This documentary, which was undertaken soon after James Dean's death, looks at Dean's life through the use of still photographs with narration, and interviews with many of the people ... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class.
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
A dramatized incident about a university dean of architecture who encourages a graduate student whose seemingly impractical architectural designs have been unfavorably received by his ... See full summary »
This documentary, which was undertaken soon after James Dean's death, looks at Dean's life through the use of still photographs with narration, and interviews with many of the people involved in his short life. Interviewees include the aunt and uncle who raised him after his mother's death (when James was 9), his fraternal grandparents, a cabdriver friend in New York City, and the owner of his favorite restaurant in Los Angeles. James's father, who was alive when the film was made, does not get a single mention. Written by
David Glagovsky <email@example.com>
This 1957 documentary was thrown together to capitalize on the Dean legend and hopefully cash in on it. Out of luck - even Dean's ardent fans avoided this turkey. Using still photography and a morose narrator, Martin Gabel, this contains little useful information not already known about Dean. Interviews with family and neighbors back home shed little light - they are so terminally dull and brimming with flat affect, one is astonished that Dean's fluidity of expression and sensitivity grew out of this environment. Of some value is an outtake from EAST OF EDEN (presented here in dimly lit black and white) between Dean and Davalos. It's a gruelling 82 minutes.
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