| Giulietta Masina | ... | Maria 'Cabiria' Ceccarelli | |
| François Périer | ... | Oscar D'Onofrio (as François Perier) | |
| Franca Marzi | ... | Wanda | |
| Dorian Gray | ... | Jessy | |
| Aldo Silvani | ... | The wizard | |
| Ennio Girolami | ... | Amleto, 'il magnaccia' | |
| Mario Passante | ... | Uncle of Amleto | |
| Christian Tassou | |||
| Amedeo Nazzari | ... | Alberto Lazzari | |
| rest of cast listed alphabetically: | |||
| Gianni Baghino | ... | (uncredited) | |
| Franco Balducci | ... | Spectator on the Stage of the Cinema (uncredited) | |
| Ciccio Barbi | ... | Man on the Stage (uncredited) | |
| Luciano Bonanni | ... | Man in Black Suit at the Edge of the River (uncredited) | |
| Jusy Boncinelli | ... | (uncredited) | |
| Loretta Capitoli | ... | Rosy (uncredited) | |
| Leo Cattozzo | ... | The Man with the Sack (uncredited) | |
| Dominique Delouche | ... | Priest with the Flag (uncredited) | |
| Edda Evangelista | ... | (uncredited) | |
| Franco Fabrizi | ... | Giorgio (uncredited) | |
| Riccardo Fellini | ... | (uncredited) | |
| Ines Ferrari | ... | (uncredited) | |
| Giovanna Gattinoni | ... | La zia nana (uncredited) | |
| Amedeo Girardi | ... | (uncredited) | |
| Pina Gualandri | ... | Matilda (uncredited) | |
| Elio Mauro | ... | (uncredited) | |
| Nino Milano | ... | (uncredited) | |
| Jean Mollier | ... | (uncredited) | |
| Sandro Moretti | ... | Un papponcello (uncredited) | |
| Sergio Parlato | ... | (uncredited) | |
| Mimmo Poli | ... | Man Eating in the Nightclub (uncredited) | |
| Polidor | ... | Friar (uncredited) | |
| María Luisa Rolando | ... | Marisa (uncredited) | |
| Vittorio Tosti | ... | (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits | ||
| Federico Fellini | (story and screenplay) & | |
| Ennio Flaiano | (story and screenplay) & | |
| Tullio Pinelli | (story and screenplay) | |
| Pier Paolo Pasolini | (screenplay) | |
| Maria Molinari | novel | |
Produced by | |||
| Dino De Laurentiis | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Aldo Tonti | |||
| Otello Martelli | (uncredited) | ||
Film Editing by | |||
| Leo Cattozzo | (as Leo Catozzo) | ||
Production Design by | |||
| Piero Gherardi | |||
Costume Design by | |||
| Piero Gherardi | |||
Makeup Department | |||
| Dante Trani | .... | makeup artist | |
| Eligio Trani | .... | makeup artist | |
Production Management | |||
| Luigi De Laurentiis | .... | production manager | |
| Emimmo Salvi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Dominique Delouche | .... | assistant director | |
| Moraldo Rossi | .... | assistant director | |
Art Department | |||
| Brunello Rondi | .... | artistic advisor | |
Sound Department | |||
| Oscar Di Santo | .... | sound | |
| Roy Mangano | .... | sound | |
Camera and Electrical Department | |||
| Goffredo Bellisario | .... | camera operator (uncredited) | |
| Otello Martelli | .... | additional cinematographer (uncredited) | |
Editorial Department | |||
| Adriana Olasio | .... | assistant editor | |
| Narciso Vicario | .... | editing secretary | |
Music Department | |||
| Pasquale Bonagura | .... | composer: song "Lla Ri Lli Ra" | |
| Franco Ferrara | .... | conductor | |
Other crew | |||
| Manolo Bolognini | .... | production secretary | |
| Dominique Delouche | .... | production assistant | |
| Paolo Nuzzi | .... | production assistant | |
| Nino Manfredi | .... | voice dubbing: Ennio Girolami (uncredited) | |
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| Bicycle Thieves | My Own Private Idaho | Salon Kitty | Accattone | Ossessione |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
I almost turned this film off. I'm so glad I stayed with it. It's one of the best films I've seen. Cabiria, the street prostitute, is not sympathetic. She's rough, vulgar, not very attractive, a showoff, loud, proud, inelegant. I just didn't feel anything for her character at the beginning. But Fellini must have been reading my mind. He purposefully played it that way to draw the viewer in.
The streets of Rome are unforgiving and harsh for a prostitute. There are those who sleep in caves and in the archways. Cabiria braggingly says, "I've got my own house...here's one girl who's never slept under the arches. Well, maybe once. Twice maybe." By the end of the film I was completely hooked by her charm, desire, and hope. For hope is what keeps Cabiria going. A great film.