Night Passage (1957) 6.7
A fired railroad man is rehired and trusted to carry a 10,000 dollar payroll in secret, even though he is suspected of being connected to outlaws. Director:James Neilson |
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Night Passage (1957) 6.7
A fired railroad man is rehired and trusted to carry a 10,000 dollar payroll in secret, even though he is suspected of being connected to outlaws. Director:James Neilson |
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| Cast overview, first billed only: | |||
| James Stewart | ... |
Grant McLaine
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| Audie Murphy | ... |
The Utica Kid
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Dan Duryea | ... |
Whitey Harbin
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Dianne Foster | ... |
Charlotte Drew
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| Elaine Stewart | ... |
Verna Kimball
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| Brandon De Wilde | ... |
Joey Adams
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| Jay C. Flippen | ... |
Ben Kimball
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Herbert Anderson | ... |
Will Renner
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| Robert J. Wilke | ... |
Concho
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| Hugh Beaumont | ... |
Jeff Kurth
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| Jack Elam | ... |
Shotgun
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Tommy Cook | ... |
Howdy Sladen
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| Paul Fix | ... |
Mr. Feeney
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Olive Carey | ... |
Miss Vittles
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James Flavin | ... |
Tim Riley
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The workers on the railroad haven't been paid in months --- that's because Whitey and his gang, including fast-shooting, dangerous, but likeable Utica Kid, keep holding up the train for its payroll. Grant McLaine, a former railroad employee who was fired in disgrace, is recruited to take the payroll through under cover. A young boy and a shoebox figure into the plot when Whitey's gang tries to hold up the train and Grant and the Kid meet again to settle an old score. Written by A.L.Beneteau <albl@inforamp.net>
this is a terrific film with a terrific cast and an outstanding score by dmitri tiomkin who composed for many films, many of them western: high noon, the alamo.. the film tells of two brothers, one honest, one outlaw, who separate and cross paths later, on both sides of the law..one look at the cast and you know who's what..the plot is somewhat moralistic, as it includes a juvenile who is shown the right and wrong paths in life..today, it would be cliche: no gratuitous gore, sex, language, chases, crashes and few screams..i guess this is what would be known as an adult film, because only adults (who remember these actors) would appreciate how things were done in the '50s..and more's the pity; in those days, less was more..an audience could enjoy one gunshot, one smile, one look and not get as bored as audiences do today when they see schwarzenegger, stallone, seagal, norris, etc., then ask gee, i wonder what he'll do next time that's better? even in the '50s, many films had class, today, it's all kitsch and glitz..thank god films last forever..