2 items from 2013
Much of Godard and Chaplin's concerns within these individual films are the same, and indeed A King In New York is on Godard's Top Ten of 1957 list, as well as topping Cahiers' overall list for that year. Buildings are terrifying, expressionistic structures of glass and steel. Violence is strange and jolting, both to the observer and the victim. We are forced to turn left or right, rather than making the conscious decision to do so. Both films take place in hotel rooms-galore, and in both cases the hotel's service consists of robotic human beings who understand nothing but complacency and subservience. The dawn of consumerism is a target of both works as well, and in both cases women look at us seductively but without feeling, as though they are part of advertisements themselves. »
- Neil Bahadur
Looking back at 2012 on what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2012—in theaters or at a festival—and creatively pair it with an old film they also saw in 2012 to create a unique double feature.
All the contributors were asked to write a paragraph explaining their 2012 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How would you program some »
- Daniel Kasman
2 items from 2013
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