After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon...
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Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
An American boy and a French girl run away from a Swiss school making for Paris to reunite with their parents. The boy's father and the girl's mother join forces, despite cultural differences, to search for their kids.
Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her ... See full summary »
Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married ... See full summary »
While working as a counselor at a summer camp, college-student Marjorie Morgenstern falls for 32-year-old Noel Airman, a would-be dramatist working at a nearby summer theater. Like Marjorie... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon (1950)-style narrative presents the story from three points of view. Sybil accuses Angele of having an affair with Barry (Gene Kelly), while Angele insists that it was actually Sybil who was having the affair. Finally, Barry gives his side of the story. Written by
Mitzi Gaynor breaks her picture over Gene Kelly's head, and storms out the door. As he gets up to go after her, the frame is still clearly around his neck. But as he goes out the door, the frame is gone. See more »
There is a unique kind of elegance in Cukor's way to see the world. An elegance that is utterly personal. Witty, warm, enchanting. It could disguise, transform and magnify the smallest, thinnest trifle. I remember feeling my cheeks kind of numb after the film was over, not from laughing but from smiling all the way through. Cukor's reputation as a women's director was no myth. Here, the glorious Kay Kendall, in a character written with a tired left hand, shines all the same because Cukor knew and understood what made her so irresistible. She was, in the history of the movies, like a comet that flashed before us dazzling us and disappearing very fast but leaving behind a unique brand of magic. In "Les Girls" she even dances with Gene Kelly, wears hats and sun glasses like no one ever had before or since. She's an impossibly perfect combination of Allison Janney and Greta Garbo. This is a film that more often than not, people forget to remember. I think it's time to correct that. Rent it or buy it, switch on the weather channel, select a rainy winter Sunday, invite a bunch of friends and have a ball.
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