Khalil is an Arab diplomat who wants to not only make peace with Israel, but admit the Jewish state as a member of OPEC. This instantly makes him a target for a series of ingeniously ... See full summary »
Richard C. Sarafian
A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads TV Newsman Patrick ... See full summary »
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
A gang of hijackers led by Ray Petrie (Ian McShane) seize a British plane as it is landing in Scandinavia. Ruthless military police chief Colonel Tahlvik (Sean Connery) is assigned to ... See full summary »
The commander of a failed 1928 Arctic airship expedition is remembering the events of the "Italia" airship flight, crash and subsequent rescue efforts. The "ghosts" of people involved in ... See full summary »
On his girlfriend's insistence, a disgruntled man tries to make peace with his high-spirited, street-smart and often irritatingly careless father, a failed actor who never quit his dream to be a success.
A British mercenary arrives in pre-Revolution Cuba to help train the corrupt General Batista's army against Castro's guerrillas while he also romances a former lover now married to an unscrupulous plantation owner.
Sean Connery's first major screen role (after appearing as an extra several years earlier) before he became one of the world's best known big screen actors from the 60's onwards.So how does the movie's first and best James Bond fare here? Well,we all have to start somewhere and sometime,and 'major' is the very last ephitet to describe this minor 'B' British crime effort,the like of which Irish-born director Montgomery Tully helmed on other occasions like this.If it's any compensation,Connery started fairly near the bottom and steadily worked his way up after this low-key,low-budget but mildly efficient melodrama set in seedy backstreets and cheap sets,with a colourless American lead (Skip Homeier).It's not saying much,but the best scene in the film is a silent-style robbery sequence performed at a factory,which ends in murder and further somewhat obvious plot complications.As for Connery,his role consists of a brief supporting turn as a gang member,though he gives the part a little more depth by employing a speech impediment.Despite the constant threat of typecasting after his unparallelled success as 007,he would convincingly and persuasively tackle various other memorable screen roles afterwards. NO ROAD BACK would be totally lost in the ether of film history had this not featured the future Sir Sean in his raw,youthful salad days;for that reason alone,it is of minor historical interest,but little more.
Rating:4 and a half out of 10.
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