7.2/10
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51 user 33 critic

A King in New York (1957)

A recently-deposed European monarch seeks shelter in New York City, where he becomes an accidental television celebrity and is later wrongly accused of being a Communist.

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Cast

Cast overview, first billed only:
...
...
Queen Irene
Jerry Desmonde ...
Prime Minister Voudel
...
Ambassador Jaume
...
Ann Kay - TV Specialist
...
Johnson - TV Advertiser
Joan Ingram ...
Mona Cromwell - Hostess
...
Rupert Macabee
John McLaren ...
Macabee Senior
...
Headmaster
...
Lawyer
...
Liftboy
...
School Superintendent
...
U.S. Marshal
...
Member of Atomic Commission
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Storyline

Due to a revolution in his country, King Shahdov comes to New York - almost broke. To get some money he goes to TV, making commercials and meets the child from communist parents. Due to this he is suddenly a suspected as a communist himself and has to face one of McCarthy's hearings. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

G | See all certifications »
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Details

Country:

Language:

Release Date:

12 September 1957 (UK)  »

Also Known As:

Un rey en Nueva York  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Shot for only 12 weeks, the shortest shooting schedule of all of Charles Chaplin's films. See more »

Goofs

When Rupert plays solitaire in Shahdov's room, the position of his hands changes between shots. See more »

Quotes

[after being told that the political turmoil in America is just a "passing phase."]
King Shahdov: Quite so. In the meantime, I'll sit it out in Europe.
See more »

Connections

Referenced in The Truman Show (1998) See more »

Soundtracks

Weeping Willow
(1957)
Written by Charles Chaplin
Played in the score
See more »

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User Reviews

 
Delightful Surprise
10 April 2004 | by (New York, USA) – See all my reviews

When I was a child, Charlie Chaplin's name was anathema. Here was the

personification of the "Red Peril," made worse still by the fact that we

had loved and trusted him through a lifetime of film. When A KING IN NEW

YORK came out it couldn't even get a distributor in the U.S. so virulent

was the hatred for "turncoat" Charlie.

Now, forty seven years later, and thanks tp the amazing TCM, I have

finally seen A KING IN NEW YORK and though it is somewhat uneven and

episodic, I believe it to be one of the best of Chaplin's films.

A mixture of broad slapstick and wry and subtle satire, the film is

often hilarious while at the same time touching and thought provoking.

Satire has to be the hardest form of art to translate to the screen and

there are few films that even try to tackle it, (Frank Tashlin's

hilarious WILL SUCCESS SPOIL ROCK HUNTER? one delightful example), so A

KING IN NEW YORK is welcome as an attempt to satirize a rather

unsettling time in US history.

There are many brilliant scenes in A KING IN NEW YORK; the ones in the

movie theater, at the "Montesori" type school and shooting the Scotch

commercial among the best. Above all, the warmth, humanity and total

befuddlement of the King, as performed by Chaplin, is the glue that

holds the enterprise together.

In every frame, Chaplin is mesmerizing and Dawn Addams, playing it way

over the top as the epitome of the "woman in the grey flannel suit"

(one, by the way,that is covered by a floor length mink!), is a constant

delight. Excellent too is Michael Chaplin, the director's son, as a

young genius who spouts the joys of Communism at the drop of a hat.

Joe McCarthy is gone (so far!), Chaplin is dead and we are left in yet

another unsure world. Comedy, as always, will help get us through. A

KING IN NEW YORK gives us that comedic respite, while proving, so many

years later, that governments are, after all, transitory things while

art last forever.

A comedic gem!!!!!!!!!!!!!!!!!


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