| Maria Schell | ... | Natalia | |
| Marcello Mastroianni | ... | Mario | |
| Jean Marais | ... | L'inquilino | |
| Marcella Rovena | ... | La padrona della pensione | |
| Maria Zanoli | ... | La domestica (as Maria Zanolli) | |
| Elena Fancera | ... | La cassiera | |
| Pietro Ceccarelli | ... | Un coinvolto nella rissa (as Lanfranco Ceccarelli) | |
| Angelo Galassi | ... | Un coinvolto nella rissa | |
| Renato Terra | ... | Un coinvolto nella rissa | |
| Corrado Pani | ... | Un giovinastro | |
| Dirk Sanders | ... | Il ballerino (as Dick Sanders) | |
| Clara Calamai | ... | La prostituta | |
| rest of cast listed alphabetically: | |||
| Giorgio Albertazzi | ... | La voce narrante (uncredited) | |
| Lys Assia | ... | La cantante (uncredited) | |
| Romano Barbieri | ... | Il figlio della famiglia amica di Mario (uncredited) | |
| Alberto Carloni | ... | Il locandiere (uncredited) | |
| Dino D'Aquilio | ... | Un ragazzino (uncredited) | |
| Enzo Doria | ... | Il marinaio che balla (uncredited) | |
| Anna Filippini | ... | La figlia della famiglia amica di Mario (uncredited) | |
| Carla Foscari | ... | (uncredited) | |
| Ferdinando Gerra | ... | Il padre della famiglia amica di Mario (uncredited) | |
| Giorgio Listuzzi | ... | La guardia di finanza (uncredited) | |
| Leonilde Montesi | ... | La madre della famiglia amica di Mario (uncredited) | |
| Sandro Moretti | ... | Un giovinastro (uncredited) | |
| Mimmo Palmara | ... | L'uomo che gioca a carte con la prostituta (uncredited) | |
| Winni Riva | ... | (uncredited) | |
| Sandra Verani | ... | (uncredited) | |
Directed by | |||
| Luchino Visconti | |||
Writing credits | ||
| Fyodor Dostoevsky | (novel "White Nights/Belye noci") (as Fedor Dostoevskij) | |
| Suso Cecchi D'Amico | (story and screenplay) and | |
| Luchino Visconti | (story and screenplay) | |
Produced by | |||
| Franco Cristaldi | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Mario Chiari | |||
Set Decoration by | |||
| Enzo Eusepi | |||
Costume Design by | |||
| Piero Tosi | |||
Makeup Department | |||
| Alberto De Rossi | .... | makeup artist | |
| Renata Magnanti | .... | hair stylist | |
Production Management | |||
| Guglielmo Colonna | .... | production supervisor | |
| Pietro Notarianni | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nando Cicero | .... | assistant director (as Fernando Cicero) | |
| Albino Cocco | .... | assistant director | |
Art Department | |||
| Mario Garbuglia | .... | assistant production designer | |
| Italo Tomassi | .... | art department manager (uncredited) | |
Sound Department | |||
| Oscar Di Santo | .... | sound technician | |
| Vittorio Trentino | .... | sound technician | |
Camera and Electrical Department | |||
| Silvano Ippoliti | .... | camera operator | |
| Paul Ronald | .... | still photographer | |
Editorial Department | |||
| Eva Latini | .... | assistant editor | |
| Ruggero Mastroianni | .... | assistant editor | |
Music Department | |||
| Franco Ferrara | .... | musical director | |
| The Roland Shaw Orchestra | .... | music performers (uncredited) | |
Other crew | |||
| Renato Jaboni | .... | production secretary | |
| Lucio Orlandini | .... | production secretary | |
| Gabriele Palmieri | .... | script supervisor | |
| Rinaldo Ricci | .... | assistant to director | |
| Vanda Tuzzi | .... | script supervisor (as Wanda Tuzi) | |
| Giorgio Albertazzi | .... | voice dubbing: Jean Marais (uncredited) | |
| Dirk Sanders | .... | choreographer (uncredited) | |
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| Saawariya | Balzac: A Life of Passion | Chéri | Devdas | Original Sin |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Not so much a neo realist film but rather a dreamlike adaptation of a Dostoyevsky short story, this one is a beautiful story of a fairy tale romance and disappointment.
Mastroianni gives a wonderful performance as the third wheel on this love triangle. As he is the point of identification for the viewer, it is really difficult to say whether this one has a happy end or not...
Highly recommended especially for the ingenious combination of neo realist imagery and old world romantic storytelling.