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Enemy from Space (1957)
"Quatermass 2" (original title)

 -  Sci-Fi | Horror  -  September 1957 (USA)
7.0
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Ratings: 7.0/10 from 2,047 users  
Reviews: 54 user | 45 critic

Professor Quatermass, trying to gather support for his Lunar colonisation project, is intrigued by mysterious traces that have been showing up.

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(story), (screenplay), 1 more credit »
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Cast

Cast overview, first billed only:
...
...
Lomax (as John Longdon)
Sidney James ...
Jimmy Hall (as Sydney James)
Bryan Forbes ...
Marsh
William Franklyn ...
Dr. Brand
Vera Day ...
Sheila
Charles Lloyd Pack ...
Dawson
Tom Chatto ...
John Van Eyssen ...
The P.R.O.
...
Gorman
Michael Ripper ...
Ernie
John Rae ...
McLeod
Marianne Stone ...
Secretary
Ronald Wilson ...
Young Man
Jane Aird ...
Mrs. McLeod
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Storyline

Professor Quatermass, trying to gather support for Moon colonisation his project to colonize the Moon, is intrigued by the mysterious traces that have been showing up on his radar - meteorites crashing down?. Following them to the place where they should be landing he finds a destroyed village, a mysterious factory too close to his designs for the Moon colony for comfort, and some strange, aerodynamic objects containing a mysterious, ammonia-based gas that infects one of his assistants. Officially, the factory is producing synthetic food; but despite the veil of secrecy surrounding it Quatermass succeeds in finding out it harbours aliens with deadly designs on the Earth... Second in Hammer Films' trio of screen versions for Nigel Kneale's classic 1950s BBC serials, with the same director and star as 1955's "The Quatermass Experiment". Written by Jorge Mourinha <rjmourinha@mail.telepac.pt>

Plot Summary | Plot Synopsis

Taglines:

A horrible enemy from the unknown strikes terror across the earth!

Genres:

Sci-Fi | Horror

Certificate:

Approved | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

September 1957 (USA)  »

Also Known As:

Enemy from Space  »

Box Office

Budget:

£92,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Hammer originally wanted their sequel to The Quatermass Xperiment (1955) to be the Jimmy Sangster-penned X: The Unknown (1956), but Nigel Kneale vetoed the use of his character(s) by another writer, forcing script revisions on that film. See more »

Goofs

The sentry run over by Quatermass and Lomax is clearly a lightweight dummy in long-shot. See more »

Connections

Follows The Quatermass Experiment (1953) See more »

Soundtracks

Midsummer Mood
(uncredited)
Music by Kenneth Essex
Paxton Music Ltd
See more »

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User Reviews

 
Taut, well-crafted early Hammer horror movie
2 August 2006 | by (London, England) – See all my reviews

The second of the Quatermass films (the first was THE QUATERMASS XPERIMENT, the "X" used to emphasise the adult X-rating the film received on its initial release) was allowed a slightly larger budget and benefited enormously from Nigel Kneale's participation in the screenplay. In this film, at least Brian Donlevy behaves a little more like Quatermass ought to, though I still don't think he was right for the part.

For my money, Quatermass should be a pipe-smoking English boffin with leather patches sewn on the elbows of his jacket. The original character was conceived as a kind of Barnes Wallis type, as portrayed by Michael Redgrave in THE DAM BUSTERS.

The movie is set in a post-war Britain that was a little panicked by the idea of nuclear weapons and even more unsettled by the knowledge that our former allies, The Soviets, had the same weapons and they were pointed at us. This was the climate that gave us Orwell's 1984 and Don Siegel's INVASION OF THE BODY SNATCHERS. Paranoia was out to get us ...

This same atmosphere lasted well into the 1960s and can also be glimpsed in TV shows like THE AVENGERS. This was the era I grew up in, so I speak from personal experience :-)

This movie is one of Hammer's better offerings of the period. Released the same year as CURSE OF FRANKENSTEIN, it more than holds its own against the other, better-known Hammer colour offerings. Indeed, it benefits from its monochrome photography, which brilliantly communicates the austerity of the years immediately following WWII.

Thoroughly recommended, this film will appeal to anyone who can get beyond the admittedly primitive 1950s special effects to be rewarded by the rich and clever story that lies beneath the slightly dodgy veneer ...


12 of 13 people found this review helpful.  Was this review helpful to you?

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