| Dana Andrews | ... | Dr. John Holden | |
| Peggy Cummins | ... | Joanna Harrington | |
| Niall MacGinnis | ... | Dr. Julian Karswell | |
| Maurice Denham | ... | Professor Henry Harrington | |
| Athene Seyler | ... | Mrs. Karswell | |
| Liam Redmond | ... | Professor Mark O'Brien | |
| Reginald Beckwith | ... | Mr. Meek | |
| Ewan Roberts | ... | Lloyd Williamson | |
| Peter Elliott | ... | Professor K.T. Kumar | |
| Rosamund Greenwood | ... | Mrs. Meek | |
| Brian Wilde | ... | Rand Hobart | |
| Richard Leech | ... | Inspector Mottrarn | |
| Lloyd Lamble | ... | Detective Simmons | |
| Peter Hobbes | ... | Superintendent | |
| Charles Lloyd Pack | ... | Chemist (as Charles Lloyd-Pack) | |
| John Salew | ... | Librarian | |
| Janet Barrow | ... | Mrs. Hobart (deleted from US print) | |
| Percy Herbert | ... | Farmer (deleted from US print) | |
| Lynn Tracy | ... | Air Hostess (deleted from US print) | |
| rest of cast listed alphabetically: | |||
| Clare Asher | ... | Minor Role (uncredited) | |
| Michelle Aslanoff | ... | Minor Role (uncredited) | |
| Ballard Berkeley | ... | 1st Reporter (uncredited) | |
| Shay Gorman | ... | Narrator (uncredited) (voice) | |
| John Harvey | ... | Hobart's Brother (uncredited) | |
| Irene Hollis | ... | Minor Role (uncredited) | |
| Walter Horsbrugh | ... | Bates the Butler (uncredited) | |
| Yvette Hosler | ... | Minor Role (uncredited) | |
| Robert Howell | ... | Minor Role (uncredited) | |
| Michael Peake | ... | 2nd Reporter (uncredited) | |
| Anthony Richmond | ... | Urchin (uncredited) | |
| Leonard Sharp | ... | Ticket Collector (uncredited) | |
| The Blake Twins | ... | Minor Roles (uncredited) | |
Directed by | |||
| Jacques Tourneur | |||
Writing credits | ||
| M.R. James | (story "Casting the Runes") (as Montague R. James) | |
| Charles Bennett | (screenplay) and | |
| Hal E. Chester | (screenplay) | |
| Cy Endfield | uncredited | |
Produced by | |||
| Frank Bevis | .... | producer | |
| Hal E. Chester | .... | executive producer | |
Original Music by | |||
| Clifton Parker | |||
Cinematography by | |||
| Edward Scaife | (director of photography) (as Ted Scaife) | ||
Film Editing by | |||
| Michael Gordon | |||
Casting by | |||
| Robert Lennard | |||
Production Design by | |||
| Ken Adam | |||
Makeup Department | |||
| Betty Lee | .... | hair stylist | |
Production Management | |||
| R.L.M. Davidson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Basil Keys | .... | assistant director | |
Art Department | |||
| Peter Glazier | .... | assistant art director | |
Sound Department | |||
| Arthur Bradburn | .... | sound recordist | |
| Charles Crafford | .... | dubbing editor | |
| Ellis Burman | .... | sound restoration engineer (restored version) (uncredited) | |
Special Effects by | |||
| George Blackwell | .... | special effects | |
| S.D. Onions | .... | special effects photography | |
| Wally Veevers | .... | special effects | |
| Bryan Langley | .... | special effects (uncredited) | |
Stunts | |||
| Jack Cooper | .... | stunts (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
Transportation Department | |||
| Eddie Frewin | .... | unit driver (uncredited) | |
Other crew | |||
| Pamela Gayler | .... | continuity | |
|
|
|
|
|
| The Omen | The Legacy | The Ninth Gate | Possession | Rosemary's Baby |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
"Curse of the Demon" might just be the best horror film I've ever seen. When I saw it for the first time as a teenager in the mid-sixties on television one night, it really frightened me. And even now, at my age, it still gives me goosebumps.
Dana Andrews plays the skeptical American psychologist investigating a devil worship cult in England led by Dr. Karswell, played by Niall MacGinnis. The acting is pretty weak once you get past the two main characters, but it's the craftsmanship of the director that really matters.
Jacques Tourneur manipulates light and shadow to create fear of the unknown in this tale of modern science colliding with ancient sorcery. The monster is pretty tame as far as it goes, but that's not the point. It's not what you see, it's what you imagine that gets to you.
Long, dark corridors ..... dancing shadows ..... strange sounds contrasted with eerie silences ..... the impending sense of doom and apprehension. This film touches our primal fears, like a child waking up during a thunder storm. Is nature an ordered world or can it be manipulated by evil forces?