Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
When European Egyptologists Dubois, Giles and Bray discover the tomb of the Egyptian prince Ra, American entrepreneur and investor Alexander King insists on shipping the treasures and ... See full summary »
We watch Baron Frankenstein escaping from the guillotine and going to Germany. There, he names himself Dr. Stein and plans to restart his experiments by using parts of dead bodies. Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
When Gerda leaves her boyfriend she is attacked by Karl after she descends a flight of steps. Half way down the steps is a bright yellow, 20th century, metal mesh litter bin attached to the wall. See more »
The second entry in the noble Frankenstein series produced by Hammer and as always a joy to watch. Largely thanks to the performance of Peter Cushing who became one with this protagonist for 6 entire movies. Cushing perfectly knows who to make the most out of his character. As a viewer, you don't know whether to have sympathy for him or despise him. He's a dedicated and hardworking scientist, yet he's doesn't seem to care much about human emotions and he's ultimately cruel. The screenplay by Jimmy Sangster is well-written and rather original the development of the monster' is completely different than usual and the script contains a lot of twisted and sadistic humor. The Revenge of Frankenstein has two extraordinary good sequences. Namely the entire beginning in which the Baron is brought to the Guillotine, condemned for the crimes against humanity he did in the past (The Curse of Frankenstein 1956). This entire opening to the movie is very atmospheric, morbid and the perfect launch for a decent horror movie. Secondly, there is the magnificent climax containing an experiment-gone-wrong that brutally interrupts a high society party. This particular scene is the start for a very suspenseful finale with a few shocking parts and a terrific end scene. Certainly a must for all Cushing-, Fisher- and Hammer-fans and a nice waste of time for everyone with a little sympathy towards the genre of horror. Recommended!
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