Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
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In 19th century England, captain George Brummell is an upper-class dandy. He has to leave the army after having insulted the crown prince. This gives him the opportunity to start a smear ... See full summary »
Charles returns to Paris to reminisce about the life he led in Paris after it was liberated. He worked on "Stars and Stripes" when he met Marion and Helen. He would marry and be happy ... See full summary »
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An abolitionist John Wickliff Shawnessy drifts away from his high school sweetheart Nell Gaither and enters into a passionate love affair with a wealthy New Orleans belle Susanna Drake but is tricked into marrying her when she falsely tells him that she is pregnant. But even after Susanna tells him the truth his still stays with her out of love. But John soon learns that Susanna is hiding a dark secret which leads her into madness. This madness causes Susanna to flee to the South during the Civil War taking their son with her. John leaves home and enlisting in the Northern Army as his only means to pursue Susanna. Written by
On May 12, 1956, during the shooting of this film, Montgomery Clift was involved in a serious car accident on his way back home from a party at the house of Elizabeth Taylor. His friend Kevin McCarthy witnessed the accident from his car, drove back and informed Taylor and her then husband Michael Wilding, who immediately drove to the location together with Rock Hudson. Taylor entered the car through the back door, crawled to the front seat and removed the two front teeth from Clift's throat that threatened to choke him. Hudson finally managed to pull him out of the wreck and together they protected him from being photographed until the ambulance arrived. This was necessary because soon after the emergency call had come in to the local police station, reporters were already on their way and arrived at the scene when Clift was still in the car. The accident was well publicized. After nine weeks of recovery and with plastic surgery, Clift returned to the movie set and finished the film, but with considerable difficulties. His dashing looks, though, were gone forever. If you notice in some scenes, his nose and chin look different, and the left side of his face is more or less immobile. See more »
While celebrating Lincoln's election in 1860, the band can be heard playing "Rally Round the Flag". This song was not penned until 1862 by George F. Root. See more »
M-G-M assigned some pretty heavy-hitters to cobble together this almost indigestible attempt to tell a Civil War story without a producer like David O. Selznick to insist that the whole thing should somehow come together. Other comments on this site tell the sad story of miscasting, a seemingly unfocused script, apparently disinterested direction and the obvious tragedy of Montgomery Clift's catastrophic automobile accident during production and its effect on all the performances he was to give thereafter.
Elizabeth Taylor is about the only central player who emerges relatively unscathed and her Academy Award nomination was deserved (and certainly more worthy of the Oscar she did win for "BUtterfield 8".)
I bought reserved seat tickets for this before its initial engagement began and the reviewers' generally negative appraisals were available. M-G-M's new big screen process, MGM Camera 65 ("Window of the World" as they termed it, used only once again by the studio for "Ben-Hur"), afforded a handsome showcasing of all the expense lavished upon this production, but, even as a teenager, I squirmed in my seat as its oh-so-lengthy reels unspooled and I left the theater regretting that its makers hadn't somehow achieved something memorable for its quality and dramatic impact, rather than for its longueurs. Johnny Green's score (and Nat King Cole's rendition of the title song) did sound awfully good over the stereophonic sound system at that Beverly Hills, California theater and that's one aspect of this disappointment that is now probably lost forever.
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