Three decorated Navy pilots finagle a four day leave in San Francisco. They procure a posh suite at the hotel and Commander Crewson, a master of procurement, arranges to populate it with ... See full summary »
Captain Henri Rochard is a French officer assigned to work with Lieut. Catherine Gates. Through a wacky series of misadventures, they fall in love and marry. When the war ends, Capt. ... See full summary »
The fictionalized biography of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s. The film's attempted biography matches many public ... See full summary »
Artist Jimmy Hudson (Cary Grant) is stuck in Mexico unable to pay his hotel bill. Meanwhile, Louise Fuller (Grace Moore) opera singer is stuck in the same town unable to return to the US ... See full summary »
Three decorated Navy pilots finagle a four day leave in San Francisco. They procure a posh suite at the hotel and Commander Crewson, a master of procurement, arranges to populate it with party people. Lieutenant Wallace is trying to get the pilots to make speeches to rally the homefront at shipyard magnate Eddie Turnbill's plants, but they're tired of the war and just want to have fun. While Crewson begins falling in love with Turnbill's fiancée Gwinneth Livingston, he tries to ignore the distant call of war. Written by
Ed Sutton <email@example.com>
The cargo aircraft said to be landing at "Honolulu-1944" in the opening scenes is a Boeing C-97 Stratofreighter, the prototype of which first flew on November 9, 1944, and the first production versions of which did not enter Air Force service until 1947. See more »
A Monumental Disappointment and a Waste of Fine Talent
There is a level of high expectation when you sit down to watch a comedy with a cast headed by Cary Grant, Jayne Mansfield, Ray Walston and Werner Klemperer. Those expectations are buoyed further when the film is directed by Stanley Donen, whose comic touch was so evident in, among others, DAMN YANKEES!, BEDAZZLED and CHARADE. For the first five minutes, or so, it seems that those expectations might be met and then . Nothing. What is supposed to be a light comedy, plunges into leaden, heavy handed melodrama, with nary a chuckle to be had.
Relative newcomer Suzy Parker has often been criticized for her performance, or lack of one, in this film, but in a movie in which even the great Cary Grant frequently appears flat and wooden, attacking Parker seems unfair. Not even as bright a light as an Audrey Hepburn or Doris Day could have changed the fortunes of this meandering, dreary and wholly pointless script, which drags itself lamely along and drags the viewer's interest and patience down with it.
The rest of the cast, especially Ray Walston, keep trying to breath some life into the proceedings, but the horrible script is beyond resuscitation. The desperate, inane effort to drag a half hearted laugh from the numbed audience in the film's final moments only serves to add insult to injury.
This film is nothing but a major disappointment on all levels.
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