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Raintree County (1957)

 -  Drama | Romance | War  -  20 December 1957 (USA)
6.4
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Ratings: 6.4/10 from 2,244 users  
Reviews: 42 user | 3 critic

A graduating poet/teacher falls in love with a Southern woman, and then the Civil War and her past create problems.

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Writers:

(screenplay), (novel)
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Title: Raintree County (1957)

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Nominated for 4 Oscars. Another 3 wins & 2 nominations. See more awards »
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Cast

Complete credited cast:
...
John Wickliff Shawnessy
...
...
Nell Gaither
Nigel Patrick ...
Prof. Jerusalem Webster Stiles
...
Orville 'Flash' Perkins
...
Garwood B. Jones
...
Ellen Shawnessy
...
T.D. Shawnessy
Jarma Lewis ...
Barbara Drake
Tom Drake ...
Bobby Drake
...
Ezra Gray
Russell Collins ...
Niles Foster
...
Southern Officer
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Storyline

An abolitionist John Wickliff Shawnessy drifts away from his high school sweetheart Nell Gaither and enters into a passionate love affair with a wealthy New Orleans belle Susanna Drake but is tricked into marrying her when she falsely tells him that she is pregnant. But even after Susanna tells him the truth his still stays with her out of love. But John soon learns that Susanna is hiding a dark secret which leads her into madness. This madness causes Susanna to flee to the South during the Civil War taking their son with her. John leaves home and enlisting in the Northern Army as his only means to pursue Susanna. Written by Matt Patay

Plot Summary | Add Synopsis

Taglines:

In The Great Tradition Of Civil War Romance

Genres:

Drama | Romance | War | Western

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

20 December 1957 (USA)  »

Also Known As:

El árbol de la vida  »

Filming Locations:

 »

Box Office

Budget:

$5,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(original) | (Turner Library Print)

Sound Mix:

(Westrex Recording System) (70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

After his car accident during shooting, there was some consideration given to recasting of Montgomery Clifts role. Production insurance would have covered the costs of re-shooting but Elizabeth Taylor and Rock Hudson insisted that Clift be allowed to continue once he recovered for his injuries. See more »

Goofs

At the party celebrating Lincoln's election, a guest smears charcoal on some of his face. In the next shot, his face is almost entirely black. See more »

Quotes

Susanna Drake: Cousin Sam, John doesn't like slavery.
Cousin Sam: Does John like the "wage slavery" of the North?
See more »

Connections

Edited from Gone with the Wind (1939) See more »

Soundtracks

Never Till Now
(uncredited)
Music by Johnny Green
Lyrics by Paul Francis Webster
See more »

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User Reviews

Luxurious parts = lumpen whole.
26 May 2003 | by (Portland, Oregon) – See all my reviews

M-G-M assigned some pretty heavy-hitters to cobble together this almost indigestible attempt to tell a Civil War story without a producer like David O. Selznick to insist that the whole thing should somehow come together. Other comments on this site tell the sad story of miscasting, a seemingly unfocused script, apparently disinterested direction and the obvious tragedy of Montgomery Clift's catastrophic automobile accident during production and its effect on all the performances he was to give thereafter.

Elizabeth Taylor is about the only central player who emerges relatively unscathed and her Academy Award nomination was deserved (and certainly more worthy of the Oscar she did win for "BUtterfield 8".)

I bought reserved seat tickets for this before its initial engagement began and the reviewers' generally negative appraisals were available. M-G-M's new big screen process, MGM Camera 65 ("Window of the World" as they termed it, used only once again by the studio for "Ben-Hur"), afforded a handsome showcasing of all the expense lavished upon this production, but, even as a teenager, I squirmed in my seat as its oh-so-lengthy reels unspooled and I left the theater regretting that its makers hadn't somehow achieved something memorable for its quality and dramatic impact, rather than for its longueurs. Johnny Green's score (and Nat King Cole's rendition of the title song) did sound awfully good over the stereophonic sound system at that Beverly Hills, California theater and that's one aspect of this disappointment that is now probably lost forever.


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