Jim Dixon feels anything but lucky. At the university he has to do the bidding of absent-minded and boring Professor Welch to have any hope of keeping his job. Worse, he has managed to get ... See full summary »

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Cast

Cast overview, first billed only:
John Welsh ...
The Principal (as John Welch)
Ronald Cardew ...
Registrar
...
Kenneth Griffith ...
Cyril Johns
Ian Carmichael ...
Jeremy Hawk ...
Bill Atkinson
Penny Morrell ...
Miss Wilson
John Cairney ...
Roberts
Maureen Connell ...
Reginald Beckwith ...
University Porter
Jean Anderson ...
Mrs. Welch
Ian Wilson ...
Glee Singer
Sharon Acker ...
...
Clive Morton ...
Sir Hector Gore-Urquhart
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Storyline

Jim Dixon feels anything but lucky. At the university he has to do the bidding of absent-minded and boring Professor Welch to have any hope of keeping his job. Worse, he has managed to get entangled with unexciting but neurotic Margaret Peel, a friend of the Professor's. All-in-all, the pub is the only friendly place to be. His misery is completed at a dreadful weekend gathering of the Welch clan by the arrival of son Bertrand. Not so much that Betrand is loud-mouthed and boorish - which he is - but that he has as companion Christine Callaghan, the sort of marvellous and unattainable woman Jim can only dream about. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

A Rollicking Lampoon of University (High) Life!

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

17 September 1957 (UK)  »

Also Known As:

O tyherakias  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Kingsley Amis felt that Terry-Thomas was miscast as Bertrand Welch, but decided he was so amusing in the part that it didn't matter. See more »

Goofs

The taxi used by Jim and Christine when leaving the ball has 'Taxi' on a paper sign in the windscreen which is not there in long shot. See more »

Crazy Credits

Opening credits prologue: A Redbrick University in Britain's new Elizabethan age: here are moulded the intellectual Drakes and Raleighs of tomorrow - fearless, independent - and state supported See more »

Connections

Version of Stastný Jim (1969) See more »

Soundtracks

Lucky Jim
and the voice of Al Fernhead singing
by Fred V. Bowers and Charles Horwitz
See more »

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User Reviews

 
What have they done to my favorite novel?
3 June 2001 | by (http://pages.prodigy.net/arkent) – See all my reviews

It's hard for me to be objective about this film, as it is adapted from my favorite novel--which I've read eight or nine times. Also, I waited so long to see it that it may have been inevitable that I would ultimately be disappointed. Ironically, I first heard about the film some years before I read the book, and it was only after I read the book that I made the connection between it and the description my brother had once given me. It would be about 20 years (no kidding!) before I finally saw the film myself. I've now seen it twice and mostly hated it both times.

Kingsley Amis's LUCKY JIM was obligatory reading among history students when I was in grad school 30 years ago. The story about an unhappy history instructor in a crummy British provincial university expressed a lot of the angst that we felt as grad students, and it was funnier than heck as well. I loved the book then, and still love all these years later. Why, then, was the film such a disappointment? Mainly because the script muted much of the savageness of Amis's humor, and because it tacked on an idiotic chase scene at the end that has nothing whatever to do with the original story--or even with what goes before it in the film. (Even Ian Carmichael--who played Jim--hated that ending. He told me that the people making the film didn't seem to have any idea of what they were doing--and it shows.)

The producers also added a very unsatisfactory and irrelevant academic procession in them middle of the film--evidently for the sole purpose of making Carmichael look like a klutz by having him tripping over flowerpots and dropping things in the middle of the solemn affair.

Nevertheless, the film does have its virtues, chief among them is excellent casting. Ian Carmichael was born to play Jim. Terry-Thomas was properly unctuous as Bertrand; Hugh Griffith certainly looked the part as Professor Neddy; Maureen Connell looked like I imagined the neurotic Margaret Peel; and Sharon Acker made a fine-looking Christine Callaghan.


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