Jim Dixon feels anything but lucky. At the university he has to do the bidding of absent-minded and boring Professor Welch to have any hope of keeping his job. Worse, he has managed to get ... See full summary »

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Cast

Cast overview, first billed only:
John Welsh ...
The Principal (as John Welch)
Ronald Cardew ...
Registrar
...
Kenneth Griffith ...
Cyril Johns
...
Jeremy Hawk ...
Bill Atkinson
Penny Morrell ...
Miss Wilson
John Cairney ...
Roberts
Maureen Connell ...
Reginald Beckwith ...
University Porter
...
Mrs. Welch
...
Glee Singer
Sharon Acker ...
...
Clive Morton ...
Sir Hector Gore-Urquhart
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Storyline

Jim Dixon feels anything but lucky. At the university he has to do the bidding of absent-minded and boring Professor Welch to have any hope of keeping his job. Worse, he has managed to get entangled with unexciting but neurotic Margaret Peel, a friend of the Professor's. All-in-all, the pub is the only friendly place to be. His misery is completed at a dreadful weekend gathering of the Welch clan by the arrival of son Bertrand. Not so much that Betrand is loud-mouthed and boorish - which he is - but that he has as companion Christine Callaghan, the sort of marvellous and unattainable woman Jim can only dream about. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

A Rollicking Lampoon of University (High) Life!

Genres:

Comedy

Certificate:

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Details

Country:

Language:

Release Date:

17 September 1957 (UK)  »

Also Known As:

O tyherakias  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?


Goofs

Obvious stunt doubles are used for Bertrand Welch (Terry-Thomas) and Professor Welch (Hugh Griffith) when riding the scooter chasing Jim Dixon (Ian Carmichael) See more »

Crazy Credits

Opening credits prologue: A Redbrick University in Britain's new Elizabethan age: here are moulded the intellectual Drakes and Raleighs of tomorrow - fearless, independent - and state supported See more »

Connections

Version of Stastný Jim (1969) See more »

Soundtracks

Lucky Jim
and the voice of Al Fernhead singing
by Fred V. Bowers and Charles Horwitz
See more »

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User Reviews

 
Mildly Funny but Somewhat Broad Version of the Amis Classic
5 July 2014 | by (London) – See all my reviews

Planned as a follow-up to PRIVATE'S PROGRESS (1956), the Boulting Brothers' version of the Kingsley Amis classic substitutes physical comedy for much of the novel's satire. Ian Carmichael plays Jim Dixon as an amiable dolt, well-meaning but hopelessly lost in a faculty world of would-be Oxbridge dons. Professor Welch (Hugh Griffith) comes across as forgetful yet obsessive; his wife (Jean Anderson) as an incorrigible snob; and their son Bertram (Terry-Thomas) as a pretentious layabout. They inhabit a world of the past, dominated by images of 'Merrie England' - an idealized version of history that in Dixon's view never existed. By contrast Dixon tries to inspire his learners by encouraging them to speculate on alternative versions of the past. The film's enduring theme ("Oh, Lucky Jim!") by John Addison offers an ironic counterpoint to many of the protagonists' misadventures; he is clearly NOT lucky in many of the things he does - for example, bringing a bulldog into the Welches' front room to disrupt their evening concert, or creating total anarchy in the middle of a procession dedicated to the new Chancellor's (Clive Morton's) inauguration. Carmichael possesses a certain degree of comic talent as the innocent lost in a world of pseudo-sophisticates, but the Boultings' attempt to turn him into a Keatonesque figure, complete with a repertoire of India-rubber facial expressions, falls rather flat. The film ends happily with Dixon getting the girl (Sharon Acker), but only after a chase-sequence involving a series of unconvincing studio shots that seems out of place in terms of the film as a whole. It's nice to see him get the better of the Welch family, but we don't get the sense that he is in any proud of his grammar school education which (in terms of the novel at least) is particularly important at the time of the film's original release, when redbrick universities were offering greater opportunities to people from all social backgrounds to advance themselves. The Welch family might not like these social upstarts invading their intellectual space but, in terms of British history as a whole, they were the future while the Welches represented the past.


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