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The Prince and the Showgirl (1957)

 -  Comedy | Romance  -  13 June 1957 (USA)
6.7
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Ratings: 6.7/10 from 4,740 users  
Reviews: 45 user | 17 critic

An American showgirl gets entangled in political intrigue after the prince regent of a foreign country attempts to seduce her.

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Title: The Prince and the Showgirl (1957)

The Prince and the Showgirl (1957) on IMDb 6.7/10

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Nominated for 5 BAFTA Film Awards. Another 2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Richard Wattis ...
Northbrook
David Horne ...
The Foreign Office
Jeremy Spenser ...
King Nicolas
...
The Queen Dowager
...
The Regent
Harold Goodwin ...
Call Boy
Gladys Henson ...
Dresser
...
Jean Kent ...
Maisie Springfield
Charles Victor ...
Theatre Manager
Daphne Anderson ...
Fanny
Vera Day ...
Betty
Gillian Owen ...
Maggie
...
Hoffman
Paul Hardwick ...
Major Domo
Edit

Storyline

When Grandduke Charles, the prince-regent of Carpathia, a fictitious Balkan country which could start a European war by switching alliances, visits London for the coronation of the new British King in 1911, and spends his one evening off at the Coconut Girl Club, the reputed stickler for protocol is so charmed by a clumsy American understudy that he orders his British attaché to invite her to the embassy for a private supper. Being overlooked and understanding German, she learns of the repressive attitude of the regent and the plans of his reformist, pro-German minor son, King Nicholas, to take over power by surprise, but doesn't dodge and tries to reconcile father and son. The queen-dowager decides to make her lady-in-waiting for the coronation day, so she stays in the picture to everyone else's surprise. Written by KGF Vissers

Plot Summary | Plot Synopsis

Taglines:

Some countries have a medal for Everything.

Genres:

Comedy | Romance

Certificate:

See all certifications »
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Details

Country:

|

Language:

| |

Release Date:

13 June 1957 (USA)  »

Also Known As:

The Sleeping Prince  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Laurence Olivier was reputedly so driven mad by Marilyn Monroe's difficult behaviour that he practically abandoned directing for the screen, only returning in 1970 to make Three Sisters (1970). See more »

Goofs

The initial titles showing a pan across London, is clearly made from the south bank of the Thames. Whilst it correctly shows the monument to the Great Fire of London to the west of the Tower of London, it then shows Houses of Parliament way to the east of these. Parliament is actually way to the west of both in Westminster. See more »

Quotes

Northbrook: Aren't you confusing this embassy with a private room at Romano's?
Elsie Marina: Why not? Except up there it's a longer run from the sofa to the door.
See more »

Connections

Referenced in Ebert Presents: At the Movies: Episode #2.19 (2011) See more »

Soundtracks

The Liberty Bell
(uncredited)
Music by John Philip Sousa
Arranged by Cecil H. Jaeger
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Monroe out-acts Olivier with ease
16 July 2009 | by (United Kingdom) – See all my reviews

Just saw this again the other day after many years, and was impressed by Monroe's effortless upstaging of Olivier, who gives the most hammy, artificial performance of his career, unsurprising as he is directing himself.

If you want to see what star quality means, just watch their scenes together. He is desperately trying to ACT and eclipse her. All she has to do is just BE there in shot.

Whenever they are on screen, it is always her that one's eyes are drawn to and she gives such a natural performance throughout it almost seems as if she isn't acting at all. She also copes with some extremely tricky dialogue, giving the lie to her inability to remember lines. These are often done in a single take - one scene in particular, early in the film as she is leaving the house before Olivier arrives home, talking rapidly to Richard Wattis as they walk down the long staircase, is outstanding.

So, the film is worthwhile in showing Monroe as the great star she was

  • and revealing Olivier to only be capable of mere caricature (that


fake German accent is so awful) without a strong director to rein him in.


9 of 11 people found this review helpful.  Was this review helpful to you?

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