Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon... See full summary »

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Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon she is thought of as a witch. Written by McGinty <McGinty@aol.com>

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8 May 1957 (USA)  »

Also Known As:

Die heilige Johanna  »

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Trivia

Screenwriter Graham Greene, a very famous author himself, added some lines to the original Shaw play when he adapted it for the film, such as Warwick's "She'll burn - before the Pope gets to hear of it!" See more »

Quotes

St.Joan of Arc: [to Cauchon] But what happened to thee? Art thou dead or alive?
Cauchon: Dead. Dishonoured. They pursued me beyond the grave. They excommunicated my dead body; they dug it up and flung it into the sewer.
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Connections

Version of Sainte Jeanne (1969) See more »

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User Reviews

 
"He who tells too much truth is sure to be hanged..."
18 January 2010 | by (las vegas, nv) – See all my reviews

Otto Preminger's much-maligned version of Joan of Arc's inquisition and defeat came under critical scrutiny for, among many things, the casting of an unknown in the demanding leading role. Jean Seberg was touted as Preminger's discovery, and her youthful energy and doe-eyed rebelliousness are the right ingredients for the Maid of Orleans. What Seberg lacks is forceful projection--though, with so much talent surrounding her, one hardly notices. After promoting the foppish Dauphin as the next King of France, a simple but fierce country girl heads the French Army into battle against England; sadly, with her triumphs passed her and her usefulness run dry, she was turned over to the courts where she was declared a heretic, her talk of voices the ramblings of a demonic influence. Graham Greene adapted George Bernard Shaw's celebrated play, putting much of the emphasis on Joan's trial; still, one clearly senses Preminger's pithy hand in the playful framework complete with ghosts and a music-box score. The costumes are plushy, the sets passable, yet one longs for more involving action (there's the set-up for battle, but no fighting); without a grander design, a more florid visual scope, what we're left with is textbook history. Certainly the performances make the film worth-seeing, and Seberg shouldn't be counted out in this regard. Hers is an empathic reading and, while she isn't yet a riveting presence, the newcomer manages a connection with the material (translating it to the viewer) which many seasoned pros might have found unmanageable. **1/2 from ****


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