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The Gates of Paris (1957)
"Porte des Lilas" (original title)

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Ratings: 7.3/10 from 345 users  
Reviews: 5 user | 1 critic

An old bum becomes infatuated with a pretty young girl who gets entangled with a young gangster.



(screenplay), (novel), 1 more credit »
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Title: The Gates of Paris (1957)

The Gates of Paris (1957) on IMDb 7.3/10

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Nominated for 1 Oscar. Another 1 win & 3 nominations. See more awards »
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Complete credited cast:
Georges Brassens ...
Henri Vidal ...
Pierre Barbier
Dany Carrel ...
Raymond Bussières ...
Gabrielle Fontan ...
Madame Sabatier
Amédée ...
Paulo - un habitué du café
Annette Poivre ...
Alain Bouvette ...
Le copain de Paulo
Alice Tissot ...
La concierge


Juju, a drunken oaf who feels the need of being important to someone---anyone---and his friend, an artist, are forced at gunpoint to care for a fugitive, Peirre Barbier, in Juju's broken-down home. The urge for being needed is such in Juju that he gives up drinking and takes care of Pierre, even after he learns that Pierre has been making love to Maria, the girl Juju loves. Plans are made for Pierre's escape, and Maria is to join him over her father's protests. Marua steals money from her father and begs Juju to take it to Pierre. When Juju finds that Pierre plans to double-cross Maria, he kills him. Juju takes the money to his artist-friend, he tells him to return it to Maria, as coming from Pierre, so she won't think she has been betrayed. Juju returns to drinking and being a drunk. Written by Les Adams <>

Plot Summary | Add Synopsis


Crime | Drama | Romance


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Release Date:

14 January 1958 (USA)  »

Also Known As:

The Gates of Paris  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

(Western Electric Sound System)
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Did You Know?


Italian censorship visa #25175 delivered on 14 September 1957. See more »

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User Reviews

Saw it in my youth
20 August 2001 | by (Luding, MI, USA) – See all my reviews

I saw Porte des Lilas, called The Gates of Paris in English, back in 1957 - fresh out of high school fascinated with foreign films, especially of the French and Italians. Maybe because I was an awkward and romantic teenager myself, I must have related to the awkward and romantic Juju, the oafish man in love with the beautiful girl, frustrated by her mis-directed love for the deceitful but charismatic hoodlum. Clair was a wonderful filmmaker, and I have always remembered this film vividly. It was Paris and romance and danger to me.

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