After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
An American boy and a French girl run away from a Swiss school making for Paris to reunite with their parents. The boy's father and the girl's mother join forces, despite cultural differences, to search for their kids.
1947: Captain Jeff Eliott returns to Germany to thank the Lert family, who hid him during ww-ii when his plane was shot down over Munich. However he learns that the parents died when their ... See full summary »
Based on the best-selling novel by Irving Wallace that was inspired by the Kinsey Report on the sexual mores of suburban women, the film follows the personal (read sexual) lives of four ... See full summary »
Efrem Zimbalist Jr.,
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon (1950)-style narrative presents the story from three points of view. Sybil accuses Angele of having an affair with Barry (Gene Kelly), while Angele insists that it was actually Sybil who was having the affair. Finally, Barry gives his side of the story. Written by
Heard in the background between the stage performances is a snippet of "Be a Clown." Cole Porter wrote this for, "The Pirate," and he wrote the rest of "Les Girls" songs. People might think that they hear a snippet of, "Make 'em Laugh," from "Singing in the Rain." But that song was based on/stolen by Arthur Freed from Cole Porter. (But that's another story.) See more »
Mitzi Gaynor breaks her picture over Gene Kelly's head, and storms out the door. As he gets up to go after her, the frame is still clearly around his neck. But as he goes out the door, the frame is gone. See more »
Okay, perhaps this isn't on a par with Gene Kelly's greatest films, and perhaps the Cole Porter score is not one of his absolute best. But this film is so well written (its take on "Rashomon" is extremely clever), such a brilliant combination of comedy, drama, song and dance, with an exceptional performance by the great Kay Kendall, and equally fine turns by Mitzi Gaynor (who is always maligned, when she had developed into a terrific singing/dancing comedienne by this point in her career), Taina Elg and Kelly. John Patrick's screenplay is extremely witty, Porter's songs (while too few) are fun, George Cukor's direction is swift and elegant, and Jack Cole's choreography is great fun ("Why Am I So Gone" show Kelly and Gaynor off terrifically, and is a funny parody on the Brando craze of the 50s). All in all, a great show that deserves a far better reputation than it has; I've seen it many times since childhood, and always enjoy it immensely.
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