The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
In 19th century England, captain George Brummell is an upper-class dandy. He has to leave the army after having insulted the crown prince. This gives him the opportunity to start a smear ... See full summary »
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An abolitionist John Wickliff Shawnessy drifts away from his high school sweetheart Nell Gaither and enters into a passionate love affair with a wealthy New Orleans belle Susanna Drake but is tricked into marrying her when she falsely tells him that she is pregnant. But even after Susanna tells him the truth his still stays with her out of love. But John soon learns that Susanna is hiding a dark secret which leads her into madness. This madness causes Susanna to flee to the South during the Civil War taking their son with her. John leaves home and enlisting in the Northern Army as his only means to pursue Susanna. Written by
Of the many films produced in the very wide aspect-ratio of 2.55:1 from 1953 to 1957, this was the last released at that aspect-ratio; after this, an optional mono soundtrack was added to many films made in stereo, reducing the aspect ratio on them to 2.35:1. However, Ben-Hur (1959), also filmed in Camera 65, was the first film in that process to be released with an aspect ratio of 2.76:1. When MGM filmed "Raintree County" in Camera 65, they were forced out of necessity to release it in the CinemaScope aspect ratio rather than the correct Camera 65 one. See more »
At the party celebrating Lincoln's election, a guest smears charcoal on some of his face. In the next shot, his face is almost entirely black. See more »
An individual's life is formed by his memories. Books, music and - yes, movies - influence us. We remember the situations and the dialogue, we remember the sweet melodies. These memories enable us to react, as well as give us the ability to identify situations as they occur.
I saw "Raintree County" when I was 15. Orphaned at six, I'd just departed from an orphans home in Dallas, after nearly nine years. Knowing virtually nothing of the outside world, I was receptive to everything, every person that I encountered. That summer of 1958, I sneaked into the Forest Park Drive-In to see Elizabeth Taylor, of whom I knew little, other than that she was a breath-taking beauty, and had been recently widowed when Michael Todd's chartered plane had crashed.
The characters in the movie (when I was 15) were literal, if not visceral: the magnificence of Miss Taylor's satin gowns encased over crinoline, Lee Marvin's sharp, smart-alecky wit, the professor's lechery, Montgomery Clift's Yankee stoicism, Agnes Moorehead's curious detachment, were all primary colors.
Forty-five years have passed. Those primary colors are now a multitude of blendings and shadings of secondary colors. Montgomery Clift's character is now a beautifully controlled young man who reflects his parents' stoicism, a young man whose intelligence and self control are at the core of the film, and upon whom all characters revolve.
Originally, I thought that "Raintree County" was strictly Taylor's vehicle. She is the burr under the saddle, the exquisite seductress that interfers with Clift's heretofore regulated, almost predestined lifestyle upon his college graduation.
'Raintree' is an achingly beautiful film, and Miss Taylor, who is the most gifted in her portrayal of anguished characters, blesses the movie. Norma Shearer could be beautiful in 'Marie Antoinette", but she lacked depth. Betty Davis portrayed Sturm und Drang, but was never a clothes horse. Taylor combines the two.
Having read some of the other's comments, most of whom disliked the story, perhaps it helps to be Southern to truly love this film. And also, one wants to realize that it depicts two diametrically opposed cultures: North and South. When Northern chill mixes with Southern humidity, chaos results. And so it did, and it was known as The War Between the States.
In conclusion, one wants to luxuriate in this film: Lockridge wrote a brilliant story, and for the most part, it is well delivered. It is rich in history and characterization.
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