Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist ... See full summary »
A boxer is out in the country with his entourage, training for his next fight. Meanwhile, on the farm nearby, Roger is neglecting his chores. As he watches the boxer and his sparring ... See full summary »
Once a year the fair comes for one day to the little town 'Sainte-Severe-sur-Indre'. All inhabiters are scoffing at Francois, the postman, what he seems not to recognize. The rising of the ... See full summary »
When Juliette marries Jean, she comes to live with him as he captains a river barge. Besides the two of them, are a cabin boy and the strange old second mate Pere Jules. Soon bored by life ... See full summary »
Monsieur Hulot's brother-in-law is the manager of a factory where plastics are manufactured. His nephew grows up in a house where everything is fully automated and the boy is raised in a similar fashion. To take away the influence of the uncle on his son, his brother-in-law gets Hulot a job in his factory. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
The absurdities of human behavior... and that music score!
This is Tati's 'Modern times', a critical stab in the side of civilization and the changing of the times in Paris in the late 1950's... and it's absolutely delightful and disarming in its simple display of the absurdities of human behavior in relation to it. I vaguely remember watching this as a nine-year old... and 29 years down the track, it's a great realization to suddenly understand why Tati was regarded as a true movie-making artist. Watching this lovable gem of a movie is like watching a pastel painting elaborately (and slowly, so patience is required!) coming to life. Just watch that recurring shot where the crumbled brick wall borders the old-time, lively street to the new, sterile concrete apartment complex blocks. Symbolism at its best!
No laugh-fest exactly, but it's loaded with charm, both heartwarming and satirical, with an attention to sets, props and character detail that's quite amazing: the opening credits... the ubiquitous dogs, the street-sweeper, the vendors, the bar guests... and most importantly: the whole household (and garden!) of Hulot's sister! And finally, what about that accordion music score? It has to be one of the best in cinema history!!
8 out of 10 from Ozjeppe
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