Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
Two adventurers and best friends, Roland and Manu, are the victims of a practical joke that costs Manu his pilot's license. With seeming contrition, the jokesters tell Roland and Manu about... See full summary »
The Louisiana wedding of debutante Phoebe Ann Naylor to Don Andrea de Baldasar, El Duce de la Casala is stopped by the Cavalry over a matter of honor. Don Andrea flees across the river to ... See full summary »
A desperate alcoholic reaches a turning-point in his life when he meets a strange woman in a railway carriage: they make love, but then she leaves. Chasing after the girl, he clings to her as if she were his final chance.
In Italy, the gambler and professor of poetry Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months in the Liceu replacing another teacher. His ... See full summary »
Doctors at a rejuvenation clinic discover a formula that will prevent aging. However, it involves harvesting the blood and body parts of young men, a process that the doctors aren't particularly averse to.
Julien and Agatha appear to be a great couple, loving, caring and seem to feel complete with each other. Though Julien often gives the impression of being interested in other girls, his ... See full summary »
"Quand la Femme S'En Mêle " is some kind of who's who of the FRench cinema of the era: Bernard Blier,Edwige Feuillère,Jean Servais,Jean Lefèvre,two promising young actors,Alain Delon and Bruno Cremer,not to mention the girl who's the young romantic lead ,Sophie Daumier (later known as Guy Bedos's partner),and many more.
The film itself is quite undistinguished .The director ,Yves Allegret,one of the French past masters of films noirs ,was the ghost of himself in 1957."Une Si Jolie Petite Plage" "Dédée d'Anvers" "Manèges" and "Les Orgueilleux" ,all made in the early fifties/Late forties seemed very far away.His 1957 effort is neither a comedy -although some of its lines are funny enough(Daughter:Mom,there are two dead bodies on the street ;Mother:darling,it's common in Paris!)- nor a film noir .Allégret tried to mix the genres and the results are not convincing.Sometimes,Edwige Feuillère's character recalls that of Jenny played by Françoise Rosay in Marcel Carné's eponymous movie (1936).Nowadays ,it's Delon's presence which attracts the viewers.They'd better choose René Clément's "Plein Soleil" instead.
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