philip Martell | .... | conductor (uncredited) | |
Other crew | |||
| Saul Bass | .... | title designer | |
| Charles R. Beard | .... | technical advisor | |
| Doreen Merriman | .... | script supervisor (as Doreen Francis) | |
| Max Slater | .... | production assistant | |
| Bill Batchelor | .... | publicist (uncredited) | |
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| Joan of Arc | Mädchen Johanna, Das | Passion de Jeanne d'Arc, La | Procès de Jeanne d'Arc | The Messenger: The Story of Joan of Arc |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb USA section | Add this title to MyMovies |
This version by Otto Preminger is based on the play by Bernard Shaw, in which the ghost of Joan of Arc appears to Charles VII years after her execution. We then see in flashback how the young maid led the soldiers to victory at Orleans and made the Dauphin king, and how she was later betrayed by nobles, church, and soldiers alike.
Jean Seberg plays Joan as a very modern looking, very young girl who questions everything she sees and is at first tolerated and then shunned and feared. Richard Widmark is perhaps too comic as the Dauphin and comes across as miscast, while John Gielgud is reliable as Warwick, the English kingmaker. Other key roles are played by Anton Walbrook, Harry Andrews, Finlay Currie, and Richard Todd.
This version of the Joan of Arc tale has a greater feel of realism that the 40s version with Ingrid Bergman, but I rate the silent versions 'The Passion of Joan of Arc' and 'Joan the Woman' higher. Although Seberg puts across a fine performance as Joan, she can't hold a candle to Falconetti in particular.