Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet.
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to ... See full summary »
Vince Everett is serving a one-year jail sentence for manslaughter. While in the big house, his cellmate, a former country singer, introduces him to the record business. Everett takes to it so well that he decides to become a singer when he gets out. However, he is quickly disillusioned by the record business. But with the help of a new friend, he decides to form his own label, and soon becomes an overnight sensation. But when he becomes a superstar, will his desire for fame and money cause him to forget the people who got him there? Written by
Originally choreographer Alex Romero created a dance for the song "Jailhouse Rock" that was in a style apropos for a more classically trained dancer than Elvis Presley. When Romero realized that his plans for the number were never going to work, he asked Elvis how would he normally move to the song, leading Elvis to become the uncredited choreographer for what many consider his most famous dance number in all of his movies. See more »
Great songs, a fine leading actor and actress (Elvis, not the world's greatest actor but doing his Method bit here; and the ill-fated Judy Tyler), and an engrossing story make 'Jailhouse Rock' a great rock 'n' roll musical, and by far one of the best movies made by The King at the peak of his powers.
Yes, there are some cringeworthy bits ('it's only the beast in me'), but in the main this is a rags to riches tale which showcases some raw Presley performances, especially the title track and the quieter 'Young and Beautiful' alongside a contemporary tale of fights, attitude, and the county jail.
The great surprise is that this film still looks and feels fresh after more than fifty years. The pity is that Elvis would only have a handful of decent performances before the rot set in with 'Kissin Cousins', 'Tickle Me', and the like.
12 of 15 people found this review helpful.
Was this review helpful to you?