IMDb > Saddle the Wind (1958)
Saddle the Wind
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Saddle the Wind (1958) More at IMDbPro »

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Overview

User Rating:
6.5/10   624 votes »
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Down 14% in popularity this week. See why on IMDbPro.
Writers:
Rod Serling (screenplay)
Thomas Thompson (screen story)
(more)
Contact:
View company contact information for Saddle the Wind on IMDbPro.
Release Date:
22 April 1958 (Japan) See more »
Genre:
Plot:
Steve Sinclair is a world a world-weary former gunslinger, now living as a peaceful farmer. Things go wrong when his wild younger brother Tony arrives on the scene with his new bride Joan Blake. | Add synopsis »
Plot Keywords:
NewsDesk:
The history of MGM: the golden era
 (From Den of Geek. 24 January 2012, 3:12 AM, PST)

User Reviews:
Loose cannon gets the method treatment. See more (18 total) »

Cast

  (in credits order) (complete, awaiting verification)

Robert Taylor ... Steve Sinclair

Julie London ... Joan Blake

John Cassavetes ... Tony Sinclair

Donald Crisp ... Dennis Deneen

Charles McGraw ... Larry Venables

Royal Dano ... Clay Ellison

Richard Erdman ... Dallas Hanson
Douglas Spencer ... Hemp Scribner

Ray Teal ... Brick Larson
rest of cast listed alphabetically:

Stanley Adams ... Joe - Bartender (uncredited)
Jay Adler ... Hank - Saloon Cleanup Man (uncredited)
William Challee ... Barfly (uncredited)
Wes Fuller ... Cowboy (uncredited)
Nacho Galindo ... Manuelo (uncredited)
Kelo Henderson ... Cowboy (uncredited)
Lars Henderson ... Jamie (uncredited)
Ethan Laidlaw ... Barfly (uncredited)
Irene Tedrow ... Mary Ellison (uncredited)
Henry Wills ... Cowboy (uncredited)
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Directed by
Robert Parrish 
John Sturges (uncredited)
 
Writing credits
Rod Serling (screenplay)

Thomas Thompson (screen story)

Daniel Fuchs  uncredited

Produced by
Armand Deutsch .... producer
 
Original Music by
Elmer Bernstein (music scored by)
 
Cinematography by
George J. Folsey (director of photography)
 
Film Editing by
John McSweeney Jr. 
 
Art Direction by
Malcolm Brown 
William A. Horning 
 
Set Decoration by
Henry Grace (set decorations)
Otto Siegel (set decorations)
 
Makeup Department
Sydney Guilaroff .... hair stylist
William Tuttle .... makeup artist
 
Production Management
Al Shenberg .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
Robert Saunders .... assistant director
Mickey McCardle .... assistant director (uncredited)
 
Sound Department
Wesley C. Miller .... recording supervisor (as Dr. Wesley C. Miller)
Harold Humbrock .... sound editor (uncredited)
Milo B. Lory .... sound editor (uncredited)
 
Stunts
Henry Wills .... stunts (uncredited)
Jack N. Young .... stunts (uncredited)
 
Costume and Wardrobe Department
Helen Rose .... costume designer: Julie London
 
Editorial Department
Charles K. Hagedon .... color consultant
 
Music Department
Fred Steiner .... orchestrator (uncredited)
Albert Woodbury .... orchestrator (uncredited)
 
Other crew
E. Darrell Hallenbeck .... script supervisor (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
Runtime:
84 min
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Perspecta Stereo (Perspecta Sound®) (Westrex Recording System)
Certification:
Finland:K-16 | Sweden:15 | USA:Approved (certificate #18719) | West Germany:12 | Australia:G | UK:A (original rating) (passed with cuts)
Filming Locations:

Did You Know?

Goofs:
Continuity: In the scene where Tony Sinclair and his sidekicks confront Clay Ellison and burn the wagon, the shot alternated between a facing shot of Clay, and a rear view. In each shot Clay is holding the shotgun. In the facing shots he holds it across his body with the barrel held high, yet in each of the rear shots it is held horizontally at arms length. There is no apparent movement of the gun, however.See more »
Quotes:
Dennis Dineen:I know all about the brother and the sickness inside him. He didn't get that from Steve, he was born with it.
Brick Larson:I don't think that Tony ever did get born. I think that somebody just found him wedged into a gun cylinder and shot him out into the world by pressing the trigger.
See more »
Soundtrack:
Saddle the WindSee more »

FAQ

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17 out of 17 people found the following review useful.
Loose cannon gets the method treatment., 25 June 2009
Author: JohnRouseMerriottChard from United Kingdom

Steve Sinclair is an ex gunfighter now contented with his lot as a peaceful farmer. Peace that is disrupted when his young brother Tony turns up with his intended new bride in tow. Tony has a thirst for gun play, and when he guns down a fellow gunman in the bar, things start to rapidly spiral out of control for the Sinclair family.

Saddle The Wind has some top credentials coming with it. Written by one Rod Serling, and starring Robert Taylor and John Cassavetes as the Sinclair brothers, it's a film not short on quality. Into the mix is the splendid outdoor location work at Rosita, Colorado {courtesy of the prolific George J. Folsey} and the genre compliant score from Elmer Bernstein. But what of the film itself? Well the story is an over familiar one, gunfighter trying to leave his bad past behind, loose cannon youngster out to make a name for himself, and yes we get a female love interest causing conflict and confusion {Julie London in a stock and undemanding role}. Yet familiarity definitely does not breed contempt in this instance.

If new comers to this film are aware of John Cassavetes and his style of acting, then, in spite of the oddity of seeing him in Western surroundings, one can reasonably know what to expect. Cassavetes brings the method to young Tony Sinclair, instilling intensity, even borderline mania in the upstart hot shot, so much so that Robert Taylor's fine world weary turn as Steve gets lost until the finale. To non Cassavetes fans it may be just too much to handle, but speaking personally I found it a terrific performance that lifted the picture way above average. Support comes in the solid form of Donald Crisp and Royal Dano and the running time of under 90 minutes is just about right. Finally, it's with the ending that Saddle The Wind breaks away from its standard story and plotting. Played out on a lush blue flowered hillside, the makers deviate from the expected and give us something memorable and totally fitting to this method driven Western. 7/10

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