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Oh, Men! Oh, Women! (1957)

Ginger Rogers, Dan Dailey's bored housewife, seeks psychiatric help from Dr. David Niven who also solves his own emotional problems.




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Complete credited cast:
Arthur Turner
Mildred Turner
Dr. Alan Coles
Myra Hagerman
Mrs. Day
Rachel Stephens ...
Miss Tacher
Dr. Krauss


Ginger Rogers, Dan Dailey's bored housewife, seeks psychiatric help from Dr. David Niven who also solves his own emotional problems.

Plot Summary | Add Synopsis


It's all about you know what! [UK] See more »




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Release Date:

23 April 1957 (Sweden)  »

Also Known As:

Einai mystirio i gynaika  »

Company Credits

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Technical Specs


| (FMC Library Print)

Sound Mix:

(Westrex Recording System)


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Final film of Franklin Pangborn. See more »


Arthur Turner: How do you like that guy? Leaving you alone here with me. Me, the veteran of a thousand slaps. He must figure he's really in solid.
See more »


Referenced in What's My Line?: Episode dated 17 February 1957 (1957) See more »

Frequently Asked Questions

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User Reviews

Oh, Brother!
13 November 2005 | by (New York, NY) – See all my reviews

There's a Mike Nichols and Elaine May LP sketch about psychiatry (she's the libidinous doctor, he's the patient) from around the same time that manages to do in three minutes what this movie fails to accomplish in an hour and a half: make hilarious sport of the sexual undercurrents implicit in the doctor-patient relationship. This one's done in by a stagy screenplay derived from a hit Broadway sex comedy of the day, an ugly production, and some howlers of miscasting. David Niven's supposed to be a promising young psychiatrist; he's 50 and looks it, and he's mismatched against Barbara Rush as his fiancée, an ostensibly adorable sprite who comes off as grating by today's standards. Dan Dailey (rather good, despite formidable odds) is an "amusingly" alcoholic stage star married to Ginger Rogers, who -- interestingly, given her starring role in "Lady in the Dark" years before -- once again is the woman on the couch who needs to be dominated by an alpha male to be happy. Tony Randall, in what could be considered a warmup for Felix Unger, is the sniveling, fussy, paranoid anhedoniac mixed up in this mixed-up crowd. Writer-director Johnson tries to slam the laughs across, lapsing into overwritten, over-directed fantasy scenes (though it's fun to see Rogers framed by an aluminum-foil halo, like a child in a Christmas pageant) and easy happy endings for nearly all concerned that one doesn't buy for a minute. And, typical of big studio comedies of the time, the characters drink and drink, which is supposed to be hilarious, and meet via unconvincing coincidences (Randall just happens to look up Rush the same night that Dailey does; both just happen to have had flings with her years before; both have just met Niven that very day, who's supposed to sail with her on a honeymoon cruise the next day; etc.). Interesting for the sociology, I guess, as psychiatry was going mainstream, and middle American audiences could chortle at the zany, immature doings of this allegedly smart, cosmopolitan set. But it's a pretty leaden comedy, even by the not-high standards of the time.

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