Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital. His first attempts are not too successful though as he is rebuffed by ... See full summary »
Fanfan is a young handsome peasant. He joins the army to escape marriage and because a gipsy girl predicted he will get glory and the king's daughter as a wife. But the gipsy girl was in ... See full summary »
An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat ... See full summary »
Biographic movie about the last year of the famous Italian painter Modigliani. Modigliani, a poor painter in Paris of 1919, falls in love with a daughter from a wealthy family. Her parents ... See full summary »
The story of how the people of Paris cope with the strains and struggles of war, from the siege of the city by the Prussians during the Franco-Prussian War of 1871 to the invasion by the Germans in World War II.
Those five are unemployed penniless workers. Together they win 100,000 Francs with the national lottery. Instead of sharing the money, they buy a ruin and build an open-air cafe. But ... See full summary »
Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital. His first attempts are not too successful though as he is rebuffed by Valérie Vabre, the neurotic wife of the landlord of the block of flats he is accommodated in. As for the affair he starts with Caroline Hédouin, the married owner of "Au Bonheur des Dames", the shop where he works, the least we can say is that it lacks passion. But he does seduce Berthe, a girl he refused to marry when her mother tried to force her on him, now that she is married with another. He will finally achieve his end when Caroline, now widowed and needing a man to help her manage her business, asks him... to marry her! Written by
"Pot-Bouille is not a film d'auteur. On the contrary. It is quite clearly a literary work written by one person and filmed by someone diametrically the opposite. Nevertheless, Jeanson's ferocity and verve, multiplied by Duvivier's obstinate gentleness, result in something pleasant and unusual."
François Truffaut, Cahiers du Cinéma, Dec., 1957.
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