A poor farmer is obsessed with finding gold on his land supposedly buried by his grandfather. To find it he conveniently moves a marker out of his way that designates the land on which it ... See full summary »
A psychological gangster film based on fact. Machine gun totin' Ma Barker lead her family gang (her sons) on a crime spree in the Depression era. Her loyal brood have every perversion ... See full summary »
In Korea, on 6 September 1950, Lieutenant Benson's platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can't stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It's a long, harrowing march, fraught with all the dangers the elusive enemy can summon. Who will survive? Written by
Rod Crawford <firstname.lastname@example.org>
It is supposed that at the beginning of the film the radio man having put his handset of the radio on his shirt that he should not be calling Sunrise six. Often you can do so by just keying the handset while it is attached to your webbing so not needing to remove it unless you get a response or no longer needing to give your hand/ arm a rest or to free your hand to do something else. See more »
Lt Benson asks one of his troops to wake him at 0500 (5:00 a.m.). But when Benson arises at that time, the sun is shining brightly. The shallow shadows indicate the actual time is probably mid-morning or mid-afternoon. See more »
Battalion doesn't exist. Regiment doesn't exist. Command HQ doesn't exist. The U.S.A. doesn't exist... We're the only ones left to fight this war.
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Opening credits prologue: "TELL ME THE STORY OF THE FOOT SOLDIER AND I WILL TELL YOU THE STORY OF ALL WARS."
No director I know made the scenery as much a dramatic player as Mann did. Whether it was the West in the great Westerns he directed or the imaginary Korea of this movie, it seemed as though you were in the scene yourself watching from a tree. The movie is calm, almost contemplative, and even though you could argue the soldiers were stereotypes, they were so believable and so well acted, they seemed part of the scenery as well. The danger in the movie is everywhere and nowhere at the same time, and the men die as most men do in war, carelessly, and almost wastefully. The actors are superb, totally believable, and in the case of Robert Keith heart-breaking. I recommend this film to anyone, it's simply the best largely unknown war film ever.
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