Three performers for six roles: this is the game of the film. A melodrama about two love triangles. In the first, Hagalin is killed by his mistress and her lover. In the second, attorney ... See full summary »
Jeff Carr, a special investigator, arrives in Tomahawk. His assignment is to discover who has been holding up the local stagecoach and is guilty for a series of killings that terrorize the ... See full summary »
In Fort Lamy, French Equitorial Africa, idealist Morel launches a one-man campaign to preserve the African elephant from extinction, which he sees as the last remaining "roots of Heaven." ... See full summary »
Cool, cultured John Gant rides into Lordsburg. Gant is a professional killer, and although no one knows who he is there to kill, they are all worried. Everyone has enemies, and maybe Gant ... See full summary »
When his life is saved in a shootout by a fellow gunman whose life he in turn had saved, Alex Longmire promises to give up his way of life. Riding into town he finds the only job available ... See full summary »
In effect, modern cow town Spurline is run by Virgil Renchler, owner of the Golden Empire Ranch. One night, two of Virgil's henchmen go a little too far and beat a "bracero" ranch hand to death. Faced with an obvious cover-up and opposition on every hand, sheriff Ben Sadler is goaded into investigating. His unlikely ally: Renchler's lovely, self-willed and overprotected daughter. Will Ben survive Renchler's wrath? Written by
Rod Crawford <firstname.lastname@example.org>
The role of Virgil Renchler was originally supposed to be played by Robert Middleton. The William Morris Agency instead suggested Orson Welles, who badly needed money to pay tax. See more »
There isn't a yard of guts in this whole town. This isn't a town, it's a trained dog act! I'm tired of gettin' pushed around! One way or another I'm gonna get myself a couple of murderers tonight.
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Welles underused in atmospheric but slight thriller
Often mistaken as a Western, this little ranch-set, (then) modern-day murder tale has ambitious themes, but fails to resolve itself with much of an impact. Orson Welles was seen to possibly his best effect onscreen in 1958 with his masterpiece Touch of Evil and his great, scenery chewing Southern patriarch in The Long, Hot Summer. Here he's barely given anything to work with, and Jeff Chandler's solid work doesn't produce a memorable character. Good atmosphere, interesting potential, but a disappointment.
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