| Robert Taylor | ... | Steve Sinclair | |
| Julie London | ... | Joan Blake | |
| John Cassavetes | ... | Tony Sinclair | |
| Donald Crisp | ... | Dennis Deneen | |
| Charles McGraw | ... | Larry Venables | |
| Royal Dano | ... | Clay Ellison | |
| Richard Erdman | ... | Dallas Hanson | |
| Douglas Spencer | ... | Hemp Scribner | |
| Ray Teal | ... | Brick Larson | |
| rest of cast listed alphabetically: | |||
| Stanley Adams | ... | Joe - Bartender (uncredited) | |
| Jay Adler | ... | Hank - Saloon Cleanup Man (uncredited) | |
| William Challee | ... | Barfly (uncredited) | |
| Wes Fuller | ... | Cowboy (uncredited) | |
| Nacho Galindo | ... | Manuelo (uncredited) | |
| Kelo Henderson | ... | Cowboy (uncredited) | |
| Lars Henderson | ... | Jamie (uncredited) | |
| Ethan Laidlaw | ... | Barfly (uncredited) | |
| Irene Tedrow | ... | Mary Ellison (uncredited) | |
| Henry Wills | ... | Cowboy (uncredited) | |
Directed by | |||
| Robert Parrish | |||
| John Sturges | (uncredited) | ||
Writing credits | ||
| Rod Serling | (screenplay) | |
| Thomas Thompson | (screen story) | |
| Daniel Fuchs | uncredited | |
Produced by | |||
| Armand Deutsch | .... | producer | |
Original Music by | |||
| Elmer Bernstein | (music scored by) | ||
Cinematography by | |||
| George J. Folsey | (director of photography) | ||
Film Editing by | |||
| John McSweeney Jr. | |||
Art Direction by | |||
| Malcolm Brown | |||
| William A. Horning | |||
Set Decoration by | |||
| Henry Grace | (set decorations) | ||
| Otto Siegel | (set decorations) | ||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| William Tuttle | .... | makeup artist | |
Production Management | |||
| Al Shenberg | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert Saunders | .... | assistant director | |
| Mickey McCardle | .... | assistant director (uncredited) | |
Sound Department | |||
| Wesley C. Miller | .... | recording supervisor (as Dr. Wesley C. Miller) | |
| Harold Humbrock | .... | sound editor (uncredited) | |
| Milo B. Lory | .... | sound editor (uncredited) | |
Stunts | |||
| Henry Wills | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Helen Rose | .... | costume designer: Julie London | |
Editorial Department | |||
| Charles K. Hagedon | .... | color consultant | |
Music Department | |||
| Fred Steiner | .... | orchestrator (uncredited) | |
| Albert Woodbury | .... | orchestrator (uncredited) | |
Other crew | |||
| E. Darrell Hallenbeck | .... | script supervisor (uncredited) | |
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| The Return of Frank James | Noose for a Gunman | Jesse James | The Magnificent Seven | The Outlaw Josey Wales |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Steve Sinclair is an ex gunfighter now contented with his lot as a peaceful farmer. Peace that is disrupted when his young brother Tony turns up with his intended new bride in tow. Tony has a thirst for gun play, and when he guns down a fellow gunman in the bar, things start to rapidly spiral out of control for the Sinclair family.
Saddle The Wind has some top credentials coming with it. Written by one Rod Serling, and starring Robert Taylor and John Cassavetes as the Sinclair brothers, it's a film not short on quality. Into the mix is the splendid outdoor location work at Rosita, Colorado {courtesy of the prolific George J. Folsey} and the genre compliant score from Elmer Bernstein. But what of the film itself? Well the story is an over familiar one, gunfighter trying to leave his bad past behind, loose cannon youngster out to make a name for himself, and yes we get a female love interest causing conflict and confusion {Julie London in a stock and undemanding role}. Yet familiarity definitely does not breed contempt in this instance.
If new comers to this film are aware of John Cassavetes and his style of acting, then, in spite of the oddity of seeing him in Western surroundings, one can reasonably know what to expect. Cassavetes brings the method to young Tony Sinclair, instilling intensity, even borderline mania in the upstart hot shot, so much so that Robert Taylor's fine world weary turn as Steve gets lost until the finale. To non Cassavetes fans it may be just too much to handle, but speaking personally I found it a terrific performance that lifted the picture way above average. Support comes in the solid form of Donald Crisp and Royal Dano and the running time of under 90 minutes is just about right. Finally, it's with the ending that Saddle The Wind breaks away from its standard story and plotting. Played out on a lush blue flowered hillside, the makers deviate from the expected and give us something memorable and totally fitting to this method driven Western. 7/10