| Giulietta Masina | ... | Maria 'Cabiria' Ceccarelli | |
| François Périer | ... | Oscar D'Onofrio (as François Perier) | |
| Franca Marzi | ... | Wanda | |
| Dorian Gray | ... | Jessy | |
| Aldo Silvani | ... | The wizard | |
| Ennio Girolami | ... | Amleto, 'il magnaccia' | |
| Mario Passante | ... | Uncle of Amleto | |
| Christian Tassou | |||
| Amedeo Nazzari | ... | Alberto Lazzari | |
| rest of cast listed alphabetically: | |||
| Gianni Baghino | ... | (uncredited) | |
| Franco Balducci | ... | Spectator on the Stage of the Cinema (uncredited) | |
| Ciccio Barbi | ... | Man on the Stage (uncredited) | |
| Luciano Bonanni | ... | Man in Black Suit at the Edge of the River (uncredited) | |
| Jusy Boncinelli | ... | (uncredited) | |
| Loretta Capitoli | ... | Rosy (uncredited) | |
| Leo Cattozzo | ... | The Man with the Sack (uncredited) | |
| Dominique Delouche | ... | Priest with the Flag (uncredited) | |
| Edda Evangelista | ... | (uncredited) | |
| Franco Fabrizi | ... | Giorgio (uncredited) | |
| Riccardo Fellini | ... | (uncredited) | |
| Ines Ferrari | ... | (uncredited) | |
| Giovanna Gattinoni | ... | La zia nana (uncredited) | |
| Amedeo Girardi | ... | (uncredited) | |
| Pina Gualandri | ... | Matilda (uncredited) | |
| Elio Mauro | ... | (uncredited) | |
| Nino Milano | ... | (uncredited) | |
| Jean Mollier | ... | (uncredited) | |
| Sandro Moretti | ... | Un papponcello (uncredited) | |
| Sergio Parlato | ... | (uncredited) | |
| Mimmo Poli | ... | Man Eating in the Nightclub (uncredited) | |
| Polidor | ... | Friar (uncredited) | |
| María Luisa Rolando | ... | Marisa (uncredited) | |
| Vittorio Tosti | ... | (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits | ||
| Federico Fellini | (story and screenplay) & | |
| Ennio Flaiano | (story and screenplay) & | |
| Tullio Pinelli | (story and screenplay) | |
| Pier Paolo Pasolini | (screenplay) | |
| Maria Molinari | novel | |
Produced by | |||
| Dino De Laurentiis | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Aldo Tonti | |||
| Otello Martelli | (uncredited) | ||
Film Editing by | |||
| Leo Cattozzo | (as Leo Catozzo) | ||
Production Design by | |||
| Piero Gherardi | |||
Costume Design by | |||
| Piero Gherardi | |||
Makeup Department | |||
| Dante Trani | .... | makeup artist | |
| Eligio Trani | .... | makeup artist | |
Production Management | |||
| Luigi De Laurentiis | .... | production manager | |
| Emimmo Salvi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Dominique Delouche | .... | assistant director | |
| Moraldo Rossi | .... | assistant director | |
Art Department | |||
| Brunello Rondi | .... | artistic advisor | |
Sound Department | |||
| Oscar Di Santo | .... | sound | |
| Roy Mangano | .... | sound | |
Camera and Electrical Department | |||
| Goffredo Bellisario | .... | camera operator (uncredited) | |
| Otello Martelli | .... | additional cinematographer (uncredited) | |
Editorial Department | |||
| Adriana Olasio | .... | assistant editor | |
| Narciso Vicario | .... | editing secretary | |
Music Department | |||
| Pasquale Bonagura | .... | composer: song "Lla Ri Lli Ra" | |
| Franco Ferrara | .... | conductor | |
Other crew | |||
| Manolo Bolognini | .... | production secretary | |
| Dominique Delouche | .... | production assistant | |
| Paolo Nuzzi | .... | production assistant | |
| Nino Manfredi | .... | voice dubbing: Ennio Girolami (uncredited) | |
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| Bicycle Thieves | My Own Private Idaho | Salon Kitty | Accattone | Ossessione |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
I am not much in favor of "best" lists--I wouldn't make it in Cusack's "High Fidelity" world--but I can usually offer a range of titles of films that I consider the most powerful experiences I have had in front of a screen--Bicycle Thief, Ran, Ordet, Seventh Seal, Citizen Kane, L'Avventura, Rear Window, Blade Runner, quite a few others. But if I had to pick just one title, it would be Nights of Cabiria. I saw it when it first came out in this country--I was a junior in high school and fortunate enough to live near a theater that showed foreign films. It ran for several weeks and I kept going back to see it over and over, giving myself permission by dragging friends to see it. No one was ever disappointed, though only a couple of friends developed a comparable enthusiasm with mine. I have continued to see
it every chance I get, though I have not had the opportunity to see the latest reissue--I probably will have to see it on
video or dvd, since the city I now live in rarely shows any foreign films. Giulietta Massina gives not just the greatest
performance of her career, but surely one of the greatest
performances ever recorded on film, and the sequence of Cabiria's experiences, at first seemingly random and insignificant, adds up to one of the most profound statements Fellini ever made about human life.