A poor 22 y.o. Hungarian man who's recently arrived in Paris meets a seemingly wealthy 17 y.o. Parisian girl. They fall in love, but tragedy ensues when the truth behind the girl is revealed.

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Cast

Complete credited cast:
...
...
...
Nadine
Boy Gobert ...
Olive Moorefield ...
Zaza
Bum Krüger ...
Herr von Nr. 17
Iska Geri ...
Frau von Nr. 17
Bobby Todd ...
Fliegenäugiger
Hans Hermann Schaufuß
Edith Heerdegen
Otto Brüggemann
Joseph Offenbach ...
Redaktionssekretär
Eva Vaitl
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Storyline

A romantic and funny love story with a tragic end. In Paris a young Hungarian artist (Monpti) and a girl (Anne-Claire) meet and fall in love. But just when she is prepared to give herself to him she finds a pair of lady's pants in his room. He is perfectly innocent but the reason why the pants are there is as humouristic as incredible. So when he tells the truth she gets very angry though she was prepared to "forgive" his "side step". Another pattern is much more serious. Anne-Claire fears that Monpti would have no interest in her if she told that she is a nobody. So she builds up a story of being a rich girl with a private chauffeur. She even takes Monpti to a family church funeral and points out all her relatives, even telling which ones are not on speaking terms. When he finally exposes her lies a violent explosion results. She runs away in despair and is overrun by a car. At the hospital their love returns. But she will die after a few days. - In the background of many scenes we ... Written by Max Scharnberg, Stockholm, Sweden

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Genres:

Comedy | Drama | Romance

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Release Date:

12 September 1957 (West Germany)  »

Also Known As:

Love from Paris  »

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(Agfacolor)

Aspect Ratio:

1.66 : 1
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Connections

Featured in Horst Buchholz... mein Papa (2005) See more »

Soundtracks

Pariser Strassen Polka
Music by Bernhard Eichhorn
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User Reviews

 
The Best German Movie Ever Produced
18 February 2004 | by (Stockholm, Sweden) – See all my reviews

It is a widespread superstition that when a book is filmed, the movie is usually inferior to the book. The most probable explanation of this groundless idea is that many people have read this or that book, say, Tolstoy's 'War and Peace'. When they learn that the book has been filmed, they are induced to go and see the movie. And often they become disappointed. By contrast, only a negligible minority will first see a movie, discover that it is a filmed novel, and therefore read the book. I happen to belong to this minority. And I am capable of presenting a long list of books which turned out to be inferior. Gabor von Vaszery's novel 'Monpti' is merely one example among many others. However, von Vaszery also wrote the script for the movie. I have carefully studied every difference between the movie and the novel. It is my view that in each and every case the film version is superior if assessed in itself, while the book version fits more properly into the work as a whole. But I also claim that the film version is invariably so much improved, that only a formalist could prefer the book version. Besides, the movie is also superior whenever there is no obvious difference between both. - -

  • In my youth I thought that Romy Schneider is beautiful, but not more


beautiful than many other actresses or even extras in her own movies. I also meant that she is a skilled actress but not more skilled than many others. Later, my fascination was caused by two movies, 'Monpti' and 'Claire de femmes'. I was 53 when I saw 'Monpti' for the first time. Whether or not it is a subjective idea, I still think that 'Monpti' is the best German movie ever made.


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