After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one ... See full summary »
Count Dracula journeys to a remote Chinese village in the guise of a warlord to support six vampires who are dispirited after the loss of a seventh member of their cult. At the same time, ... See full summary »
The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's ... See full summary »
Edward de Souza
In Spain, Leon is born on Christmas day to a mute servant girl who was raped by a beggar. His mother dies giving birth and he is looked after by Don Alfredo. As a child Leon becomes a ... See full summary »
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Roy Ward Baker
We watch Baron Frankenstein escaping from the guillotine and going to Germany. There, he names himself Dr. Stein and plans to restart his experiments by using parts of dead bodies. Written by
Chris Makrozahopoulos <email@example.com>
In correspondence from Hammer to the BBFC dated 30 July 1958, Hammer executives say that per the BBFC's request, the shot from "Reel 2" of Frankenstein dropping Karl's brain from a pan into a jar of fluid had been removed from the final print. This brief moment was a point of contention with the BBFC ever since the film had been submitted for certification during the script stage. However, the scene has existed in all known prints of the film ever since its distribution, even on Columbia's Super 8mm digest version. See more »
When Frankenstein's dwarf assistant Karl looks at his new body in the glass case in Frankenstein's lab, the hand of the body is moving. See more »
The Revenge Of Frankenstein is the second instalment in Hammer studio's Frankenstein series. The first film, The Curse Of Frankenstein, was the company's debut horror feature and a commercial success. It paved the way for a plethora of horror films and made 'stars' of Peter Cushing and Christopher Lee. Lee is absent from Revenge. but Cushing returns in the titular role along with director Terence Fisher and writer Jimmy Sangster.
Having narrowly escaped the guillotine, Dr./Baron Frankenstein retreats to a new town to pledge his trade. Adopting the 'cunning' pseudonym 'Dr. Stein', he opens two medical practices. One serves the wealthy, financing the second which treats the poor and needy. This humanitarian/philanthropist set-up masks the fact that both practices support, in terms of money and body parts respectively, the good doctor's true interests. He has a secret laboratory in a disused wine cellar where he continues his infamous experiments. After three years in the new town his practice is such a success that the local medical council is becoming redundant. The members hold an emergency meeting to discuss the problem of Dr. Stein.
Terence Fisher's Frankenstein series concentrates on the doctor (and in turn science) as the source of 'evil'. Frankenstein's blind ambition and lack of moral code is the real source of horror. This premise is strikingly different from earlier Frankenstein stories. In the Mary Shelley original, both the doctor and the 'monster' are portrayed as victims of science. In James Whale's celebrated duet the doctor is the misguided hero. In both cases the doctor is misled by scientific ambition but retains a strong moral code throughout. The sinister Dr. Pretorius in Bride Of Frankenstein could be seen as a better prototype for Fisher's doctor.
In Revenge. rather than retreading the familiar experiment of the previous film(s), a spin has been put on events. Here Frankenstein's construction of the 'monster' has reached its zenith and is given short shrift. Instead the problem and focus of the film is that of the brain. A living brain is required so transplants are in order. Cue a bloodied brain slopping into a specimen jar. Loopy proceedings include a priceless hand-eye co-ordination experiment (every lab should have one) and a cannibalistic chimp with the brain of an orang-utan. The brain transplantation theme is taken the logical step further in And Frankenstein Created Woman, which involves the transfer of the soul.
Although it evokes some viewer sympathy, the 'monster' is not as innocent as the creations in earlier films and in a way deserves its fate. Its appearance is not that impressive either, when it goes on the rampage the facial expression and make-up reminded me of Michael Palin. The fact that the 'monster' starts to regress back to his half paralytic state suggests that the condition stemmed from the brain, Frankenstein's diagnosis was wrong.
This is the only error Frankenstein makes. His assistant, Dr. Kleve, and workers (the cleaner is an 'expert' on zoology) make them for him. Thus the experiment ends in disaster. If Dr Kleve had not helped Frankenstein with the final transplantation, he could be considered to have been a 'plant' from the medical council. The final creation is of course ludicrous. How could the body be a perfect likeness? Still, it paved the way for further sequels.
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