The residents of Peyton Place, New Hampshire, are not happy when its most famous resident, Alison Mackenzie, writes a "shocking" novel detailing the sinful secrets of the town. Most ... See full summary »
A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.
This daytime soap was a sequel of sorts to the primetime series Peyton Place, revolving around the lives of the citizens of that community. It did not carry over the stories, however, and ... See full summary »
This movie based on the 60's television series, brings back some of the major characters. It begins when a young girl Megan comes to town and she bears a resemblance to Allison Mackenzie, ... See full summary »
In North Africa during World War II, Sergeant Larry Nevins is blinded by a German sniper's bullet. Rehabilitation at the military hospital presents many challenges, but accepting his ... See full summary »
It's the pre-WWII era. Peyton Place is a small town in New England, whose leading adult citizens rule the town with their high moral standards, which they try to pass on to their offspring. The adults, especially those that wield power largely through their positions and/or through their wealth, will not tolerate anything they believe morally improper, even if there is a hint of impropriety without comprehensive evidence to back up the hints. As their offspring grow from teenagers to adults, the offspring learn that there is much hypocrisy by the adults lying underneath that façade of proper Christian morals. The offspring begin to rebel in different ways, which is brought to public scrutiny with the arrival into town of an "outsider", the new young high school principal Michael Rossi, and through a murder trial. Written by
The real house in Camden, ME used for Lana Turner's home was duplicated at 20th Century-Fox, so that Turner did not have to travel to Maine to shoot any scenes, and its interiors built on soundstages. When Diane Varsi leaves the real house to go to school, the floral wallpaper of its real-life foyer can be seen through its open front door; the soundstage set had light grey walls in its foyer. See more »
I kissed you. You kissed me. That's affection, not carnality. That's affection, not lust. You ought to know the difference.
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Exceptional, affecting melodrama about small-town life in America. The story is at times a bit tawdry, but it is always intelligent, complex and it is populated with many memorable and realistic characters. They're people to care about. Better yet, the actors portraying them are mostly brilliant. I had some problems with Arthur Kennedy's performance; it's too over-the-top, and not up to the same level of maturity as many of the others. I also thought Lee Philips was weak in a key role. But Lana Turner, Diane Varsi, Russ Tamblyn, Terry Moore, Barry Coe, Mildred Dunnock, Lloyd Nolan, Leon Ames, and Hope Lange give enormously sensitive performances that will live with me for a long time. Especially Ms. Lange, who is just heartbreaking as a young woman who is sexually abused by her alcoholic stepfather (Arthur Kennedy). The story is frank (1950s frank) and intelligent about sex and the way that small towns treat it. I would surely credit director Robson with keeping this film, which could easily have been a disaster, flowing like a gentle stream. It's a rarity that a Hollywood film like this could be so insightful about small-town life. It does have one big narrative problem, and that is that its climax is a trial. It's not often that a climactic trial works well, and there is no exception for Peyton Place. It seems fake, and the lawyers and defendants don't present evidence in an at all believable fashion. And then there's this cringe-inducing third-act speech. It belongs in a lesser film. 9/10.
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