A private detective helps a prostitute being assaulted, and notices that she is wearing a very unique ring. She is later found murdered and there is no trace of the ring, which turns out to... See full summary »
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A private detective helps a prostitute being assaulted, and notices that she is wearing a very unique ring. She is later found murdered and there is no trace of the ring, which turns out to be part of a cache of jewelry stolen by the Nazis during World War II and smuggled out of France after the wary by an American army colonel. The private eye decides to try to find the ring, is hired by the former colonel to find the rest of the jewels, and runs up against a murderous French gang that is also looking for the jewels. Written by
frankfob2@yahoo.com
The quintessential Mike Hammer (Robert Bray), haggard, menacing, but essentially a decent guy in a dirty world inhabited by ruthless killers, gets involved in the murder of a young aspiring actress, who only the night before he had met at a lonely downtown diner, and had helped out with bus fare back to her native Nebraska. Her death was related to a piece of jewelry she was carrying, part of a cache of stolen war time jewels. Forced to get to the bottom of the murder, not for money but because of his connection to the girl, he unravels the mystery in the typical Hammer fashion of payoffs and beatings. Released two years after Aldrich's Kiss Me Deadly, MGiQ is the poorer man's version, though it has its own charms, mostly in the way of the LA settings and Bray's portrayal, tired and unshaven, but with the determination of a pit bull.
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The quintessential Mike Hammer (Robert Bray), haggard, menacing, but essentially a decent guy in a dirty world inhabited by ruthless killers, gets involved in the murder of a young aspiring actress, who only the night before he had met at a lonely downtown diner, and had helped out with bus fare back to her native Nebraska. Her death was related to a piece of jewelry she was carrying, part of a cache of stolen war time jewels. Forced to get to the bottom of the murder, not for money but because of his connection to the girl, he unravels the mystery in the typical Hammer fashion of payoffs and beatings. Released two years after Aldrich's Kiss Me Deadly, MGiQ is the poorer man's version, though it has its own charms, mostly in the way of the LA settings and Bray's portrayal, tired and unshaven, but with the determination of a pit bull.