The evil Dr. Krupp, once again trying to get possession of the Aztec princess Xochitl's jewels, hypnotizes her current reincarnation, Flor, to get her to reveal the jewels' location - ...
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Experimenting in hypnotic regression to past lives, Dr. Almada discovers that his fiancée, Flor, is the reincarnation of an Aztec maiden who was put to death for loving an Aztec warrior, ... See full summary »
If you've ever longed for a movie about wrestling women who take on various monsters, this is it! Xochitl, the mummy, can turn into a snake or a bat, which is difficult to get half-Nelsons ... See full summary »
A mad scientist terrorizes a city by kidnapping young women with his ape-man Gomar and then using them as subjects in sadistic brain transplant experiments. A female wrestler whose sister ... See full summary »
A newlywed couple finds themselves broke when the woman's father dies deeply in debt. Forced to sell their belongings, they move into a rundown house from which they get very bad vibes. ... See full summary »
Ana Bertha Lepe,
The evil scientist Dr. Caronte plots to revive the brains of three dead scientists and use them to obtain the formula for the super-powerful neutron bomb. The resulting creation needs blood... See full summary »
The evil Dr. Krupp, once again trying to get possession of the Aztec princess Xochitl's jewels, hypnotizes her current reincarnation, Flor, to get her to reveal the jewels' location - Xochitl's tomb. Confusion reigns as Krupp and his thugs are opposed by Flor's lover, Dr. Almada, his assistant, and wrestling superhero, El Angel. Krupp finally meets his match, however, when he comes up against Popoca, the warrior mummy who guards Xochitl's tomb. Written by
Doug Sederberg <email@example.com>
CURSE OF THE AZTEC MUMMY (Rafael Portillo, 1957) **
This is an inferior first sequel to THE AZTEC MUMMY (1957), eschewing much of the atmosphere and metaphysics of the original for comic-strip antics and cliffhanger situations involving a masked avenger (whose identity is even more incredible than the revelation of the villain at the end of THE AZTEC MUMMY) and a private snake pit! Despite the title, the appearance of the mummy itself is almost an afterthought since it's relegated only to the climax. Though barely over an hour in length, the film features extensive flashback footage from its predecessor and, similar to it, the scenes involving the mummy are extremely dark the lighting during the finale changes drastically from one shot to the other perhaps so as to conceal the rather poor make-up job! The comedy relief isn't very pronounced this time around (as it turns out, for plot purposes) while the villain (incidentally, the scene depicting his escape from the clutches of the police at the beginning of the film utilizes footage from a gun battle featured in the first entry in the series!) here completely forsakes his "Bat" persona on his way to becoming the mad scientist in the next instalment...
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