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The Nights of Cabiria (1957)
"Le notti di Cabiria" (original title)

 -  Drama  -  26 May 1957 (Italy)
8.3
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Ratings: 8.3/10 from 21,841 users  
Reviews: 74 user | 70 critic

A waifish prostitute wanders the streets of Rome looking for true love but finds only heartbreak.

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(screenplay), (story), 4 more credits »
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Title: The Nights of Cabiria (1957)

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Won 1 Oscar. Another 15 wins & 6 nominations. See more awards »

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Cast

Cast overview:
...
François Périer ...
Oscar D'Onofrio (as François Perier)
Franca Marzi ...
Wanda
Dorian Gray ...
Jessy
Aldo Silvani ...
The wizard
Ennio Girolami ...
Amleto, 'il magnaccia'
Mario Passante ...
Uncle of Amleto
Christian Tassou
Amedeo Nazzari ...
Alberto Lazzari
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Storyline

Cabiria is a wide-eyed waif, a streetwalker living in a poor section of Rome where she owns her little house, has a bank account, and dreams of a miracle. We follow her nights (and days): a boyfriend steals 40,000 lire from her and nearly drowns her, a movie star on the Via Veneto takes her home with him, at a local shrine she seeks the Madonna's intercession, then she meets an accountant who's seen her, hypnotized on a vaudeville stage, acting out her heart's longings. He courts her. Is it fate that led to their meeting? Is this finally a man who appreciates her for who she is? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The story of a betrayed but unquenchable little Roman street-walker.

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

26 May 1957 (Italy)  »

Also Known As:

The Nights of Cabiria  »

Filming Locations:

 »

Box Office

Opening Weekend:

$38,988 (USA) (3 July 1998)

Gross:

$752,045 (USA) (30 October 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (restored)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Federico Fellini cast film editor 'Leo Cattazo' as "The Man with the Sack" and wanted to keep that sequence in the release print over the objections of producer 'Dino De Laurentiis'. De Laurentiis, who thought the scene slowed the film down, finally had to resort to stealing the scene from the editing room. According to DeLaurentiis about five to seven years after its original release, Fellini called him up and begged him to give him back the sequence so he could restore it. As "Cabiria" had now achieved a classic status, the producer agreed. See more »

Goofs

The position of the family outside the house changes between when Cabiria first opens the door and when she leaves the house. See more »

Quotes

Giorgio: [in Italian]
[first lines]
Giorgio: Go over there.
Maria 'Cabiria' Ceccarelli: [in Italian] It's beautiful. Come on.
See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #1.4 (2011) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Nights" of Fellini and Masina
18 February 2001 | by (Salem, Oregon) – See all my reviews

A prostitute whose life is a veritable study in the resilience of the human spirit is the subject of `Nights of Cabiria,' directed by Federico Fellini. Giulietta Masina stars as Cabiria, a gentle soul at heart who manages to maintain a positive outlook even in the face of adversity. Experiences that would leave those of lesser mettle jaded she is seemingly able to ward off and emerge from intact, with a guarded optimism that nevertheless leaves her open to whatever ills life may have in store for her next. But it is just that optimism and her sense of joy in the simple things that makes her so endearing. She is proud, for example, of the fact that she owns her own house, hovel though it may be. Though not one to be easily duped, she is vulnerable to sincere persistence, which has in the past rendered her victim to those who would take advantage of her, which is succinctly established in the opening scene of the film. Fellini's film is a study of how good may succumb to evil, and yet still triumph in the end (though open to subjective interpretation). It's something of an examination of endurance; how many times can one be knocked down before finally being unable to stand back up again. At the same time, however, it's an example of how purity can prevail against even the utmost cruelty. There is a humanity manifested in Cabiria that somehow gives absolution, not only to her lifestyle, but to those who would willingly do her harm. And it is in that very same absolution that we find a message of hope and redemption. As Cabiria, the diminutive Masina gives a performance that is nothing less than superlative, filled with nuance and expression. She has a face and a manner that convey an unbelievable depth of emotion, and Fellini captures every bit of it with his camera to perfection. It sometimes seems that she is a sprite merely masquerading as a woman; she has a light, almost ethereal presence, though at the same time she exhibits an earthy quality that gives her character such complexity, which removes any semblance of stereotype one may assign to her character as a `lady of the evening.' It is a heartfelt, memorable portrayal that quite simply should have earned her an Oscar for Best Actress. Turning in a noteworthy performance, also, is Francois Perier, as Oscar D'Onofrio, the stranger who comes into Cabiria's life with an offer that ultimately seems too good to be true. The supporting cast includes Amedeo Nazzari (Alberto Lazzari), Aldo Silvani (The Hypnotist), Franca Marzi (Wanda), Dorian Gray (Jessy), Mario Passante (Cripple in the `Miracle' sequence), Pina Gualandri (Matilda), Leo Cattozzo (Man with the sack) and Polidor (The Monk). `Nights of Cabiria' is a film of extraordinary depth that is beautiful as well in it's humanity; Fellini has created images, both visually and emotionally, that are stunning and indelibly realized. Highlighted by the performance of Giulietta Masina, this is a film that begs to be embraced, one that will stay with you long after the last shadow has passed from the screen into darkness. In Cabiria, Fellini somehow touches something eternal, for there is a lasting sense of innate goodness about her that simply cannot be forgotten. For seekers after wisdom and truth, this is definitely a film that must not be missed. I rate this one 10/10.


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