The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
In 19th century England, captain George Brummell is an upper-class dandy. He has to leave the army after having insulted the crown prince. This gives him the opportunity to start a smear ... See full summary »
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
An abolitionist John Wickliff Shawnessy drifts away from his high school sweetheart Nell Gaither and enters into a passionate love affair with a wealthy New Orleans belle Susanna Drake but is tricked into marrying her when she falsely tells him that she is pregnant. But even after Susanna tells him the truth his still stays with her out of love. But John soon learns that Susanna is hiding a dark secret which leads her into madness. This madness causes Susanna to flee to the South during the Civil War taking their son with her. John leaves home and enlisting in the Northern Army as his only means to pursue Susanna. Written by
The first preview for this film was held January 24, 1957 at the Granada Theatre in Santa Barbara, the film ran 3 hours and 6 minutes. On March 19, 1957 the New York Times reported that retakes would begin later that month so "that certain dramatic points will be emphasized by re-shooting in close-up and that extra footage will be added to achieve smoother transitions in the sprawling drama." When the film was ready for release two options were offered to exhibitors, either the 168 minute version as a two screenings a day feature or a continuous performance version that ran 151 minutes. See more »
After Lincoln wins the election, John and Nell say good night in front of John's house. The same wagon with the same people in it pass by them twice in the background. See more »
Prof. Jerusalem Webster Stiles:
[Referring to the fact that Mr. Gray, an old man, has managed to marry Lydia, a beautiful young woman]
How in the entire realm of plausibility did that chilly January win such a blithesome May?
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An individual's life is formed by his memories. Books, music and - yes, movies - influence us. We remember the situations and the dialogue, we remember the sweet melodies. These memories enable us to react, as well as give us the ability to identify situations as they occur.
I saw "Raintree County" when I was 15. Orphaned at six, I'd just departed from an orphans home in Dallas, after nearly nine years. Knowing virtually nothing of the outside world, I was receptive to everything, every person that I encountered. That summer of 1958, I sneaked into the Forest Park Drive-In to see Elizabeth Taylor, of whom I knew little, other than that she was a breath-taking beauty, and had been recently widowed when Michael Todd's chartered plane had crashed.
The characters in the movie (when I was 15) were literal, if not visceral: the magnificence of Miss Taylor's satin gowns encased over crinoline, Lee Marvin's sharp, smart-alecky wit, the professor's lechery, Montgomery Clift's Yankee stoicism, Agnes Moorehead's curious detachment, were all primary colors.
Forty-five years have passed. Those primary colors are now a multitude of blendings and shadings of secondary colors. Montgomery Clift's character is now a beautifully controlled young man who reflects his parents' stoicism, a young man whose intelligence and self control are at the core of the film, and upon whom all characters revolve.
Originally, I thought that "Raintree County" was strictly Taylor's vehicle. She is the burr under the saddle, the exquisite seductress that interfers with Clift's heretofore regulated, almost predestined lifestyle upon his college graduation.
'Raintree' is an achingly beautiful film, and Miss Taylor, who is the most gifted in her portrayal of anguished characters, blesses the movie. Norma Shearer could be beautiful in 'Marie Antoinette", but she lacked depth. Betty Davis portrayed Sturm und Drang, but was never a clothes horse. Taylor combines the two.
Having read some of the other's comments, most of whom disliked the story, perhaps it helps to be Southern to truly love this film. And also, one wants to realize that it depicts two diametrically opposed cultures: North and South. When Northern chill mixes with Southern humidity, chaos results. And so it did, and it was known as The War Between the States.
In conclusion, one wants to luxuriate in this film: Lockridge wrote a brilliant story, and for the most part, it is well delivered. It is rich in history and characterization.
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