Several years after the previous serial took place, Professor Quatermass is trying to perfect a dangerously unstable nuclear-powered rocket engine. After a disastrous test firing in ... See full summary »
A separate screenplay by Nigel Kneale for theaters, parallel to the 1979 Quatermass four part mini-series. The story set in the near future involves influences from outer space that are possessing people. Professor Quatermass must save his granddaughter from the clutches of a popular and sinister cult "Planet People" that "performs raptures".
Professor Bernard Quatermass, Director General of the British Experimental Rocket Group, launches the first manned space flight from Australia. A malfunction sends the rocket and its three ... See full summary »
In the near future, civilisation has broken down to the barest fragment of recognisable life. Young people are forming gangs and dominating the wrecks of cities like London. But the ... See full summary »
Professor Quatermass, trying to gather support for Moon colonisation his project to colonize the Moon, is intrigued by the mysterious traces that have been showing up on his radar - meteorites crashing down?. Following them to the place where they should be landing he finds a destroyed village, a mysterious factory too close to his designs for the Moon colony for comfort, and some strange, aerodynamic objects containing a mysterious, ammonia-based gas that infects one of his assistants. Officially, the factory is producing synthetic food; but despite the veil of secrecy surrounding it Quatermass succeeds in finding out it harbours aliens with deadly designs on the Earth... Second in Hammer Films' trio of screen versions for Nigel Kneale's classic 1950s BBC serials, with the same director and star as 1955's "The Quatermass Experiment". Written by
Jorge Mourinha <firstname.lastname@example.org>
This was one of the first films (if not the very first film) ever to use the number 2 as an indicator that it was the sequel to another film. In a DVD commentary Francis Ford Coppola makes a similar claim for The Godfather: Part II (1974), which was released 17 years after this film. See more »
When Quatermass pulls up at the traffic lights in London, a car to his left does likewise, but this car is not seen in the following close up of Quatermass at the wheel. See more »
I was never aware that this movie was anything other than a stand-alone feature. I'm not familiar with 'Quatermass' in any way whatsoever. But I saw a movie when I was a kid that was titled 'Enemy From Space' and I've never forgotten it. The scene where a man who has been covered in some black stuff shockingly, jarringly shrieks out and stumbles down the outside stairway of some huge, weird, vat-like structure frightened me enormously. I didn't know what the stuff was exactly, I just knew it was burning the man horribly and his utterly convincing screams drove it into my brain permanently.
I was pretty young when I saw it at my local 'B-Movies Only' neighborhood theater. I'm not sure how it was elsewhere, but in my hometown there was a movie house that got all the A-List pictures (Cary Grant, James Stewart, Liz Taylor, Disney) and another that made the most of the plentiful supply of small-budget monster movies that were released in the late fifties and very early sixties. Triple Features were often offered in these 'lesser' venues. The beauty of it was that both types of theater thrived in those cable-less, vcr-less days. But I digress.
So I see this movie and I'm only about 7 years old at the time and that night I couldn't sleep. And though I had sat through the entire thing, my mind was locked into that horrifying scene so completely that I did not really recall another word spoken in the film. It came around to the Biltmore a couple more times and, though terrified, I was irresistibly drawn to see it again, each time absorbing a little more of the content. The challenging storyline wasn't all that easy to grasp
a lot of it went over my young head.
It was a long time ago but I remember a meteorite falling through a roof, a road that went nowhere, a silent and sinister industrial area, a man who becomes suddenly very sick (in the pub I think) and has a white splotch on his face, severely serious soldiers who seem to be bad guys, a window through which an alien something-or-other is observed and, of course, the unfortunate man covered in burning black oil.
A truly eerie movie, as engrossing as it is chilling. I would very much like to see it again
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