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Love in the Afternoon (1957)

Approved | | Comedy, Romance, Drama | 30 June 1957 (USA)
A middle-aged playboy becomes fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.

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(screenplay), (screenplay) | 1 more credit »
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Nominated for 3 Golden Globes. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
Ariane Chavasse / Thin Girl
...
Claude Chavasse
...
Monsieur X
Van Doude ...
Michel
Lise Bourdin ...
Madame X
Olga Valéry ...
Hotel Guest with Dog (as Olga Valery)
The Gypsies ...
Themselves
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Storyline

In Paris, detective Claude Chavasse is hired to follow a wife suspected of infidelity with the notorious American libertine Frank Flannagan. When the husband learns that his suspicions are accurate, he tells Claude of his plan to kill Flannagan. Claude's daughter Ariane overhears the threat and warns Frank of the coming trouble. She then plays the part of a worldly socialite with a list of conquests as long as Flannagan's. The bemused ladies' man returns to America the next day and Ariane, completely in love, follows his romantic escapades in the news. She sees him again in Paris the following year, and resumes her worldly guise, telling tales of former lovers when they meet at his hotel in the afternoon. Frank, amazed by the mystery girl and surprised to find himself jealous of her past, hires Claude to uncover more information about her. When the detective realizes what has happened, he asks Frank not to break his daughter's heart. Written by filmfactsman

Plot Summary | Add Synopsis

Taglines:

Love is a game any number can play... especially in the afternoon... See more »

Genres:

Comedy | Romance | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

30 June 1957 (USA)  »

Also Known As:

Ariane  »

Box Office

Budget:

$2,100,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (cut)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Gary Cooper was very pleased with his performance and was very disappointed that the majority of critics thought him miscast due to his age. Indeed, the film's box office failure was largely attributed to him being considered too old to play Audrey Hepburn's lover. In April 1958 he had a full facelift, but the procedure was largely unsuccessful. See more »

Goofs

When Ariane returns one of her father's files to a locked safe and opens it by banging it with her fist, a thin wire used to pull open the safe is visible. See more »

Quotes

[first lines]
Claude Chavasse: [voiceover] This is the city - Paris, France. It is just like any other big city - London, New York, Tokyo - except for two little things. In Paris, people eat better. And in Paris, people make love - well, perhaps not better, but certainly more often. They do it any time, any place. On the left bank, on the right bank, and in between! They do it by day, and they do it by night. The butcher, the baker, and the friendly undertaker. They do it in motion, they do it sitting absolutely ...
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Connections

Referenced in Hart to Hart: Murder, Murder on the Wall (1980) See more »

Soundtracks

C'est si bon
Music by Henri Betti
French lyrics by André Hornez
English lyrics by Jerry Seelen
Instrumental version
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Frequently Asked Questions

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User Reviews

 
Charming, beautiful love story, well done despite seemingly improbable casting.
21 September 1999 | by (Oklahoma City) – See all my reviews

This charming romance restores ones belief that the improbable, no matter how unlikely, has, to paraphrase Conan Doyle, the ring of a singular truth and beauty. The author and director clearly knew a lot about love. I guess my admiration for this film proves that after 30 years in a single blissful relationship, I am still an unabashed romantic. This film is what it's all about. I feel sorry for those art-film historians who fail to be overwhelmed by the depth and charm of this piece and would rather pick it apart with their overly dissecting, maddeningly analytic tweezers, missing the point entirely. Their lives must be rather cold and empty.

This film works. Wilder's genius pulls it off. How many among us know of numerous life-long loves where the age difference between the lovers would appear prohibitive but proves to be only a minor obstacle to a lasting relationship. In my experience life imitates art. In this work it is the very difference in their ages and the differing circumstances of their lives that attract Gary Cooper and Audrey Hepburn's characters. It is the differences that are extra-normal that make this story so believable. He is attracted to her utterly captivating refined insouciance and she to his masculine-straight forward worldly charm. He is the best of the fantasies she has constructed from her father's (Maurice Chevalier's) detective business files, and she is precisely the down home girl with her wits about her who knows his world and his past and loves him anyway.

Why is it the desire of all those incapable of suspending disbelief even a smidgen to turn every work of art into a highly predictable, formulaic mouthful of insipid pre-stamped pabulum. How shallow. Or perhaps I am not only overly romantic but additionally overly democratic. I am proud to see that at least the positive vote count for this film, that is the large number of 9 and 10 votes, more accurately reflects the quality of this timeless vignette, than do the rather sour comments that I have just read. If you have half a heart you will laugh and cry and truly love this film!


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The age difference is just creepy janet444-1
The woman hitting the dog... j_captain
Does Anyone Else find this Comical? bbiinnggoo
I didn't care for the male lead somophia
how old is she supposed to be? darkangel1980
Wilder's Classic Comedy??? sdkjackson
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