Employees of the Sleeptite Pajama Factory are looking for a whopping seven-and-a-half cent an hour increase and they won't take no for an answer. Babe Williams is their feisty employee ... See full summary »
Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in ... See full summary »
Three years into their loving marriage with two infant daughters at home in Los Angeles, Nicholas Arden and Ellen Wagstaff Arden are on a plane that goes down in the South Pacific. Although... See full summary »
In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a ... See full summary »
Conceited singer Garry Mitchell refuses to renew his radio contract, so agent Doug Blake decides to find a new personality to replace Garry. In New York, he finds Martha Gibson, a single ... See full summary »
Employees of the Sleeptite Pajama Factory are looking for a whopping seven-and-a-half cent an hour increase and they won't take no for an answer. Babe Williams is their feisty employee representative but she may have found her match in shop superintendent Sid Sorokin. When the two get together they wind up discussing a whole lot more than job actions! Written by
A song written specifically for Doris Day, "The Man Who Invented Love" (music and lyrics by Richard Adler), wound up on the cutting-room floor. Currently, the recording can be listened to on the soundtrack CD from Collectables, and the footage can be watched on the DVD from Warner Home Video. See more »
Pepsi-Cola machine next to stairway in factory changes: In earlier scene, it is large unobstructed dispenser with lit sign on side; a few days later, when Babe and co-workers are lunching nearby, it is much smaller, with no side lighting and racks for empty bottles on side. See more »
Even with three numbers from the Broadway production missing, and even with some lyrics sanitized for middle-America, "The Pajama Game" remains one of the most successful stage-to-screen transitions. Except for Doris Day stepping in for Janis Paige, all the principals of the Broadway production are also aboard. You can compare for yourself Day's performance to Paige's (if you can get your hands on the original cast recording) but it's not hard to understand the producers' choice to go with at least one movie box office name. In old man Hasler's words, it's a "COMPROMISE!"
"The Pajama Game" is (with one unfortunate exception) unapologetically stagy. And why apologize? By keeping the feel of a stage production the movie preserves the flavor of the performances. Reta Shaw and Eddie Foy Jr. team up for a winning soft shoe routine in "I'll Never Be Jealous Again." "Racing With the Clock" benefits from dolly shots that open up the number without closing out the visual ironies.
The unfortunate exception is "Once a Year Day," which takes to the not-so-great outdoors to destroy a once-great production number. The legendary Bob Fosse choreography is badly served by a multiplicity of camera angles that actually dilute the dancing. Oh, well.
Luckily, there is "Steam Heat," completely undiluted, offering Fosse as one of the dancers.
I am now about to make myself feel very old by saying (oh, dear): They don't make 'em like this anymore. But, you see, they can't because Broadway doesn't make 'em like this anymore except in revival. Wait, let me sing it:
"The nostalgia game/ is the game I'm in/ And I'm proud to be/ in the nostalgia game/ I love it..."
And I love this movie. Don't miss it if you can.
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