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Saddle the Wind (1958)

 -  Western  -  22 April 1958 (Japan)
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Ratings: 6.7/10 from 733 users  
Reviews: 21 user | 14 critic

Steve Sinclair is a world a world-weary former gunslinger, now living as a peaceful farmer. Things go wrong when his wild younger brother Tony arrives on the scene with his new bride Joan Blake.


, (uncredited)


(screenplay), (screen story), 1 more credit »
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Title: Saddle the Wind (1958)

Saddle the Wind (1958) on IMDb 6.7/10

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Complete credited cast:
Steve Sinclair
Joan Blake
Tony Sinclair
Dennis Deneen
Larry Venables
Clay Ellison
Dallas Hanson
Douglas Spencer ...
Hemp Scribner
Brick Larson


Steve Sinclair is a world a world-weary former gunslinger, now living as a peaceful farmer. Things go wrong when his wild younger brother Tony arrives on the scene with his new bride Joan Blake.

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Release Date:

22 April 1958 (Japan)  »

Also Known As:

Saddle the Wind  »

Filming Locations:

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Technical Specs


Sound Mix:

(Perspecta Sound®) (Westrex Recording System)



Aspect Ratio:

2.35 : 1
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Did You Know?


A first score was written and recorded by Jeff Alexander but had to be replaced due to extensive re-cutting. See more »


In the scene where Tony Sinclair and his sidekicks confront Clay Ellison and burn the wagon, the shot alternated between a facing shot of Clay, and a rear view. In each shot Clay is holding the shotgun. In the facing shots he holds it across his body with the barrel held high, yet in each of the rear shots it is held horizontally at arms length. There is no apparent movement of the gun, however. See more »


Tony Sinclair: You better open your eyes because I'm not just your kid brother anymore. I'm a full partner and I ride abreast of you. And you're not sitting on me anymore.
Steve Sinclair: I never sat on you; I never tied you down! I only wanted one thing in my life and that was to see you rise up. You only got up as high as your gun belt. And that's a low height for a man.
See more »


Saddle the Wind
By Jay Livingston and Ray Evans
Sung by Julie London (uncredited)
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User Reviews

Excellent, subversive Western.
31 October 2000 | by (dublin, ireland) – See all my reviews

In the 1950s, the best way to attack an intolerably conformist society was to take a harmless 'popular' genre and subvert it, overturn its assumptions. Sirk did it with the woman's picture, Minnelli with the musical, Hitchcock with the thriller; Robert Parrish does it here with the Western, with a vision of Eisenhower family-values capitalist America as a medieval feudality, where everyone must pay obeisance to a landowner, where the stable family unit consists of a killer and a wild sexual neurotic, and where capitalism is actually destructive to the family and continuity, a sterile thing.

Whether John Cassavetes is an embodiment of the Western hero gone wrong, the pressure of capitalism turned in on itself, or a rebel without a cause, the film is full of powerful incident - Cassavetes' first insane shooting spree, which he ends by shooting his own puddled reflection; the drunken attack by Cassavetes and friend on a family of homesteaders, uncomfortably reversing the old attacking-Indians routine; the Leonesque showdown between Cassavetes and Ellison backed by his own brother. Very much a post-'Searchers' Western, land here is synonymous with spilt blood not destiny.

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