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A King in New York (1957)

 -  Comedy | Drama  -  12 September 1957 (UK)
7.3
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Ratings: 7.3/10 from 4,680 users  
Reviews: 46 user | 32 critic

A recently-deposed European monarch seeks shelter in New York City, where he becomes an accidental television celebrity and is later wrongly accused of being a Communist.

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Cast

Cast overview, first billed only:
...
Maxine Audley ...
Queen Irene
Jerry Desmonde ...
Prime Minister Voudel
Oliver Johnston ...
Ambassador Jaume
Dawn Addams ...
Ann Kay - TV Specialist
Sidney James ...
Johnson - TV Advertiser
Joan Ingram ...
Mona Cromwell - Hostess
Michael Chaplin ...
Rupert Macabee
John McLaren ...
Macabee Senior
Phil Brown ...
Headmaster
Harry Green ...
Lawyer
Robert Arden ...
Liftboy
Alan Gifford ...
School Superintendent
Robert Cawdron ...
U.S. Marshal
George Woodbridge ...
Member of Atomic Commission
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Storyline

Due to a revolution in his country, King Shahdov comes to New York - almost broke. To get some money he goes to TV, making commercials and meets the child from communist parents. Due to this he is suddenly a suspected as a communist himself and has to face one of McCarthy's hearings. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

G | See all certifications »
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Details

Country:

Language:

Release Date:

12 September 1957 (UK)  »

Also Known As:

En konge i New York  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Dawn Addams replaced Kay Kendall. See more »

Goofs

In the last scene with Shahdov and Jaume, image is reversed as one can see by the reverse writing above the emergency exit sign above them and their jacket pockets with handkerchiefs and flower lapels are on their right side. See more »

Quotes

Lawyer: Your Majesty, first and foremost, you must stand on your rights and demand immunity on the ground of your Royal Prerogative.
King Shahdov: Immunity from what?
Lawyer: That I don't know, but I intend to find out. But if they put the 64 dollars question to you, as if you are, or ever have been a communist, then again you must stand on your Royal Prerogative.
King Shahdov: But that question is absurd.
Lawyer: There are many things absurd these days...
See more »

Connections

Featured in Chaplin Today: A King in New York (2003) See more »

Soundtracks

The Sadness Goes On
(1957)
Written by Charles Chaplin
Sung by Joy Nichols
See more »

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User Reviews

 
A must-see for Chaplin fans
8 December 1998 | by (Kingston, Ontario, Canada) – See all my reviews

"A King in New York" is one of those few films that gets better and better every time you see it.

Yes, it's flawed--the sets look shabby, and some of the dialogue is stilted and melodramatic. Yet despite these shortcomings, AKINY still stands out as a wonderful, playful satire of 1950's America.

For those of you who may not know, Chaplin himself was targetted by the U.S. government at the time for his alleged communist leanings. In fact, AKINY had to be shot in Britain (Chaplin's birthplace) only because Chaplin and his family had been forbidden to re-enter the U.S after a short vacation overseas.

AKINY was Chaplin's response to the nonsense and paranoia that pervaded American society at that time. Chaplin also pokes fun at America's obsession with technology and the media--a point which is even more relevant today.

Chaplin plays King Shahdov, a deposed monarch who flees to America in the hopes of selling his plans for a peaceful, nuclear-based society (which never happens). Chaplin plays Shahdov as an honest, but hapless European monarch thrust into the dizzying whirl of modern America. Chaplin is at his absolute best here as a befuddled and somewhat puzzled outsider.

Shahdov soon meets up with two people. The first is Ann Kay (Dawn Addams), a beautiful young woman who seduces the King and lures him into appearing in her television commercials, and Rupert Macabee (played by Chaplin's son, Michael), a brilliant young boy whose parents have been imprisoned by HUAC. Also worth noting is Ambassador Jaume (Oliver Johnston), Shahdov's loyal friend and confidante. Johnston and Chaplin play off each other beautifully, and together they share some of the film's funniest moments.

AKINY is full of priceless "bits of business," as Chaplin used to say--there's a hilarious restaurant scene in which Chaplin mimes his order to the waiter in order to overcome the dreadful racket from the house band.

Then there's the scene in which Shahdov's newly lifted face become "unhinged" as he bursts into laughter at a comedy show. Chaplin slyly slips in and out of these bits (which are essentially silent comedy pantomimes dating back to his earliest days in English Music Halls) with great ease.

Such scenes provide the most satisfying moments in the film. Here, behind Chaplin's aged face and body, you can still see the little tramp come to life, and it's wonderful.

AKINY is vastly underrated by most critics who, for some reason, obsess over the sets, and virtually ignore what is truly one of Chaplin's masterpieces. AKINY is rarely screened in North America for some reason, so if you get the chance to see it, don't pass it up.


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