After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Pat's a brilliant athlete, except when her domineering fiance is around. The lady's golf championship is in her reach until she gets flustered by his presence at the final holes. He wants ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon (1950)-style narrative presents the story from three points of view. Sybil accuses Angele of having an affair with Barry (Gene Kelly), while Angele insists that it was actually Sybil who was having the affair. Finally, Barry gives his side of the story. Written by
When Barry walks away from Joy after he first fakes heart problems at the outside market, Joy's voice can be heard telling the salesperson in French that she wants celery. But as she is turning her head to watch Barry leave, you can clearly see that her mouth is not moving. See more »
Okay, perhaps this isn't on a par with Gene Kelly's greatest films, and perhaps the Cole Porter score is not one of his absolute best. But this film is so well written (its take on "Rashomon" is extremely clever), such a brilliant combination of comedy, drama, song and dance, with an exceptional performance by the great Kay Kendall, and equally fine turns by Mitzi Gaynor (who is always maligned, when she had developed into a terrific singing/dancing comedienne by this point in her career), Taina Elg and Kelly. John Patrick's screenplay is extremely witty, Porter's songs (while too few) are fun, George Cukor's direction is swift and elegant, and Jack Cole's choreography is great fun ("Why Am I So Gone" show Kelly and Gaynor off terrifically, and is a funny parody on the Brando craze of the 50s). All in all, a great show that deserves a far better reputation than it has; I've seen it many times since childhood, and always enjoy it immensely.
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