In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »
After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one ... See full summary »
The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped... See full summary »
We watch Baron Frankenstein escaping from the guillotine and going to Germany. There, he names himself Dr. Stein and plans to restart his experiments by using parts of dead bodies. Written by
Chris Makrozahopoulos <email@example.com>
In correspondence from Hammer to the BBFC dated 30 July 1958, Hammer executives say that per the BBFC's request, the shot from "Reel 2" of Frankenstein dropping Karl's brain from a pan into a jar of fluid had been removed from the final print. This brief moment was a point of contention with the BBFC ever since the film had been submitted for certification during the script stage. However, the scene has existed in all known prints of the film ever since its distribution, even on Columbia's Super 8mm digest version. See more »
When Frankenstein's dwarf assistant Karl looks at his new body in the glass case in Frankenstein's lab, the hand of the body is moving. See more »
Revenge of Frankenstein is the only true sequel in the successful Hammer series. It is interesting to note, that principal photography began scant days after the completion of 'Horror of Dracula,' and it does not require a trained eye to see the re-dressed and painted Dracula sets throughout the film. Production Designer, Bernard Robinson, and Director, Terence Fisher both told me the paint on some of the flats had yet to dry when shooting began. Peter Cushing had the opportunity to refine and develop his portrayal as the driven Baron Frankenstein. His dialogue is caustic, witty and at times humorous. This again was the Golden Age of Hammer, that magic period that lasted but a short time. The team of Fisher, Robinson, Lighting Cameraman, Jack Asher, and a completely dedicated cast and crew shines as brightly as those newly painted sets. One of the best of the period, and still plays well today.
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