A French lieutenant makes a bet that he can seduce any woman in town in the two weeks before his regiment leaves for maneuvers, but his chosen target (a Parisian divorcée) isn't like other girls he's known.
Businessman Victor Hardy (Noiret) wants to buy the entire area around the small village of Cabosse. He claims that he wants to return to nature, but he also intends to profit by selling the... See full summary »
A famous left-wing satirical comedy about two ex-convicts, one of whom escaped jail and then worked his way up from salesman to factory owner, where he oversees a highly mechanized ... See full summary »
An American businessman's family convinces him to buy a Scottish castle and disassemble it to ship it to America brick by brick, where it will be put it back together. The castle though is ... See full summary »
Two small-time song-and-dance men come up with what they believe is a surefire publicity stunt, guaranteed to keep their names in the public eye--one of them will "disappear" in what looks ... See full summary »
Juju, a drunken oaf who feels the need of being important to someone---anyone---and his friend, an artist, are forced at gunpoint to care for a fugitive, Peirre Barbier, in Juju's broken-down home. The urge for being needed is such in Juju that he gives up drinking and takes care of Pierre, even after he learns that Pierre has been making love to Maria, the girl Juju loves. Plans are made for Pierre's escape, and Maria is to join him over her father's protests. Marua steals money from her father and begs Juju to take it to Pierre. When Juju finds that Pierre plans to double-cross Maria, he kills him. Juju takes the money to his artist-friend, he tells him to return it to Maria, as coming from Pierre, so she won't think she has been betrayed. Juju returns to drinking and being a drunk. Written by
Les Adams <email@example.com>
I saw Porte des Lilas, called The Gates of Paris in English, back in 1957 - fresh out of high school fascinated with foreign films, especially of the French and Italians. Maybe because I was an awkward and romantic teenager myself, I must have related to the awkward and romantic Juju, the oafish man in love with the beautiful girl, frustrated by her mis-directed love for the deceitful but charismatic hoodlum. Clair was a wonderful filmmaker, and I have always remembered this film vividly. It was Paris and romance and danger to me.
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